Back The Heights Save as PDF
Chapters (88)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. ONE
  5. KATE
  6. TIM
  7. BEA MYERLY
  8. KATE
  9. TIM
  10. KATE
  11. TIM
  12. TIM
  13. TWO
  14. KATE
  15. BEA MYERLY
  16. TIM
  17. KATE
  18. ABIGAIL HOSFORD
  19. TIM
  20. KATE
  21. JEFF SLADE
  22. TIM
  23. KATE
  24. TIM
  25. THREE
  26. KATE
  27. TIM
  28. KATE
  29. TIM
  30. KATE
  31. TIM
  32. KATE
  33. TIM
  34. BEA MYERLY
  35. KATE
  36. BEA MYERLY
  37. TIM
  38. KATE
  39. TIM
  40. KATE
  41. TIM
  42. FOUR
  43. TIM
  44. KATE
  45. TIM
  46. KATE
  47. TIM
  48. KATE
  49. TIM
  50. KATE
  51. TIM
  52. KATE
  53. ABIGAIL HOSFORD
  54. KATE
  55. TIM
  56. KATE
  57. TIM
  58. FIVE
  59. KATE
  60. TIM
  61. KATE
  62. TIM
  63. KATE
  64. TIM
  65. KATE
  66. TIM
  67. KATE
  68. TEDDY
  69. TIM
  70. KATE
  71. TIM
  72. KATE
  73. TIM
  74. BEA MYERLY
  75. KATE
  76. JEFF SLADE
  77. KATE
  78. TIM
  79. KATE
  80. TIM
  81. BEA MYERLY
  82. TIM
  83. KATE
  84. BEA MYERLY
  85. KATE
  86. TIM
  87. KATE
  88. BEA MYERLY

Anna, Anna, please shut up about Anna. “No,” I said, as if I’d forgotten, when in truth, it had been a deliberate choice. By ignoring Anna, I could avoid her kind words or warm smile or, even worse, another one of her patless hugs.

“That was rude of us. We were her guests. We should’ve thanked her.”

I tried to shut Kate up with a kiss. As I lunged forward, the bath-water sloshed up and snuffed out the candle.

That kiss led to a series of kisses, which led to our bed, where—more so than normal—I tried to be especially in the moment: the touching, the moving together. Kate’s skin. Her eyes. Her soft mouth. I’d never been so aware of her sweat, her hair, those hands, hips, her back. Her bones. I was awash in Kate and all her Kateness when the light in the closet (which was the only light on) suddenly went out, turning our bedroom pitch-black.

I froze. In the dark, Kate kept moving, saying, “It was an old bulb. I can’t believe it lasted this long.”

“Do you want me to replace it?”

“No,” she said. “Please, it’s nice like this. And don’t stop.”

Now the only light came from the red numbers of Kate’s digital alarm clock. This had the distracting effect of accentuating time. And the time on the clock kept changing. My fear? This was taking too long. My solution? I turned the clock facedown. “So close,” I kept telling her. “I’m so close!”

She wondered did I want to shift positions?

“No,” I said. “So close, so close!” (Say it enough, and it must be so.) After I’d said that a thousand times, I switched to “Almost . . . almost.”

Poor Kate, I thought. She’s going to be sore later.

That was when I changed to a new approach: by any means necessary. No surprise, then, when Anna Brody came back into the picture.

A yoga teacher had once told me, “Let the thought in, let the thought out . . .”

So in came Anna, out went Anna . . .

It was that simple.

The yoga teacher’s name was Megan. I liked when Megan used her hands to adjust my plow and downward dog. Even better, Megan wasn’t Anna. I tried to picture Megan. Surely I wasn’t the first person to have his mind wander during sex. But it felt that way. And the many faces began to fluster me, so I decided to bear down, give a laserlike focus to Kate.

By any means necessary.

I got serious about ejaculating.

Come! Come!

Now, because any thought was fair game, it became like twisting the stem off an apple—Kate, Anna, Kate, Anna. Or like pressing the remote on a TV so as to jump between two favorite channels: Anna, Kate, Anna, Kate.

“I’m about to come.”

“Yes,” Kate said.

“I’m coming!”

“Yes, yes!”

“Here I go—”