Contents ( 95)
- Dedication
- Contents
- Part 1
- August, Block Island
- Prologue
- Part 2
- Two Months Ago, June
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Part 3
- July
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Part 4
- August
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue
- Acknowledgments
- P.S. Insights, Interviews & More . . .*
- About the Author
- Meet Meg Mitchell Moore
- A Conversation with Meg Mitchell Moore
- About the Book
- Behind the Book
- Reading Group Guide
- Read On
- An Excerpt from Two Truths and a Lie
- Prologue
- June
- I: THE SQUAD
- Praise for The Islanders
- Copyright
- About the Publisher
Anthony sat for a long time with that knowledge. Lu had been right. Anthony had been Katherine Mansfield to Leonard Puckett’s Virginia Woolf.
“Did you talk about . . . what happened?” He lowered his voice like he was about to utter a curse in front of a child. “The plagiarism?”
“Only once. We had a big fight.” Dorothy paused, and in that pause Anthony thought he felt the very earth reverse its rotation. “We’re none of us exactly who we say we are,” Dorothy said finally.
That seemed like a non sequitur. Anthony considered his mother: his dear, familiar mother, with her stylish bob, and her lipstick, and her beautiful posture. Look at her even now, her legs crossed at the ankles. “You are,” he said. “You’re just exactly who you say you are.”
Dorothy sipped her coffee. There was something almost aggressive about her sipping, something combative. “There’s something I want to tell you,” she said. “I’ve been trying to tell you this all summer.” She stood and crossed the living room. She examined the crystal decanter, ran her finger along the rim of one of the glasses. “Really, in some ways, I’ve been trying to tell you your whole adult life. But I never could quite get up the nerve.” She turned back to Anthony, and there was something about the way she was looking at him—there was a shrewdness in her gaze, a clarity that made him take notice.
“What?”
“I always thought you’d figure it out on your own,” she said. She sat back down. She sat with her hands folded together, very politely, like a theatergoer waiting for the curtain to go up. Softly she said, “Think about it, Anthony. I know you’re not a thriller writer, but there’ve been clues all around you, all of the time, about your father, and about me.”
Anthony gasped. “Am I adopted?” It didn’t seem likely. He had his mother’s small ears, and his father’s nose.
“No,” she said. “But keep thinking.” She nodded encouragingly. It was the same way he’d seen her nod at Max when she was helping him sound out a word in one of his picture books. (They both particularly liked the one about the bear and the mouse who visited the library together.) “Where was your father, when he was writing?”
“In his study.”
“And where was I?”
Kitchen. Garden. Car. “A lot of different places.”
“Where was I when I wasn’t a lot of different places?”
Dorothy brought Leonard Puckett a scotch every day at five o’clock. Sometimes she put it on the desk and went back to the kitchen to make dinner, but sometimes she didn’t. Sometimes she brought a glass of white wine in and closed the door. There was that stretch when he was in high school and she’d taken up knitting. She’d knit fifteen different blankets to donate to a homeless shelter; she’d knit baby hats to give to the hospital; she’d knit a sweater for Anthony that he’d never worn (he’d been in high school! Who wore a hand-knit sweater in high school?) and one for Leonard, which he did wear, though not in public. Where did she do the knitting? Not in the living room or in the easy chair in her bedroom or on the cushioned bench in the breakfast nook in the kitchen. No, she sat on the leather sofa in his father’s study.