Back The High Table Save as PDF
Chapters (3)
  1. Cover
  2. Scene One
  3. Acknowledgements
John Arden (two volumes) David Mamet (four volumes)
Arden & D’Arcy Patrick Marber
Peter Barnes (three volumes) Martin McDonagh
Sebastian Barry Duncan McLean
Mike Bartlett David Mercer (two volumes)
Dermot Bolger Anthony Minghella (two volumes)
Edward Bond (ten volumes) Tom Murphy (six volumes)
Howard Brenton (two volumes) Phyllis Nagy
Leo Butler (two volumes) Anthony Neilson (two volumes)
Richard Cameron Peter Nichol (two volumes)
Jim Cartwright Philip Osment
Caryl Churchill (two volumes) Gary Owen
Complicite Louise Page
Sarah Daniels (two volumes) Stewart Parker (two volumes)
Nick Darke Joe Penhall (two volumes)
David Edgar (three volumes) Stephen Poliakoff (three volumes)
David Eldridge (two volumes) David Rabe (two volumes)
Ben Elton Mark Ravenhill (three volumes)
Per Olov Enquist Christina Reid
Dario Fo (two volumes) Philip Ridley (two volumes)
Michael Frayn (four volumes) Willy Russell
John Godber (four volumes) Eric-Emmanuel Schmitt
Paul Godfrey Ntozake Shange
James Graham (two volumes) Sam Shepard (two volumes)
David Greig Martin Sherman (two volumes)
John Guare Christopher Shinn (two volumes)
Lee Hall (two volumes) Joshua Sobel
Katori Hall Wole Soyinka (two volumes)
Peter Handke Simon Stephens (three volumes)
Jonathan Harvey (two volumes) Shelagh Stephenson
Iain Heggie David Storey (three volumes)
Israel Horovitz C. P. Taylor
Declan Hughes Sue Townsend
Terry Johnson (three volumes) Judy Upton
Sarah Kane Michel Vinaver (two volumes)
Barrie Keeffe Arnold Wesker (two volumes)
Bernard-Marie Koltès (two volumes) Peter Whelan
Franz Xaver Kroetz Michael Wilcox
Kwame Kwei-Armah Roy Williams (four volumes)
David Lan David Williamson
Bryony Lavery Snoo Wilson (two volumes)
Deborah Levy David Wood (two volumes)
Doug Lucie Victoria Wood

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Acknowledgements

Acknowledgements

It’s been said before, but it really does take a village.

Thank you to the ancestors that came before me and all the queer black elders who inspire me in life as well as art. Especially Uncle Cyril, Le Gateau Chocolat and Mamma D.

To the Royal Court Writer’s programme, without which I’m not sure this play (or my playwriting career) would have ever started. Thanks to everyone in my group, especially John King and Elin Schofield. And to Joe Ward Munrow, Ellie Horne and Louise Stephens, for their early notes and encouragement.

To John R. Gordon, Rikki-Beadle Blair and, of course, Tom Wright. Thank you being my first and greatest champion, teacher and advocate.

To all the actors from the readings and full production, thank you for giving my words life and my mind more dimensions: Rebekah Murrell, Ike Ononye, Mensah Bediako, Susan Aderin, Nicholle Cherrie, Sheila Atim, Sule Rimi, Cyril Nri, Sarah Niles, Stefan Adegbola, Jumoké Fashola, David Webber, Ibinabo Jack and Cherrelle Skeete.

To everyone at the Bush! For believing in this story and for making it sing. Lynette Linton, Deirdre O’Halloran and, most especially, Daniel Bailey. Thank you all so much.

To everyone at Birmingham Rep for making this possible. Especially to Amit Sharma.