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Contents ( 114)
  1. THE HOLLOW SERIES BOOKS 1–4
  2. Contents
  3. Dedication
  4. Contents
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Acknowledgements
  40. THE GOOD, THE BAD,
  41. AND THE UNDEAD
  42. Dedication
  43. Contents
  44. One
  45. Two
  46. Three
  47. Four
  48. Five
  49. Six
  50. Seven
  51. Eight
  52. Nine
  53. Ten
  54. Eleven
  55. Twelve
  56. Thirteen
  57. Fourteen
  58. Fifteen
  59. Sixteen
  60. Seventeen
  61. Eighteen
  62. Nineteen
  63. Twenty
  64. Twenty-One
  65. Twenty-Two
  66. Twenty-Three
  67. Twenty-Four
  68. Twenty-Five
  69. Twenty-Six
  70. Twenty-Seven
  71. Twenty-Eight
  72. Twenty-Nine
  73. Acknowledgements
  74. Dedication
  75. Contents
  76. One
  77. Two
  78. Three
  79. Four
  80. Five
  81. Six
  82. Seven
  83. Eight
  84. Nine
  85. Ten
  86. Eleven
  87. Twelve
  88. Thirteen
  89. Fourteen
  90. Fifteen
  91. Sixteen
  92. Seventeen
  93. Eighteen
  94. Nineteen
  95. Twenty
  96. Twenty-One
  97. Twenty-Two
  98. Twenty-Three
  99. Twenty-Four
  100. Twenty-Five
  101. Twenty-Six
  102. Twenty-Seven
  103. Twenty-Eight
  104. Twenty-Nine
  105. Thirty
  106. Thirty-One
  107. Thirty-Two
  108. Thirty-Three
  109. Acknowledgements
  110. A FISTFUL OF CHARMS
  111. Also by the Author
  112. About the Author
  113. Copyright
  114. About the Publisher

I stood, staring at him. “Did they move the bodies out?”

His darting ceased and he hung motionless. “’Course they moved the bodies out. You think I’m stupid? You think I’d live where there were dead humans? God help me. The bugs coming off ’em, diseases, viruses, and crap soaking into the soil and getting into everything!”

I adjusted my grip on my stuff, striding across the shady street and up the wide steps of the church. Jenks didn’t have a clue as to whether the bodies had been moved out. The gray stone steps were bowed in the middle from decades of use, and they were slippery. There were twin doors taller than I, made of a reddish wood and bound with metal. One had a plaque screwed into it. “Donna’s Daycare,” I muttered, reading the inscription. I tugged a door open, surprised at the strength needed to shift it. There wasn’t even a lock on it, just a sliding bolt on the inside.

“Of course they moved the bodies out,” Jenks said, then flitted over the church. I’d put a hundred on it that he was going out to the backyard to investigate.

“Ivy?” I shouted, trying to slam the door behind me. “Ivy, are you here?” The echo of my voice came back from the yet unseen sanctuary, a thick, stained-glassed quiet hush of sound. The closest I’d been to a church since my dad died was reading the cutesy catch phrases off those backlit signs they all put on their front lawns. The foyer was dark, having no windows and black wooden panels. It was warm and still, thick with the presence of past liturgy. I set the box on the wooden floor and listened to the green and amber hush slipping in from the sanctuary.

“Be right down!” came Ivy’s distant shout. She sounded almost cheerful, but where on earth was she? Her voice was coming from everywhere and nowhere at all.

There was the soft click of a latch, and Ivy slipped from behind a panel. A narrow spiral stairway went up behind her. “I’ve got my owls up in the belfry,” she said. Her brown eyes were more alive than I’d ever seen them. “It’s perfect for storage. Lots of shelves and drying racks. Someone left their stuff up there, though. Want to go through it with me later?”

“It’s a church, Ivy.”

Ivy stopped. Her arms crossed and she looked at me, her face abruptly empty.

“There are dead people in the backyard,” I added, and she levered herself up and went into the sanctuary. “You can see the tombstones from the road,” I continued as I followed her in.

The pews were gone, as was the altar, leaving only an empty room and a slightly raised stage. That same black wood made a wainscot that ran below the tall stained-glassed windows that wouldn’t open. A faded shadow on the wall remained where an enormous cross once hung over the altar. The ceiling was three stories up, and I sent my gaze to the open woodwork, thinking it would be hard to keep this room warm in winter. It was nothing but a stripped down open space … but the stark emptiness seemed to add to the feeling of peace.