Back The Great Pretenders
Chapters (55)
  1. Cover
  2. Praise for The Great Pretenders
  3. Dedication
  4. Epigraph
  5. PART I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. PART II
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. PART III
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. Chapter Twenty-two
  30. Chapter Twenty-three
  31. Chapter Twenty-four
  32. Chapter Twenty-five
  33. Chapter Twenty-six
  34. PART IV
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. Chapter Thirty-one
  40. Chapter Thirty-two
  41. Chapter Thirty-three
  42. Chapter Thirty-four
  43. Chapter Thirty-five
  44. PART V
  45. Chapter Thirty-six
  46. Chapter Thirty-seven
  47. Chapter Thirty-eight
  48. Chapter Thirty-nine
  49. Chapter Forty
  50. AUTHOR’S NOTE
  51. Readers Guide
  52. DISCUSSION QUESTIONS
  53. Acknowledgments
  54. About the Author
  55. What’s next onyour reading list?

He got right to the point. “Charlie Frye doesn’t always show up when he’s wanted on-set, and when we have to send someone after him, they find him in his office, sharpening pencils and throwing darts. If he is there at all. He doesn’t make the changes when they’re wanted, which, as you know, is instantly. He’s costing us time.”

“But he does make them.”

“He’s costing us time,” Leon repeated, “and time is crucial. He wrote a brilliant comedic script. Why can’t he make some brilliant comedic changes? He’s your writer, isn’t he?”

The question hung there between us. “Sure, Leon. I’ll talk to him.”

“He’s already been talked to, Roxanne. You set this in motion. You need to see he acts responsibly. This would never have been tolerated in the old days.”

A chill pierced my very bones. “I will take care of this,” I promised, not knowing if I could deliver. Or if Charlie could deliver. Max, of course, could deliver, but he was in Riverside, sixty miles away. I hung up and said to Thelma, “There’s no choice. We need to have Max do the rewrites, and somehow we’ll have to get them to Charlie.”

“That means Charlie will know that Max is in Riverside.”

“He’ll only know for sure Max isn’t in Mexico. We couldn’t do it at all if Max was in Mexico. You see what’s at stake, don’t you?”

“I do,” Thelma conceded, “but I feel like we’re turning on the fan and waiting for the shit to hit it.”

We set up a relay system that stayed in place for the rest of the filming. Charlie telephoned me with the changes Leon wanted, right down to the page numbers. I went to a pay phone, armed with about ten thousand dimes, and telephoned Max, who did the writing. When he was done, Marian phoned the office from a pay phone, asking for a different name every time. Thelma said, “Wrong number.” Marian drove from Riverside. Thelma or I drove from LA. We met halfway and passed the envelope in that cosmopolitan hub, Covina. We met at a different gas station each time. I checked out the Negro Motorist Green Book and refused to meet at any gas station not listed there. Marian thought I was nuts, but since I’d first seen that book the day I met Terrence, I never pass a Shell station without thinking about squatting in a field to pee.