Back The Heights Save as PDF
Chapters (88)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. ONE
  5. KATE
  6. TIM
  7. BEA MYERLY
  8. KATE
  9. TIM
  10. KATE
  11. TIM
  12. TIM
  13. TWO
  14. KATE
  15. BEA MYERLY
  16. TIM
  17. KATE
  18. ABIGAIL HOSFORD
  19. TIM
  20. KATE
  21. JEFF SLADE
  22. TIM
  23. KATE
  24. TIM
  25. THREE
  26. KATE
  27. TIM
  28. KATE
  29. TIM
  30. KATE
  31. TIM
  32. KATE
  33. TIM
  34. BEA MYERLY
  35. KATE
  36. BEA MYERLY
  37. TIM
  38. KATE
  39. TIM
  40. KATE
  41. TIM
  42. FOUR
  43. TIM
  44. KATE
  45. TIM
  46. KATE
  47. TIM
  48. KATE
  49. TIM
  50. KATE
  51. TIM
  52. KATE
  53. ABIGAIL HOSFORD
  54. KATE
  55. TIM
  56. KATE
  57. TIM
  58. FIVE
  59. KATE
  60. TIM
  61. KATE
  62. TIM
  63. KATE
  64. TIM
  65. KATE
  66. TIM
  67. KATE
  68. TEDDY
  69. TIM
  70. KATE
  71. TIM
  72. KATE
  73. TIM
  74. BEA MYERLY
  75. KATE
  76. JEFF SLADE
  77. KATE
  78. TIM
  79. KATE
  80. TIM
  81. BEA MYERLY
  82. TIM
  83. KATE
  84. BEA MYERLY
  85. KATE
  86. TIM
  87. KATE
  88. BEA MYERLY

Back in the Heights, heading toward home, I felt a perceptible shift in my thoughts. Already Anna Brody was less present in everything—in the black patches of unmelted snow, in the gray winter sky, and in the ash-smudged foreheads of the parishioners filing out of St. Charles Borromeo on Sidney Place. With each exhalation of my cold, steamy breath, I felt her leaving me, so that by the time I hit Oak Lane, I felt like a new and improved version of my old self. I was Tim Welch again.

And thus began a period of unprecedented productivity.

005

Day and night I worked, fueled by Coca-Cola and loud music that I blasted through headphones plugged into Kate’s portable CD/tape player. Incidentally, any music with lyrics distracted me, so I began each night with Pachelbel’s Canon in D cranked at full volume—then later, Bach, Vivaldi, Beethoven. Under these influences, I slashed my work, moved entire sections, edited with abandon.

Like old Thomas Edison, I didn’t sleep much. I took brief naps, sometimes lying down under my worktable. I didn’t shave. I showered at odd times. I began to look like a savage. I didn’t recognize myself. I didn’t go to the gym as planned, so I didn’t do the sit-ups and the push-ups and the pull-ups and the full-body crunches. There was no time, which may explain why I began to speak more quickly, my words and phrases clipped. I stood a bit straighter. Still, I loved the simplicity of my life. During those hours the boys were in preschool, I worked. When they bathed, I edited. When they watched a video or the Cartoon Network, I revised. And after an all-nighter, my eyes raw from no sleep, my caffeinated body shaking from all the Cokes, I’d stop in time to make breakfast for Kate and the boys—pancakes or oatmeal, turkey bacon, apple slices, cantaloupe cubes—an early-morning feast. Then I’d hurry them out the door, do the dishes, and get back at it.

My goal? Just finish the fucking thing.

KATE

KATE

UNDERSTAND THAT I WAS THE LEAST DRUNK OF THE VERY DRUNK, BUT ONLY BECAUSE I arrived late. Had Debbie Beebe stayed, she would’ve had clearer, more reliable memories of what has since become the most notorious of those evenings that we call Girls’ Night Out. But since Debbie had given birth to twin girls a few months earlier—in fact, this was her first night away from them—she was eager to get back home, which conveniently happened to be just upstairs. The Beebes lived on the top three floors of a two-family brownstone co-op they shared with Claudia and Dan Valentine.