Back The Great Pretenders
Chapters (55)
  1. Cover
  2. Praise for The Great Pretenders
  3. Dedication
  4. Epigraph
  5. PART I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. PART II
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. PART III
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. Chapter Twenty-two
  30. Chapter Twenty-three
  31. Chapter Twenty-four
  32. Chapter Twenty-five
  33. Chapter Twenty-six
  34. PART IV
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. Chapter Thirty-one
  40. Chapter Thirty-two
  41. Chapter Thirty-three
  42. Chapter Thirty-four
  43. Chapter Thirty-five
  44. PART V
  45. Chapter Thirty-six
  46. Chapter Thirty-seven
  47. Chapter Thirty-eight
  48. Chapter Thirty-nine
  49. Chapter Forty
  50. AUTHOR’S NOTE
  51. Readers Guide
  52. DISCUSSION QUESTIONS
  53. Acknowledgments
  54. About the Author
  55. What’s next onyour reading list?

Waiters hoisting trays sailed through the salon, and the effervescence in crystal glasses caught the light cast by sparkling Venetian chandeliers. Women’s high heels clicked percussively on the black-and-white marble floors. Tall French doors led out to the portico that opened to a view of the terraced gardens and the artificial lake with its leaping Versailles fountain. Strings of colorful Chinese lanterns illuminated the April twilight in the reflecting pools.

Natalie Wood walked up to us, glowing. “Come with me, Jonathan, I want you to meet my director.”

“Nicholas Ray?” Jonathan and I exchanged a quick, intense glance. Rebel Without a Cause, not even yet released, was already rumored to be an Oscar contender. I quickly crossed my fingers for him as she led him away.

To my surprise, Hedda Hopper, the queen of gossip glory, came up to me. “Isn’t it wonderful,” she gushed, “Leon and Denise just eloping like a couple of youngsters.”

“It’s wonderful—so romantic.”

“How is the Granville Agency doing, Roxanne?”

“Beautifully. Just fine.”

“Any great deals to report?”

“I’m not at liberty to say right now.” I have discovered this is a wonderfully evasive phrase suggesting, teasing, titillating that great things hover in the offing, awaiting only some small formality to emerge. “But when I am, you’ll be the first to know.”

Hedda blew a smoke ring, making me think she’d seen right through the ruse. “It can’t be easy being an independent woman agent.”

“It’s not easy being an independent woman, Miss Hopper. As I’m sure you know.”

“No one knows that better than I. Men are always trying to shut me up.”

A snappy retort trembled at the edge of my lips, but I said nothing of the sort. Hedda Hopper can and has made reputations, and just as swiftly rendered them into ash.

“You must have learned a lot from Irv Rakoff when you worked for him.”

“I learned nothing at all from him, thank you.” Unless it was how to pour cold champagne over a man’s dick, and how to sniff condescension at a hundred yards. I smiled at her.

“It’s hard in this business for a woman to deal effectively with men, and to remain a lady.”

“Remaining a lady is not a priority for me.”

“Really?” Hedda’s bright little eyes lit, and I could all but hear her cranial wheels turn.

“To be a lady is to confine oneself to a certain set of expectations that belong to others. At the L’Oiseau d’Or in Paris, they taught us it’s more important to set one’s own expectations—in short, to be clever.”

“Clever girls often overreach themselves,” she said with an implied tsk-tsk.

“But clever women do not. It’s a matter of knowing what tools to use for each purpose. You wouldn’t use an oyster knife to stir your tea, would you?”