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Contents ( 95)
  1. Dedication
  2. Contents
  3. Part 1
  4. August, Block Island
  5. Prologue
  6. Part 2
  7. Two Months Ago, June
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Chapter 20
  28. Chapter 21
  29. Part 3
  30. July
  31. Chapter 22
  32. Chapter 23
  33. Chapter 24
  34. Chapter 25
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Chapter 33
  43. Chapter 34
  44. Chapter 35
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Part 4
  51. August
  52. Chapter 41
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Chapter 46
  58. Chapter 47
  59. Chapter 48
  60. Chapter 49
  61. Chapter 50
  62. Chapter 51
  63. Chapter 52
  64. Chapter 53
  65. Chapter 54
  66. Chapter 55
  67. Chapter 56
  68. Chapter 57
  69. Chapter 58
  70. Chapter 59
  71. Chapter 60
  72. Chapter 61
  73. Chapter 62
  74. Chapter 63
  75. Chapter 64
  76. Chapter 65
  77. Chapter 66
  78. Chapter 67
  79. Epilogue
  80. Acknowledgments
  81. P.S. Insights, Interviews & More . . .*
  82. About the Author
  83. Meet Meg Mitchell Moore
  84. A Conversation with Meg Mitchell Moore
  85. About the Book
  86. Behind the Book
  87. Reading Group Guide
  88. Read On
  89. An Excerpt from Two Truths and a Lie
  90. Prologue
  91. June
  92. I: THE SQUAD
  93. Praise for The Islanders
  94. Copyright
  95. About the Publisher

“Everything about your career. Your collective career. She wrote as much of the books as you did. More, in some cases! The Beauty’s Beast. Red as Rubies. Jury of Peers.”

“Ah,” said Leonard. He sat back in the desk chair and regarded Anthony.

“Well?” said Anthony. “Is it true?”

Leonard said, “So, with this little tidbit, you think you know everything. You think you know the whole story.”

“I think I know most of it,” Anthony said. He felt like they should be drinking something more manly—bourbon, scotch—but the wine went down easy and he began to feel more relaxed.

“I bet you don’t,” said Leonard. “So why don’t I tell you when it started?”

“Okay,” said Anthony. He hated how compliant he sounded.

“I was sick with the flu,” said Leonard. “I was so sick, for almost a month. I don’t know if you remember that. You were in middle school. My last two books had done extremely well.”

“I don’t,” said Anthony evenly. He did, but he wanted to hear his father tell it. The year of the flu, seventh grade. Some particularly virulent strain had appeared, and half the school was out for days at a time. Then his father caught it. Anthony and Dorothy somehow escaped. He remembered his mother disappearing constantly into the master bedroom. Tending to the sick, Anthony had thought at the time.

“Sick or not, the deadline didn’t go anywhere. There was no leeway. You wouldn’t understand, you haven’t been doing it like I have. You’re not the same kind of writer. One novel to your name.”

“Two,” said Anthony. “And the short stories.”

Leonard raised an eyebrow. “Not quite two, is it? And I don’t count the short stories. Short stories don’t sell.”

“Well, I understand the concept of a deadline,” said Anthony evenly. He drank more wine.

“The pressure to produce, to keep producing, on the schedule the publisher had set up. It was enormous. But to stop, when I was just getting that momentum—that simply wasn’t an option. I never would have become what I became if I’d stopped. So I was trying to work on the book when I was quite ill, and I couldn’t keep the thoughts straight in my head. They kept—” He made a whirling motion with his hand. “They kept moving around. Every morning while you were at school your mother would come in with a pad of paper and take notes for me. My hands were too shaky to write. I’d say the lines of dialogue, and she’d write them down, and every now and then she’d make a suggestion. What if the killer said this instead of that? What if the child appeared in the scene in the restaurant, or the argument took place on the boat? And so on. On we went like that, for days and days and days, and when I was better, and I was back in my study, I realized how helpful she’d been to me. I started calling her in when I had a question, a doubt. Her suggestions became more and more integral to the book. That book did better than any of them, and when it was time to start the next book, it just seemed natural that we would work on it together. So we did.” He looked down at his hands, then took a long pull of the Cabernet. “And we’ve simply never stopped.”