Back The Great Pretenders
Chapters (55)
  1. Cover
  2. Praise for The Great Pretenders
  3. Dedication
  4. Epigraph
  5. PART I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. PART II
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. PART III
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. Chapter Twenty-two
  30. Chapter Twenty-three
  31. Chapter Twenty-four
  32. Chapter Twenty-five
  33. Chapter Twenty-six
  34. PART IV
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. Chapter Thirty-one
  40. Chapter Thirty-two
  41. Chapter Thirty-three
  42. Chapter Thirty-four
  43. Chapter Thirty-five
  44. PART V
  45. Chapter Thirty-six
  46. Chapter Thirty-seven
  47. Chapter Thirty-eight
  48. Chapter Thirty-nine
  49. Chapter Forty
  50. AUTHOR’S NOTE
  51. Readers Guide
  52. DISCUSSION QUESTIONS
  53. Acknowledgments
  54. About the Author
  55. What’s next onyour reading list?

“Alabama made me think. A reporter sticks to the facts of that one day, he sees things in dollops, this day, and that day, this fact and that. He writes it up in dollops. I keep thinking there’s a book in this, in what I experienced down there. Because the facts themselves don’t answer, don’t tell the whole story. You gotta look beyond the facts. When you write a book, you gotta ask what things mean, make sense of the whole. What I experienced in Montgomery, it was biblical, Roxanne, biblical. I thought I was going down to Montgomery to report. I didn’t know I was going to watch a whole city play Moses. In Montgomery they weren’t just staying off the bus, they’re leading ourselves out of bondage.”

“Turn it into a novel.”

“Oh no. In August Branch’s world, you make stuff up, you going to hell.”

“All right. Not a novel. Write about Moses Shaw. You made him into a powerful figure. Heroic.”

“Well, he was heroic, baby, but that’s just it. He went about being heroic just as if he was plowing a furrow. Up one side, down the other. He never protested his arrests, never fought back when they lit into him. He seemed unchanged. Like Job. How does a man live like that?”

“I don’t know,” I replied truthfully.