Back The Great Pretenders
Chapters (55)
  1. Cover
  2. Praise for The Great Pretenders
  3. Dedication
  4. Epigraph
  5. PART I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. PART II
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. PART III
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. Chapter Twenty-two
  30. Chapter Twenty-three
  31. Chapter Twenty-four
  32. Chapter Twenty-five
  33. Chapter Twenty-six
  34. PART IV
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. Chapter Thirty-one
  40. Chapter Thirty-two
  41. Chapter Thirty-three
  42. Chapter Thirty-four
  43. Chapter Thirty-five
  44. PART V
  45. Chapter Thirty-six
  46. Chapter Thirty-seven
  47. Chapter Thirty-eight
  48. Chapter Thirty-nine
  49. Chapter Forty
  50. AUTHOR’S NOTE
  51. Readers Guide
  52. DISCUSSION QUESTIONS
  53. Acknowledgments
  54. About the Author
  55. What’s next onyour reading list?

“I do admire her, but I don’t have the . . .” Courage? Heart? Talent? Drive? I didn’t know what I didn’t have.

“Didn’t you just tell me you are the famous Roxanne Granville, named for a heroine? Your father’s a Sir. Why should you be afraid to be an agent?”

“I’m not afraid. I’m . . .” Not sure what I was.

“Everyone knows the studio system is crumbling. Believe me, I’m an actor. Actors, producers, directors, writers, we’re not all living in our little slave cabins around the big house like we used to. We’re more independent, but we need savvy intermediaries. Now more than ever. You could do that. Didn’t L’Oiseau d’Or teach you how to be charming?”

“The word is charmant! Agents aren’t charmant. They are mercenaries.”

“Mercenaries in a good cause. Pity the poor, struggling actor or writer, Roxanne.” He folded his hands in prayer and looked out to the horizon. “They have talent, ambition, high hopes”—he smashed out his cigarette and added—“but they need someone to look after them, to make sure they’re always working. You’re Roxanne Granville who knows all the right people! You should become an agent and help these poor, lost souls.”

“I told you, no more actors.”

“Okay, writers! You like to read. You actually like writers, and you did learn from the best of them.”

“That’s true.”

“They’re clever. You’re clever.”

“That’s true too,” I said, pleased.

“There’s your answer, Quacker.”

Two days later the prestigious Rakoff/Holtz Agency hired me without a blink, though I had no experience, no references, couldn’t type, and hadn’t graduated from college. Perhaps they were impressed that I could speak French and Italian fluently, that I had once mastered Debussy on the piano, that I had gone to L’Oiseau d’Or finishing school, that I wore couture clothing (Dior and Balenciaga). Perhaps they were impressed that in modeling myself on the late Julia Greene, one of the city’s most renowned philanthropists, I had the aristocratic confidence to wear a diamond ring in daytime. Or perhaps because my grandfather is the legendary Leon Greene of Empire Pictures. Or maybe because my father is Sir Rowland Granville, recently knighted by the new queen and currently wowing West End audiences in Macbeth. Let me put it this way: I didn’t have to drop any name but my own. And I sure as hell didn’t start in the mail room.

Chapter Four