The High Table
Cover
Bush Theatre and Birmingham
Repertory Theatre present
The High Table
by Temi Wilkey
8 February – 21 March 2020
Bush Theatre, London
25 March – 9 April 2020
Birmingham Repertory Theatre
Cast
| Teju | Stefan Adegbola |
| Mosun/Yetunde | Jumoké Fashola |
| Musician/Co-Composer | Mohamed Gueye |
| Leah/Adebisi | Ibinabo Jack |
| Tara | Cherrelle Skeete |
| Segun/Babatunde | David Webber |
Creative Team
| Playwright | Temi Wilkey |
| Director | Daniel Bailey |
| Set and Costume Designer | Natasha Jenkins |
| Lighting Designer | José Tevar |
| Sound Designer/Composer | Enrico Aurigemma |
| Movement/Associate Director | Gabrielle Nimo |
| Dramaturg | Deirdre O’Halloran |
| Costume Supervisor | India Askem |
| Casting Director | Ruth O’Dowd |
| Production Managers | Marco Savo and Ian Taylor for eStage |
| Company Stage Manager | Adriana Perucca |
| Assistant Stage Manager | Crystal Gayle |
With assistance from Bush Theatre’s Project 2036 cohort (2019–20): Set Designer QianEr Jin, Sound Designer Darius McFarlane and Lighting Designer Devon Muller. With further thanks to Wabriya King (drama therapy and safeguarding support), Oladipo Agboluaje (Yorùbá pronunciation guidance) and Esi Acquaah-Harrison (dialect and accent coaching). With special commendation to Nkechinyere Nwobani-Akanwo.
Cast
STEFAN ADEGBOLA
Stefan Adegbola’s theatre work includes: Botticelli in the Fire (Hampstead Theatre), Richard III (Headlong), Titus Andronicus (RSC), The Convert and The Christians (Gate Theatre), After Independence (Arcola Theatre), The Merchant of Venice and Comedy of Errors (Globe Theatre), Widowers’ Houses (Orange Tree Theatre) and A Midsummer Night’s Dream (Noël Coward Theatre). Television work includes: Enterprice (Fudge Park Productions) and Doctor Who (BBC).
Film work includes: Anemone (BBC Films) and The Mire (Eclectic Films).
JUMOKÉ FASHOLA
Jumoké Fashola’s theatre credits include Zawe Ashton’s for all the women who thought they were Mad (Hackney Showroom), Kurt Weill’s Lost in the Stars, Bernstein’s Mass (Southbank Centre), The Secret Lives of Baba Segi’s Wives (Arcola Theatre) and House of Corrections (Riverside Studios).
In addition, she has written and appeared in one-woman shows including Dirty Little Secrets (London Festival of Cabaret / Bush Theatre’s Radar Festival / St James Theatre), and Protest – Divas & Revolutions (EFG London Jazz Festival / Royal Albert Hall / The Pheasantry). She is also the creator of the Jazz Verse Jukebox, which had a seven-year residency at Ronnie Scott’s Jazz Club, and is now running monthly at Hoxton Hall. Fashola is also a radio and television broadcaster, currently presenting J to Z on BBC Radio 3 and Sunday Breakfast – Inspirit on BBC Radio London.
MOHAMED GUEYE
Mohamed Gueye is a West African percussionist based in London. Born into a large griot family of drummers from Dakar, in Senegal, he learnt the Sabar and Djembe drum with his family from the age of 5 and has been playing professionally since the age of 15. Mohamed trained at the Centre Culturel Blaise Senghor in Dakar where he performed with groups including Ambassador and Daradji. Since moving to London in 2010, he has performed at festivals across the UK including Womad, African Drum Village, Drum Camp, Africa Oye and BEATS Cornwall with African stars such as Baaba Maal, Carlou D, Aida Samb and Africa Express.
Mohamed currently works and performs with numerous London-based dancers and musicians including Diene Sagna (Yaye Dib Sabar), Alesandra Seutin (Vocab Dance), Irineu Nogueira, Landing Mane (Jamo Jamo Arts), Amadou Diagne and Abdoulaye Samb. He is an artist with the West African drum and dance company Yaye Dib Sabar and teaches in several primary schools in London as well as adult and professional classes and workshops.
Mohamed has also recently been interviewed for the BBC World Service Forum ‘Talking Drums of West Africa’ which can be found on the BBC World Service website https://www.bbc.co.uk/programmes/w3cswptb
IBINABO JACK
Ibinabo Jack made her West End theatrical debut in Legally Blonde after which she went on to star as Lorrell Robinson in the original West End cast of Dreamgirls; her performance in this role went on to win her ‘Best Supporting Actress in a New Production of a Musical’ in the Broadway World awards. Other theatre credits include Our Lady of Kibeho (Northampton Theatre Royal), The Bodyguard (UK Tour and West End), Hot Stuff (Oldham Coliseum), Little Shop of Horrors (Manchester Royal Exchange), Porgy and Bess (The Royal Danish Theatre), The Color Purple (The Menier Chocolate Factory), Raindogs (Trafalgar Studios) and The Lion King (Disneyland Paris).
In 2017 Ibinabo joined the cast of ITV’s Vera and is now a regular sidekick to Brenda Blethyn. Other TV credits include Doctors and Warren for the BBC. Ibinabo also appears in the feature film Two for Joy starring Samantha Morton.
CHERRELLE SKEETE
Cherrelle Skeete’s theatre credits include King Headley (Stratford East), A Small Place (Gate Theatre), Fun Home (Young Vic), The Seagull and Jack and the Beanstalk (Lyric Hammersmith), Harry Potter and the Cursed Child (Palace Theatre), Three Days in the Country and The Amen Corner (National Theatre), Wind in the Willows (Royal and Derngate), And I and Silence (Finborough Theatre), The Lion King (Lyceum Theatre) and Joey Boy (The MAC). Her television credits include Silent Witness, Doctors, Danny and the Human Zoo, The Five, Ordinary Lies, Call the Midwife and HANNA.
DAVID WEBBER
David Webber’s theatre credits include: Barber Shop Chronicles at the National Theatre and in Australia, New Zealand, USA, UK and New York, Arms And The Man (Watford Palace Theatre), The Hudsucker Proxy (Liverpool Playhouse and Nuffield Theatre, Southampton), When Blair Had Bush And Bunga (Lee Menzies Productions at Edinburgh Festival), Catch-22 (Northern Stage and UK Tour), Sweet Bird of Youth (Old Vic), The Government Inspector (Young Vic), Death and the King’s Horseman; Leave Taking (National Theatre), Twelfth Night (Nottingham Playhouse), Dame in Jack and the Beanstalk (Theatre Royal, Stratford East), The Wizard of Oz (Theatre Royal, Northampton), Aladdin (Watford Palace), The Big Life (Apollo Shaftesbury Avenue), Othello in Othello; The Sneeze (Good Company); What’s in the Cat (Contact Theatre / Royal Court), Aladdin (Watford Palace), The Bassett Table; One Love and Master Harold and The Boys (Bristol Old Vic), The Beatification of Area Boy (West Yorkshire Playhouse and world tour), Two Tracks and Text Me (West Yorkshire Playhouse), Antony and Cleopatra; The Lion; The Road; Smile Orange; Flyin’ West; The Looking Glass and King Lear (Talawa Theatre), The Merchant of Venice (Manchester Library Theatre), Ragamuffin, The Colored Museum (Double Edge Theatre Company), Remembrance (Carib Theatre Company). His television credits include: Death in Paradise, Year of The Rabbit, Chewing Gum, Holby City, Youngers, The Catherine Tate Show, The Royal Bodyguard, How Not to Live Your Life, Sarah Jane Adventures, Being Human, series regular in Grass, Prime Suspect, London’s Burning, The Knock, Coronation Street and The Bill.
His film credits include: The Children Act, Captain Phillips, Broken, Mrs Palfrey at the Claremont, Tipping The Velvet, All or Nothing, The 51st State, Among Giants and The Avengers.
Creatives
TEMI WILKEY – WRITER
Temi Wilkey is an actor and writer from North London. She trained as an actor with the National Youth Theatre REP company. Her acting credits include Comedy of Errors (National Theatre), Hamlet and Cymbeline (RSC), Jubilee (Manchester Royal Exchange), Manhunt (ITV), Years and Years (BBC) and Land Without Dreams (Gate Theatre, London). Temi was also the cofounder and co-director of Pecs, the Drag King collective, and performed in sell-out runs of their productions at venues including Tate Britain, Soho Theatre and The Yard theatre. Temi was a member of one of the Royal Court Introduction to Playwriting groups in 2017. In 2019 she became a member of BBC London Voices and a recipient of the High-End Television Levy Writer’s bursary scheme, developing her first pilot under the mentorship of Lucy Prebble.
The High Table is her first and debut play.
DANIEL BAILEY – DIRECTOR
Daniel Bailey is Associate Director of the Bush Theatre and Associate Director at Birmingham Repertory Theatre, originally joining The REP as part of the Regional Theatre Young Director Scheme. Directing work includes Unknown Rivers (Hampstead Theatre), Blue/Orange, Concubine, Stuff, I Knew You, Abuelo, Jump! We’ll Catch You, Made in India/Britain and Exhale. He has previously been Resident Director at the National Theatre Studio, Associate Artist at Theatre Royal, Stratford East and Resident Assistant Director at the Finborough Theatre. Daniel studied Modern Drama at Brunel University before participating in the Young Vic’s Introduction to Directing. His previous theatre directing credits include My Darling Wife (Talawa Theatre Company), Pre-Judgement Day and Covered (New Heritage Theatre). His film directing credits include On Belonging (Young Vic), Malachi (S.E.D), Floating on Clouds (Kingdom Entertainment Group) and Y.O.L.O. Therapy (S.E.D.).
NATASHA JENKINS – SET AND COSTUME DESIGN
Set and Costume Designer Natasha Jenkins’ credits include Faith, Hope and Charity (National Theatre); In Basildon (Queens Theatre, Hornchurch); Beyond Caring (National Theatre/The Yard/European Tour); LOVE (National Theatre/UK Tour); Richard III (Perth Theatre); Clockwork Canaries (Drum Theatre Plymouth); Stand By (Utter. Fringe First Winner); The Whip Hand (National Theatre of Scotland/ Traverse Theatre/Birmingham Repertory); Monstrous Bodies (Dundee Rep); 20b (Birmingham Repertory/European Tour); Romeo and Juliet (RADA). Costume Design credits include Eine Griechische Trilogie (Berliner Ensemble); Uncle Vanya (Home MCR).
TV and film design credits include Ma’am (Bumble Female Film Force Winner 2019); LOVE (BBC1/Cuba Productions); Loose Ends (dir. Natalie Burt. Shortlisted for the East End Film Festival); Forgiveness (dir. Conor O’Callaghan); Here We Are (dir. Pamela Carter).
JOSÉ TEVAR – LIGHTING DESIGNER
José Tevar has recently designed for National Dance Company Wales, Middle Child, Lost in Translation Circus and the Bush Theatre. Previous projects include designing for Theatre, Dance, Circus, Musicals, touring, Fringe and Gig Theatre.
ENRICO AURIGEMMA – SOUND DESIGNER/COMPOSER
Enrico Aurigemma is a composer, sound designer and musician as well as a sound engineer with a particular interest in sound design and composition for theatre. His design credits include: Dead Nature by Tim Spooner and Enrico Aurigemma (Artsadmin), Return to Elm House by Sarah Goldings (Battersea Arts Centre), The Voice of Nature by Tim Spooner (Artsadmin), At Home in Gaza and London by Station House Opera (Artsadmin), Abuelo by Amahra Spence (Birmingham Repertory Theatre), Concubine by Amahra Spence (Birmingham Repertory Theatre), Box Clever Theatre’s Frankenstein and The Merchant of Venice, Hard Graft by David Sheppeard (Ovalhouse Theatre). Enrico is currently working as sound designer and composer for Strictly Arts Theatre’s new production Not Black and White and Amahra Spence’s new play All the Lives as well as touring the A/V installation Dead Nature created in collaboration with Tim Spooner, produced by Artsadmin.
GABRIELLE NIMO – MOVEMENT AND ASSOCIATE DIRECTOR
Gabrielle Nimo has worked with Talawa Theatre Company and Emergency Exit Arts on Creating Routes, a training programme for facilitators. Since then she has taken on a number of roles including Dance Captain for Everything That Rises Must Dance (Complicité Theatre), Movement Director for Nouveau Riche’s TIMBUKTU (Gerry’s Cafe, Theatre Royal Stratford East), Director of Harrow Arts Centre Youth Theatre and most recently, Movement Director for Unknown Rivers (Hampstead Theatre).
Alongside her work in theatre, Gaby currently teaches Movement at Foundation, BA (Hons) and MA Level in Drama Schools.
DEIRDRE O’HALLORAN
Deirdre O’Halloran is the Associate Dramaturg at the Bush Theatre, working to identify and build relationships with new writers, commission new work and guide plays to the stage. At the Bush she’s dramaturged plays including Fringe First winner Baby Reindeer by Richard Gadd, and An Adventure by Vinay Patel. Deirdre was previously Literary Associate at Soho Theatre, where she worked as a dramaturg on plays including Girls by Theresa Ikoko and Fury by Phoebe Eclair-Powell. She led on Soho Theatre’s Writers’ Lab programme and the biennial Verity Bargate Award. As a freelancer, Deirdre has also been a reader for Out of Joint, Sonia Friedman Productions and Papatango.
Bush Theatre
We make theatre for London. Now.
The Bush is a world-famous home for new plays and an internationally renowned champion of playwrights. We discover, nurture and produce the best new writers from the widest range of backgrounds from our home in a distinctive corner of west London.
The Bush has won over 100 awards and developed an enviable reputation for touring its acclaimed productions nationally and internationally.
We are excited by exceptional new voices, stories and perspectives - particularly those with contemporary bite which reflect the vibrancy of British culture now.
Located in the newly renovated old library on Uxbridge Road in the heart of Shepherd's Bush, the theatre houses two performance spaces, a rehearsal room and the lively Library Bar.
Bush Theatre
| Artistic Director | Lynette Linton |
| Executive Director | Lauren Clancy |
| Marketing and Sales Officer | Shannon Clarke |
| Associate Director | Daniel Bailey |
| Technician | Francis Botu |
| Head of Marketing | Beatrice Burrows |
| Producer | Jessica Campbell |
| Technical Manager | Amy Clarey |
| Development Officer | Florence Collenette |
| Technical Intern | Poppy Templeton |
| Community Assistant | Katie Greenall |
| Head of Finance | Neil Harris |
| Community Coordinator | Izzy Hatton |
| Literary Assistant | Ifrah Ismail |
| Events Manager | Shaun Johnson |
| Theatre Administrator and PA to the Executive | Jessica Pentney |
| Head of Development | Sylvain Malburet |
| Assistant Venue Operations Manager | Tim McNiven |
| Digital Marketing Officer | Tasha Msanide |
| Associate Dramaturg | Deirdre O’Halloran |
| Assistant Producer | Oscar Owen |
| Press Manager | Martin Shippen |
| Community Producer | Holly Smith |
| Development Assistant | Eleanor Tindall |
| General Manager | Angela Wachner |
| Venue Operations Manager | Barbara Zemper |
| Marketing Intern | Gehna Badhwar |
Duty Managers
Liz Arday, Jack Albert Cook, Isabele Hernandez, Marissa McKinnon and Eljai Morais
Bar Supervisors
David Bolwell, Nieta Irons, Sidsel Rostrup, Melissa Stephen and Rafael Uzcategui
Box Office, Bar & Front of House Team
Ayesha Charles, Jack Byam-Shaw, Roxane Cabassut, Beth Church, Ilaria Ciardelli, Ryan Cottee, Ewa Dina, Lydia Feerick, Erika Finca, Joshua Glenister, Kelsey Gordon, Matias Hailu, Olivia Hanrahan-Barnes, Judd Launder, Munaye Lichtenstein, Jennefer O’Garrow, Emily Orme, Kwame Owusu, Max Partridge, Charlie Phillips, Jasmine Prince, Humaira Wadiwala, Robin Wilks, Charlie Wood, Rhea Withero-Taylor and Hugh Wyld
Board of Trustees:
Simon Johnson (Chair), Mark Dakin, Simon Dowson-Collins, Niove Janis, Nike Jonah, Khafi Kareem, Lynette Linton, Isabella Macpherson, Kathryn Marten, Rajiv Parkash, Stephen Pidcock and Catherine Score
Bush Theatre, 7 Uxbridge Road, London W12 8LJ
Box Office: 020 8743 5050 | Administration: 020 8743 3584
Email: [email protected]
bushtheatre.co.uk
Alternative Theatre Company Ltd
The Bush Theatre is a Registered Charity and a company limited by guarantee.
Registered in England no. 1221968 Charity no. 270080
THANK YOU
The Bush Theatre would like to thank all its supporters whose valuable contributions have helped us to create a platform for our future and to promote the highest quality new writing, develop the next generation of creative talent, lead innovative community engagement work and champion diversity.
LONE STAR
Gianni Alen-Buckley
Michael Alen-Buckley
Rafael & Anne-Helene Biosse
Duplan
Alice Findlay
Charles Holloway
Adam & Claire-Bridget
Kenwright
HANDFUL OF STARS
Dawn & Gary Baker
Charlie Bigham
Judy Bollinger
Clive & Helena Butler
Grace Chan
Clare & Chris Clark
Clyde Cooper
Sue Fletcher
Richard & Jane Gordon
Priscilla John
Simon & Katherine Johnson
Philippa Seal & Philip Jones QC
Joanna Kennedy
V&F Lukey
Robert Ledger & Sally Mousdale
Georgia Oetker
Philip & Biddy Percival
Clare Rich
Joana & Henrik Schliemann
Lesley Hill & Russ Shaw
van Tulleken Family
and one anonymous donor.
RISING STARS
Nicholas Alt
Mark Bentley
David Brooks
Catharine Browne
Matthew Byam Shaw
Tim & Andrea Clark
Sarah Clarke
Claude & Susie Cochin de Billy
Lois Cox
Susie Cuff
Matthew Cushen
Philippa Dolphin
John Fraser
Jack Gordon & Kate Lacy
Hugh & Sarah Grootenhuis
Jessica Ground
Thea Guest
Patrick Harrison
Roberta Jaffe-Wilcockson
Ann & Ravi Joseph
Davina & Malcolm Judelson
Miggy Littlejohns
RISING STARS (continued)
Isabella Macpherson
Liz & Luke Mayhew
Michael McCoy
Judith Mellor
Caro Millington
Dan & Laurie Mucha
Mark & Anne Paterson
Emily Reeve
Renske & Marion
Shaheen Schleifer
Saleem & Alexandra Siddiqi
Brian Smith
Peter Tausig
Guy Vincent & Sarah Mitchell
Trish Wadley
Amanda Waggott
and three anonymous donors.
SPONSORS & SUPPORTERS
AKA
Alen-Buckley LLP
Gianni & Michael Alen-Buckley
Jeremy Attard Manche
Bill & Judy Bollinger
Edward Bonham Carter
Martin Bowley
Duke & Duchess of Buccleuch
The Hon Mrs Louise Burness
Sir Charles & Lady Isabella Burrell
Philip & Tita Byrne
CHK Charities Limited
Peppe & Quentin Ciardi
Joanna & Hadyn Cunningham
Leo & Grega Daly
Patrick & Mairead Flaherty
Sue Fletcher
The Hon Sir Rocco Forte
The Hon Portia Forte
Mark Franklin
The Gatsby Charitable
Foundation
The Right Hon Piers Gibson
Farid & Emille Gragour
Victoria Gray John Gordon
Vivienne Guinness
Melanie Hall
The Headley Trust
Brian Heyworth
Lesley Hill & Russ Shaw
Michael Holland & Denise
O’Donoghue
Charles Holloway
Graham & Amanda Hutton
James Gorst Architects Ltd.
Simon & Katherine Johnson
SPONSORS & SUPPORTERS (continued)
Tarek & Diala Khlat
Bernard Lambilliotte
Marion Lloyd
The Lord Forte Foundation
Peter & Bettina Mallinson
Mahoro Charitable Trust
James Christopher Miller
Mitsui Fodosan (U.K.) Ltd
Alfred Munkenbeck III
Nick Hern Books
Georgia Oetker
RAB Capital
Kevin Pakenham
Sir Howard Panter
Joanna Prior
Josie Rourke
Lady Susie Sainsbury
Barry Serjent
Tim & Catherine Score
Search Foundation
Richard Sharp
Susie Simkins
Edward Snape & Marilyn Eardley
Michael & Sarah Spencer
Stanhope PLC
Ross Turner
The Syder Foundation
van Tulleken Family
Johnny & Dione Verulam
Robert & Felicity Waley-Cohen
Elizabeth Wigoder
Philip Wooller
Danny Wyler
and three anonymous donors.
TRUSTS AND FOUNDATIONS
The Andrew Lloyd Webber
Foundation
The Boris Karloff Foundation
The Boshier-Hinton Foundation
The Bruce Wake Charitable Trust
The Chapman Charitable Trust The City Bridge Trust
Cockayne—Grants for the Arts
The John S Cohen Foundation
The Daisy Trust
The D’Oyly Carte Charitable
Trust
The Equity Charitable Trust
Esmée Fairbairn Foundation
Fidelio Charitable Trust
Foyle Foundation
Garfield Weston Foundation
Garrick Club Charitable Trust
Golsoncott Foundation
TRUSTS AND FOUNDATIONS (continued)
Hammersmith United Charities
Heritage of London Trust
John Lyon’s Charity
The 29th May 1961 Charity
The Ashley Family Foundation
The Buffini Chao Foundation
The J Paul Getty Jnr Charitable Trust
The John Thaw Foundation
The Kirsten Scott Memorial Trust
The Leverhulme Trust
The London Community Foundation
Margaret Guido’s Charitable Trust
The Martin Bowley Charitable Trust
The Monument Trust
The Noel Coward Foundation
Paul Hamlyn Foundation
Peter Wolff Theatre Trust
Pilgrim Trust
PTF Charitable Settlement
The Royal Victoria Hall Foundation
Sir John Cass’s Foundation
Stavros Niarchos Foundation
The Teale Charitable Trust
The Theatres Trust
Thistle Trust
The Unity Theatre Trust
Viridor Credits
The Williams Charitable Trust
Western Riverside
Worshipful Company of
Mercers
Environmental Fund
The Wolfson Foundation
and one anonymous donor.
CORPORATE SPONSORS AND MEMBERS
The Agency (London) Ltd
Dorsett Shepherds Bush
Fever Tree
The Groucho Club
THE HOXTON
Philip Wooller
Westfield London
White Light Ltd
If you are interested in finding out how to be involved, please visit bushtheatre.co.uk/support-us or email [email protected] or call 020 8743 3584.
BIRMINGHAM REPERTORY THEATRE
Artistic Director: Sean Foley
Executive Director: Rachael Thomas
Deputy Artistic Director: Amit Sharma
Birmingham Repertory Theatre Company is one of Britain’s leading producing theatre companies. Its mission is to inspire a lifelong love of theatre in the diverse communities of Birmingham and beyond. As well as presenting over 60 productions on its three stages every year, the theatre tours its productions nationally and internationally, showcasing theatre made in Birmingham.
The commissioning and production of new work lies at the core of The REP’s programme and over the last 15 years, the company has produced more than 130 new plays. The theatre’s outreach programme engages with over 7000 young people and adults through its learning and participation programme, equating to 30,000 individual educational sessions. The REP is also committed to nurturing new talent through its youth theatre groups and training for up and coming writers, directors and artists through its REP Foundry initiative.
Many of The REP’s productions go on to have lives beyond Birmingham. Recent tours and transfers include The Lovely Bones, Brief Encounter, Nativity! The Musical, What Shadows, LOVE, The Winslow Boy, The Government Inspector, Of Mice And Men, Anita And Me, Penguins and The King’s Speech. The theatre’s long-running production of The Snowman celebrated its 25th anniversary in 2018 and its 22nd consecutive season at London’s Peacock Theatre in 2019.
| Box Office 0121 236 4455 | birmingham-rep.co.uk |
/birminghamrep
@BirminghamRep
@therepbirmingham
The High Table
Characters
Tara, twenties, bride to be.
Omotara (Yoruba) ‘Child is the worth of family’
Leah, twenties, Tara’s fiancée.
Leah (Hebrew) ‘Weary’
Teju, mid-forties/early fifties, Tara’s uncle.
Tejumade (Yoruba) ‘Fix your gaze on the crown’
Segun, mid-forties/early fifties, Tara’s father.
Segun (Yoruba) ‘Conqueror’
Mosun, mid-forties/early fifties, Tara’s mother.
Mosunmola (Yoruba) ‘I move close to wealth’
Yetunde, mid-forties/early fifties, The Ancestor of the North.
Yetunde (Yoruba) ‘Mother has returned again’
Babatunde, mid-forties/early fifties, The Ancestor of the West.
Babatunde (Yoruba) ‘Father has come again’
Adebisi, twenties, The Ancestor of the South.
Adebisi (Yoruba) ‘The crown has given birth to more’
Notes
(- ) Signifies an interruption.
(/ ) Signifies where a character interrupts another with overlapping speech.
(* ) Signifies a pause, either due to the use of music or an atmospheric shift.
Text in italics signifies that text should be sung.
The text uses a mixture of English and Pidgin English.
Teju and The Ancestors should speak with Nigerian accents.
The Mother and Father should speak in Nigerian accents, though slightly Anglicised.
All other characters speak with British accents. Though Tara may often adopt a Nigerian accent at will.
Multi-roling may be necessary. Suggested pairings are:
Segun and Babatunde, Mosun and Yetunde, Leah and Adebisi.
Settings
Tara, Leah & family
London, England. Present
Teju (& Segun)
Lagos, Nigeria. Present
The Ancestors
The North Star, On the edge of the Present
Scene One
Scene One
The North Star.
– Opening song –
Ẹ káàb
si irawọ (ariwa)
Ẹ káàb
si irawọ (ariwa)
Ẹ káàb
si irawọ (ariwa)
Ẹ káàb
si irawọ (ariwa)
Show them, show them
Show, Show them.
Show them. (Show them)
Show them, show them
Show, Show them.
Show them. (Show them)
Hmm! Without burnt offering. Hmm! Without blood sacrifice.
Hmm! Without burnt offering. We go show you, show you.
Hmm! Without burnt offering. Hmm! Without blood sacrifice.
Hmm! Without burnt offering. We go show you, show you
From the North to the South, from the East to the West.
For your front, for your behind. We go show you, show you.
From the North to the South, from the East to the West.
For your front, for your behind. We go show you, show you.
Ẹ káàb
si irawọ (ariwa)
Ẹ káàb
si irawọ (ariwa)
Ẹ káàb
si irawọ (ariwa)
Ẹ káàb
, káàb
Kaabo.
***
Babatunde That didn’t sound right.
Adebisi Ah-ah! I thought I sang it well.
Yetunde We just didn’t have the fourth harmony. That’s all. It was good!
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