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Chapters (118)
  1. Title Page
  2. Welcome
  3. Dedication
  4. Epigraph
  5. THE POISONWOOD TREE
  6. Chapter 1
  7. THE QUEUE
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Chapter 6
  13. Chapter 7
  14. Chapter 8
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Robert Moreno Homicide
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. CHAMELEONS
  31. Chapter 24
  32. Chapter 25
  33. Chapter 26
  34. Chapter 27
  35. Chapter 28
  36. Chapter 29
  37. Chapter 30
  38. Chapter 31
  39. Chapter 32
  40. Chapter 33
  41. Chapter 34
  42. Chapter 35
  43. Chapter 36
  44. Chapter 37
  45. Chapter 38
  46. Chapter 39
  47. Chapter 40
  48. Chapter 41
  49. Chapter 42
  50. Chapter 43
  51. Chapter 44
  52. Chapter 45
  53. SLICE
  54. Chapter 46
  55. Chapter 47
  56. Chapter 48
  57. Chapter 49
  58. Chapter 50
  59. Chapter 51
  60. Chapter 52
  61. Chapter 53
  62. Chapter 54
  63. Chapter 55
  64. THE MILLION-DOLLAR BULLET
  65. Chapter 56
  66. Chapter 57
  67. Robert Moreno Homicide
  68. Chapter 59
  69. Chapter 60
  70. Chapter 61
  71. Chapter 62
  72. Chapter 63
  73. Chapter 64
  74. Chapter 65
  75. Chapter 66
  76. Chapter 67
  77. Chapter 68
  78. Chapter 69
  79. Chapter 70
  80. Chapter 71
  81. Chapter 72
  82. Chapter 73
  83. Chapter 74
  84. Chapter 75
  85. Chapter 76
  86. Chapter 77
  87. SMOKE
  88. Chapter 78
  89. Chapter 79
  90. Chapter 80
  91. Chapter 81
  92. Chapter 82
  93. Chapter 83
  94. Chapter 84
  95. Chapter 85
  96. Chapter 86
  97. Chapter 87
  98. Chapter 88
  99. Chapter 89
  100. Chapter 90
  101. Chapter 91
  102. Chapter 92
  103. MESSAGES
  104. Chapter 93
  105. Chapter 94
  106. Chapter 95
  107. Chapter 96
  108. Chapter 97
  109. Chapter 98
  110. WHEN YOU MOVE…
  111. Chapter 99
  112. The Recipes of Jacob Swann
  113. Acknowledgments
  114. About the Author
  115. Also by Jeffery Deaver
  116. Thank you for buying this ebook, published by Hachette Digital.
  117. Contents
  118. Copyright

This is what Amelia Sachs now did.

She didn’t think she was a natural at forensic analysis. She was no scientist. Her mind didn’t make those breathtaking deductions that came so quickly to Rhyme. But one thing that did work to her advantage was her empathy.

When they’d first started working together, Rhyme had apparently spotted within her a skill he himself did not have: the ability to get into the mind of the perpetrator. When she walked the grid she found she was actually able to mentally become the killer or rapist or kidnapper or thief. This could be a harrowing, exhausting endeavor. But when it worked, the process meant she would think of places in the scene to examine that a typical searcher might not, hiding places, improbable entrance and escape routes, vantage points.

It was there that she would discover evidence that would otherwise have remained hidden forever.

The techs from Crime Scene in Queens arrived. But, as before, she was handling the preliminary work alone. You’d think more people made for a better search but that was true only in an expansive area like those involving mass shootings. In a typical scene a single searcher is less distracted—and is also aware that there’s no one else to catch what he misses, so he concentrates that much harder.

And one truth about crime scene work: You’ve only got one chance to find the critical clue; you can’t go back and try again.

As she walked through the apartment where Lydia Foster’s corpse sat, head back and bloody, tied to a chair, Sachs felt an urge to speak to Rhyme to tell him what she was seeing and smelling and thinking. And once again, as when walking the grid at Java Hut, the emptiness at being unable to hear his voice chilled her heart. Rhyme was only a thousand miles away but she felt as if he’d ceased to exist.

Involuntarily she thought again of the surgery scheduled for later in the month. Didn’t want to consider it, but couldn’t help herself.

What if he didn’t survive?

Both Sachs and Rhyme lived on the edge—her lifestyle of speed and danger, his physical condition. Possibly, probably, this element of risk made life together more intense, their connection closer. And she accepted this most of the time. But now, with him away and her searching a particularly difficult scene involving a perp all too aware of her, she couldn’t help but think that they were always just a gunshot or heartbeat away from being alone forever.

Forget this, Sachs thought harshly. Possibly said it aloud. She didn’t know. Get to work.