Back The Great Pretenders
Chapters (55)
  1. Cover
  2. Praise for The Great Pretenders
  3. Dedication
  4. Epigraph
  5. PART I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. PART II
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. PART III
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. Chapter Twenty-two
  30. Chapter Twenty-three
  31. Chapter Twenty-four
  32. Chapter Twenty-five
  33. Chapter Twenty-six
  34. PART IV
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. Chapter Thirty-one
  40. Chapter Thirty-two
  41. Chapter Thirty-three
  42. Chapter Thirty-four
  43. Chapter Thirty-five
  44. PART V
  45. Chapter Thirty-six
  46. Chapter Thirty-seven
  47. Chapter Thirty-eight
  48. Chapter Thirty-nine
  49. Chapter Forty
  50. AUTHOR’S NOTE
  51. Readers Guide
  52. DISCUSSION QUESTIONS
  53. Acknowledgments
  54. About the Author
  55. What’s next onyour reading list?

Will it rain? Though clouds glower overhead, I lift the black veil on my hat and put my sunglasses on so I don’t have to meet anyone’s gaze as we listen to the droning voice extolling Julia Greene’s accomplishments as if she had just graduated rather than died. Errant, uninspired raindrops descend, enough that women pull their mink stoles closer, and many people look up, surprised. In this vast sea of celebrity—the stars who glitter in the cinematic heavens and the producers, directors, and studio heads who make their lives hell—no one believes there can be rain unless the director says, Cue the thunder. We, the family, are seated in front of the mahogany casket, which is bedecked with orchids. Beside me Leon is stoic, not an expression that reflects remorse. Does he regret breaking Julia’s heart? Does he even care that she died alone in Paris? The thought makes me want to cry all over again, but hearing her voice in my head—Never forget that you are Roxanne Granville, named for the romantic heroine of a great play—I forbid myself the luxury of tears. I remind myself that she sent me to L’Oiseau d’Or, a Parisian finishing school for the contemptibly rich, where I learned one never admits there’s anything one can’t endure except for vulgarity. Like this vulgar send-off. Look at all this gaudy array of stupendously garish floral tributes. It’s as though they were ordered by some freewheeling set designer operating without a budget. Julia, with her standards, would have laughed at every ostentatious moment, but she would have understood that it could not be otherwise. This is Hollywood, after all.

She would not have been amused to see some of these faces, since Julia didn’t share Leon’s rabid anti-Red convictions. John Wayne, Ward Bond, Gary Cooper, Hedda Hopper, Cecil B. DeMille, Ginger Rogers, and all the rest of Leon’s staunch allies from the Motion Picture Alliance for the Preservation of American Ideals, they’re all here, looking stylishly somber. Every one of them is well aware that we are simultaneously the audience as well as the actors in this mourning drama. Even a funeral becomes a theatrical occasion.