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Chapters (59)
  1. Contents
  2. In Which We Find Ourselves in Hell, but Only Temporarily, So It’s Not All Bad News
  3. In Which We Learn a Little About How Hard It Is to Be in Love
  4. In Which We Delve Deeper into the Bowels of Hell, Which Is One of Those Chapter Headings That Make Parents Worry About the Kind of Books Their Children Are Reading
  5. In Which We Reacquaint Ourselves with Nurd, formerly “Nurd, The Scourge of Five Deities,” Which Was All Something of a Misunderstanding, Really
  6. In Which We Encounter Mr. Merryweather’s Dwarfs—or Elves—and Rather Wish We Hadn’t
  7. In Which Samuel Is Reunited with Boswell, and We Learn Why One Should Not Trust a Mirror
  8. In Which We Pay a Visit to Mrs. Abernathy’s House. Which Is Nice. Not.
  9. VIII
  10. In Which We Wonder Just How Smart Really Smart People Sometimes Are
  11. In Which Mr. Merryweather’s Elves Embark on a New Adventure
  12. In Which Mr. Merryweather’s Dwarfs Make an Unpleasant Discovery
  13. In Which Samuel Arrives, and Nurd Departs
  14. In Which Dozy Is the Bearer of Bad News
  15. XIII
  16. In Which We Meet a Ram, and Some Old Friends Are Reunited
  17. In Which the Forces of Law and Order Assert Themselves
  18. In Which Something of the Nature of this World Is Revealed Through Old Ram
  19. In Which Hell Gets Stranger, and the Scientists Grow More Curious
  20. XVII
  21. In Which the True Faces of the Conspirators Are Revealed, and an Ugly Bunch They Are Too
  22. XVIII
  23. In Which Those Who Will Be of Help to Samuel Begin to Come Together
  24. In Which We Encounter Some of the Other Unfortunate Residents of Hell
  25. In Which We Meet the Blacksmith
  26. In Which Nurd Considers Changing His Name to “Nurd, Unlucky in Numerous Dimensions”
  27. XXII
  28. In Which We Learn That There Is Always Hope, as Long as One Chooses Not to Abandon It
  29. XXIII
  30. In Which Mrs. Abernathy Loses Her Temper, and We Meet Up Again with an Unpleasant Personage from Earlier in Our Tale
  31. XXIV
  32. In Which We Speculate on What, If Anything, Might Be Worse Than Evil
  33. In Which a Familiar Odor Sends the Dwarfs’ Spirits Soaring
  34. XXVI
  35. In Which We Learn of the Difficulties in Re-creating the Taste of Something Truly Horrible
  36. XXVII
  37. In Which We Hear a Surprising Confession
  38. XXVIII
  39. In Which Everything Goes Horribly Wrong
  40. XXIX
  41. In Which Various August Personages Put Their Plans in Motion
  42. In Which the Watcher Is Torn
  43. XXXI
  44. In Which We Learn a Little of the Responsibilities of Command, and the Perils of Being Commanded
  45. XXXII
  46. In Which Samuel and Mrs. Abernathy Meet Again, Which Only Delights 50 Percent of Those Involved
  47. XXXIII
  48. In Which a Third Force Intervenes in the Conflict
  49. XXXIV
  50. In Which We Encounter Some Cunning Disguises
  51. XXXV
  52. In Which Battle Commences, and a Rescue Mission Is Mounted
  53. XXXVI
  54. In Which a Certain Someone Wakes Up with a Sore Head
  55. XXXVII
  56. In Which We Get to the “Happy Ever After” Part
  57. XXXVIII
  58. In Which We Discover the Limitations of the Term Happily Ever After
  59. Acknowledgments

“You can’t do that. You can’t wander into places without a by-your-leave just because someone’s popped out for a pint of milk or a bit of a battle, and then call it home. It’s not right. They’d have you up in court, you know. That’s illegal entry, that is. That’s six months in jail. And I should know.”

The director opened his eyes, grasped Angry by his chain mail, then lifted him from the ground so that he and Angry were on eye level.

“Listen to me,” said the director. “This is going to be a very long, very wet day, and if I have to, I will drop you from these battlements as an example to your friends of what happens when people start questioning the logic of a video in which a boy band with perfect teeth and blond highlights attempts to capture a castle from a bunch of little people wearing plastic armor. Do I make myself clear?”

“Abundantly,” said Angry. “Just trying to help.”

The director put him down.

“Good. Now, I’m going to go down there, and we’re going to start filming. Clear?”

“As crystal,” said Angry, Dozy, and Jolly.

“Al,” said Mumbles.

The dwarfs watched the director descend to the castle gate, then tramp angrily across the mud to the assemblage of tents and vans that constituted the video set.

“He’s obviously very artistic,” said Angry. “They’re like that, artistic people. They go off at the slightest thing. Them, and wrestlers.”

“Why did they give us plastic armor and real swords?” asked Dozy.

“Dunno,” said Angry. “Doesn’t say much for his battle strategy.”

“Nice castle, though.”

“Oh yes. Lovely workmanship. Knew what they were doing, these old builders.” Angry tapped his sword approvingly on a battlement, and watched as a chunk of it sheared off and almost killed a lighting technician below.

“Sorry,” said Angry.

He saw the director glaring at him, and raised his sword.

“A bit fell off,” he shouted in explanation. “We can fix it later,” then added to this colleagues: “Very shoddy, that. Bet a French bloke built this castle. Wouldn’t have that in an English castle. Built to last, English castles. It’s why we had an empire.”

But the others weren’t listening. Instead, they were gazing slack-jawed at the sight of BoyStarz, who had just emerged from the caravan that was their dressing room. Even by the standards of the average boy band, BoyStarz looked a bit soft: their hair was perfect, their skin unblemished, their teeth white. They seemed to be struggling under the weight of their armor, and one of them was complaining that his sword was too heavy.

The director accompanied them to within a few feet of the castle walls, and introduced them to the dwarfs.