Back The Great Pretenders
Chapters (55)
  1. Cover
  2. Praise for The Great Pretenders
  3. Dedication
  4. Epigraph
  5. PART I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. PART II
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. PART III
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. Chapter Twenty-two
  30. Chapter Twenty-three
  31. Chapter Twenty-four
  32. Chapter Twenty-five
  33. Chapter Twenty-six
  34. PART IV
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. Chapter Thirty-one
  40. Chapter Thirty-two
  41. Chapter Thirty-three
  42. Chapter Thirty-four
  43. Chapter Thirty-five
  44. PART V
  45. Chapter Thirty-six
  46. Chapter Thirty-seven
  47. Chapter Thirty-eight
  48. Chapter Thirty-nine
  49. Chapter Forty
  50. AUTHOR’S NOTE
  51. Readers Guide
  52. DISCUSSION QUESTIONS
  53. Acknowledgments
  54. About the Author
  55. What’s next onyour reading list?

We went into my office, closed the door, and after the obligatory prelims—how wonderful our lives were going, the usual artful pretense—I had only come to the word discretion when Maurice raised a hand.

“I think I know what you’re going to ask me, Roxanne. Who is it?”

“What makes you think . . . ?”

“Because you wanted to see me in person and in private. Because fronting for blacklisted writers is the new Hollywood vice—not as pervasive as adultery or drugs, but just as wicked, and even more risky.” He blew a smoke ring.

“Nelson Hilyard.”

“Hilyard was a homo, wasn’t he? Not a Red.”

“He was a Red too,” I said.

“Great.” Maurice stubbed out his cigarette. “I’m in. I need the money. I don’t have any politics other than that.”

“Don’t you want to read them first?”

Maurice shrugged. “Give them to me, I’ll read them, but I can tell you right now, I’m happy to pick up the pen that once wrote The Ice Age, even if he was a Commie and a homo. I need the credit, Roxanne, I need the money. I need to get the hell out of Poverty Row and television. I don’t want to go back to New York as a failure.”

“Remember—you tell no one.”

Maurice rose and picked up the envelopes that held Nelson’s scripts. “I hear Charlie’s moved out of that Hollywood dump, and he’s renting a place right on the beach in Venice, and he has a new car. I suppose all his success is something on the same order.”

“Something like that.”

“Well, silence is my middle name,” said Maurice on his way out the door.

It was true that before the ink on his Empire contracts had even touched the page, in a burst of elation, Charlie had moved to a beachside apartment in Venice, bought a new custom surfboard, and put a down payment on a 1950 Buick Roadmaster station wagon to carry it in. But privately, success had had a strange, unlooked-for effect on Charlie Frye. His supreme surfer confidence withered, and his inner anxieties suddenly surfaced. I was the only one he could turn to, and though I saw less of him now (I’m pretty certain he was out impressing other women), turn to me he did. He would call me, sometimes late at night, sometimes in the middle of the workday, demanding that I drop everything and attend to him, assure him, prop up his ego, assuage his fears.