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Chapters (54)
  1. Title Page
  2. Table of Contents
  3. Prologue
  4. PART ONE
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Chapter Four
  9. Chapter Five
  10. Chapter Six
  11. Chapter Seven
  12. Chapter Eight
  13. PART TWO
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. PART THREE
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-one
  28. Chapter Twenty-two
  29. Chapter Twenty-three
  30. Chapter Twenty-four
  31. Chapter Twenty-five
  32. Chapter Twenty-six
  33. Chapter Twenty-seven
  34. Chapter Twenty-eight
  35. Chapter Twenty-nine
  36. Chapter Thirty
  37. Chapter Thirty-one
  38. PART FOUR
  39. Chapter Thirty-two
  40. Chapter Thirty-three
  41. Chapter Thirty-four
  42. Chapter Thirty-five
  43. Chapter Thirty-six
  44. Chapter Thirty-seven
  45. Chapter Thirty-eight
  46. Chapter Thirty-nine
  47. Chapter Forty
  48. Chapter Forty-one
  49. Chapter Forty-two
  50. Chapter Forty-three
  51. Epilogue
  52. ALSO BY ROBERT LUDLUM
  53. Critical Praise for Robert Ludlum
  54. Copyright Page

Many would die in the next several minutes, and they would be the fortunate ones. But there was one person in the Stone Palace who would not be killed—not yet. He was a special man, a man who had come to the island in an attempt to broker a peace. He was a powerful man, revered by millions, but an agent of neocolonialism nevertheless. So he had to be treated with care. This one—the great man, the “peacemaker,” the man of all peoples, as the Western media insisted—would not be a casualty of a military skirmish. He would not be shot.

For him, the proper niceties would be observed.

And then he would be beheaded as the criminal he was.

The revolution would be nourished on his blood!

PART ONE

PART ONE

Chapter One

Chapter One

The worldwide headquarters of the Harnett Corporation occupied the top two floors of a sleek black-glass tower on Dearborn Street, in Chicago’s Loop. Harnett was an international construction firm, but not the kind that put up skyscrapers in American metropolises. Most of its projects were outside the United States; along with larger corporations such as Bechtel, Vivendi, and Suez Lyonnaise des Eaux, it contracted for projects like dams, wastewater treatment plants, and gas turbine power stations—unglamorous but necessary infrastructure. Such projects posed civil-engineering challenges rather than aesthetic ones, but they also required an ability to work the ever shifting zone between public and private sectors. Third World countries, pressured by the World Bank and the International Monetary Fund to sell off publicly owned assets, routinely sought bidders for telephone systems, water and power utilities, railways, and mines. As ownership changed hands, new construction work was required, and narrowly focused firms like the Harnett Corporation had come into their own.

“To see Ross Harnett,” the man told the receptionist. “The name’s Paul Janson.”

The receptionist, a young man with freckles and red hair, nodded, and notified the chairman’s office. He glanced at the visitor without interest. Another middle-aged white guy with a yellow tie. What was there to see?

For Janson, it was a point of pride that he seldom got a second look. Though he was athletic and solidly built, his appearance was unremarkable, utterly nondescript. With his creased forehead and short-cropped steel-gray hair, he looked his five decades. Whether on Wall Street or the Bourse, he knew how to make himself all but invisible. Even his expensively tailored suit, of gray nailhead worsted, was perfect camouflage, as appropriate to the corporate jungle as the green and black face paint he once wore in Vietnam was to the real jungle. One would have to be a trained observer to detect that it was the man’s shoulders, not the customary shoulder pads, that filled out the suit. And one would have to have spent some time with him to notice the way his slate eyes took everything in, or his quietly ironic air.