Back The Great Pretenders
Chapters (55)
  1. Cover
  2. Praise for The Great Pretenders
  3. Dedication
  4. Epigraph
  5. PART I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. PART II
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. PART III
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. Chapter Twenty-two
  30. Chapter Twenty-three
  31. Chapter Twenty-four
  32. Chapter Twenty-five
  33. Chapter Twenty-six
  34. PART IV
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. Chapter Thirty-one
  40. Chapter Thirty-two
  41. Chapter Thirty-three
  42. Chapter Thirty-four
  43. Chapter Thirty-five
  44. PART V
  45. Chapter Thirty-six
  46. Chapter Thirty-seven
  47. Chapter Thirty-eight
  48. Chapter Thirty-nine
  49. Chapter Forty
  50. AUTHOR’S NOTE
  51. Readers Guide
  52. DISCUSSION QUESTIONS
  53. Acknowledgments
  54. About the Author
  55. What’s next onyour reading list?

There was really nothing left to say unless I said, I’m finished with you too, Leon, and I could not bring myself to do that. I rose, collected my handbag, and sailed through the door, where I found Clarence right there, listening at the keyhole like a parlor maid in a melodrama.

Chapter Thirty-five

Charlie Frye’s path to redemption (and revenge) after he was fired by Empire followed the same Shakespearean pattern that had played out in Congressional hearings beginning in 1947. However, Charlie was not called to testify and he took no oaths. No, the scandal of Roxanne Granville and her Negro lover had scarcely waned when Charlie carried the equivalent of a Repent! sign on Sunset Boulevard by abasing himself in print. In the pages of various mags and newspapers his story spooled out like this: Charles David Frye, an aspiring screenwriter and patriotic American, had been unwittingly recruited by his then-agent, Roxanne Granville, to put his name on a script written by Max Leslie—a low-down Red who had shown contempt for Congress and fled to Mexico. Charlie, insisting how truly, tremendously, and deeply he regretted his mistake, swore by the soul of Ayn Rand that there was (somewhere) Red taint, a Communist message hidden in Fly Me to the Moon, a film produced—and personally overseen—by Leon Greene, head of Empire Pictures, stalwart supporter of the Waldorf Agreement, and a founder of the Motion Picture Alliance for the Preservation of American Ideals. Asked if any other Granville Agency clients were fronting for blacklisted writers, Charlie Frye joined Vic Hale, and many other name-droppers more illustrious than he, and offered up his old comrades from the hungry days at Schwab’s, Jimmy Ashford, Maurice Allen, Art Luke, and “probably lots of others.”

The scandal with Terrence had indeed hurt my agency, but this was the end. The Granville Agency, three years of my proverbial blood, sweat, and tears, was finished. The phone ceased to ring except for people calling to cancel meetings, cancel contracts, cancel long-standing negotiations, cancel anything in the present or looming in the future. That, or the press asking if I had any comment. I did not. My writers left in such numbers that I thought of lemmings jumping off a cliff. I wished I had taken my attorney’s advice and insisted on signed contracts instead of agreements based on a handshake. But I hadn’t.