Back The Great Pretenders
Chapters (55)
  1. Cover
  2. Praise for The Great Pretenders
  3. Dedication
  4. Epigraph
  5. PART I
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. PART II
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. PART III
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-one
  29. Chapter Twenty-two
  30. Chapter Twenty-three
  31. Chapter Twenty-four
  32. Chapter Twenty-five
  33. Chapter Twenty-six
  34. PART IV
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. Chapter Thirty-one
  40. Chapter Thirty-two
  41. Chapter Thirty-three
  42. Chapter Thirty-four
  43. Chapter Thirty-five
  44. PART V
  45. Chapter Thirty-six
  46. Chapter Thirty-seven
  47. Chapter Thirty-eight
  48. Chapter Thirty-nine
  49. Chapter Forty
  50. AUTHOR’S NOTE
  51. Readers Guide
  52. DISCUSSION QUESTIONS
  53. Acknowledgments
  54. About the Author
  55. What’s next onyour reading list?

He glanced over at me with a look of near desperation. “This isn’t a goddamn movie, Roxanne, where you walk down the street at high noon, and make fine gestures, and in The End the good guys win while a bunch of trumpets play in the background. Shit like that will get you killed. It will sure as hell get me killed.”

There was nothing I could say to that. I did not recognize the danger that Terrence instantly sensed because I had no frame of reference at all. After all, in the movies I had never seen a white woman and a black man out together, arm in arm. Of course I hadn’t. There never was such a scene. There might not ever be such a scene. The Hays Code did not allow miscegenation on the screen. Miscegenation. Is that what we were doing? What an ugly word. So ugly that even the scandal rags that had excoriated Diana Jordan hadn’t used it, preferring to highlight a blonde actress and her black lover. Miscegenation. As he drove me back to Clara Bow Drive, I tried but could not think of a single movie or play or novel where a white woman and a black man defied custom, expectations, and fell in love. None except Othello—a tragedy.

•   •   •

If we wanted to go to a movie, Terrence and I had to buy separate tickets, apart from each other, enter separately after the lights had gone down, sit together, and leave separately before the lights came up. And at that, especially in a crowded theater, we attracted unwanted attention just sitting side by side. We couldn’t eat a meal at the Farm Café, or anywhere near Clara Bow Drive, without nasty looks seasoning every bite. We found a couple of restaurants in Chinatown, dark, quiet, painted in red and black and gold, with little glass wind chimes that tinkled with the breeze of every passing waiter. No one in Chinatown cared who we were, since we weren’t Chinese. Neither of us had ever eaten Chinese food, and we both liked it, and we learned to use chopsticks. We drove to Baja for a couple of weekends, and there we could go wherever we wanted, dance to our hearts’ content, and not attract any special notice (except for nasty looks from the border guards). Jonathan insisted everything would be fine at Casa Fiesta, reminding us that Clayton Strong and his girlfriend sometimes showed up at the parties. But Clayton’s girlfriend wasn’t white, and I reminded Jonathan that when Bongo and those two actors saw Diana and Booker together at the Comet Club, what did they do? They bolted, afraid to be anywhere near a white woman who loved a black man. By the end of the summer, Terrence and I agreed it was easier to stay home, to keep to ourselves.