Back The Frenchman
Chapters (76)
  1. COVER PAGE
  2. ABOUT THE AUTHOR
  3. DEDICATION
  4. AMIN
  5. PARIS
  6. … TWO YEARS LATER
  7. CHAPTER ONE
  8. CHAPTER TWO
  9. CHAPTER THREE
  10. CHAPTER FOUR
  11. CHAPTER FIVE
  12. CHAPTER SIX
  13. CHAPTER SEVEN
  14. CHAPTER EIGHT
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. CHAPTER TWELVE
  19. CHAPTER THIRTEEN
  20. CHAPTER FOURTEEN
  21. CHAPTER FIFTEEN
  22. CHAPTER SIXTEEN
  23. CHAPTER SEVENTEEN
  24. CHAPTER EIGHTEEN
  25. CHAPTER NINETEEN
  26. CHAPTER TWENTY
  27. CHAPTER TWENTY-ONE
  28. CHAPTER TWENTY-TWO
  29. CHAPTER TWENTY-THREE
  30. CHAPTER TWENTY-FOUR
  31. CHAPTER TWENTY-FIVE
  32. CHAPTER TWENTY-SIX
  33. CHAPTER TWENTY-SEVEN
  34. CHAPTER TWENTY-EIGHT
  35. CHAPTER TWENTY-NINE
  36. CHAPTER THIRTY
  37. CHAPTER THIRTY-ONE
  38. CHAPTER THIRTY-TWO
  39. CHAPTER THIRTY-THREE
  40. CHAPTER THIRTY-FOUR
  41. CHAPTER THIRTY-FIVE
  42. CHAPTER THIRTY-SIX
  43. CHAPTER THIRTY-SEVEN
  44. CHAPTER THIRTY-EIGHT
  45. CHAPTER THIRTY-NINE
  46. CHAPTER FORTY
  47. CHAPTER FORTY-ONE
  48. CHAPTER FORTY-TWO
  49. CHAPTER FORTY-THREE
  50. CHAPTER FORTY-FOUR
  51. CHAPTER FORTY-FIVE
  52. CHAPTER FORTY-SIX
  53. CHAPTER FORTY-SEVEN
  54. CHAPTER FORTY-EIGHT
  55. CHAPTER FORTY-NINE
  56. CHAPTER FIFTY
  57. CHAPTER FIFTY-ONE
  58. CHAPTER FIFTY-TWO
  59. CHAPTER FIFTY-THREE
  60. CHAPTER FIFTY-FOUR
  61. CHAPTER FIFTY-FIVE
  62. CHAPTER FIFTY-SIX
  63. CHAPTER FIFTY-SEVEN
  64. CHAPTER FIFTY-EIGHT
  65. CHAPTER FIFTY-NINE
  66. CHAPTER SIXTY
  67. CHAPTER SIXTY-ONE
  68. CHAPTER SIXTY-TWO
  69. CHAPTER SIXTY-THREE
  70. CHAPTER SIXTY-FOUR
  71. CHAPTER SIXTY-FIVE
  72. CHAPTER SIXTY-SIX
  73. CHAPTER SIXTY-SEVEN
  74. CHAPTER SIXTY-EIGHT
  75. CHAPTER SIXTY-NINE
  76. EPILOGUE

If he had ten questions, the Company would have one hundred. The DGSE was famously hard on its field operatives when they came home to debrief. As one of his old instructors had warned him, building a genuine cover is only part of the puzzle; the other part is getting your story straight for the debriefers at the Cat. The administration people wanted to know where the money was spent and the managers wanted to know who the officer met. The intelligence officers—the DR, or Direction du Renseignement, the Intelligence Directorate—wanted to know exactly what words and phrases were used in conversations, and the specialist groups might sit in and pepper an agent with questions about nuclear triggers, bioweapons or whatever the operation had touched on. But most of all, if an operation initiated by the Company was called off and someone had been killed, the senior levels would arrive with their ambitious hangers-on and an OT would spend all day with four or five people trying to outdo one another with their suspicions. Such was the French secret services: Pas vu, pas pris; pris, pendu—not seen, not caught; caught, hanged.

His version of events would have to pass muster with two different masters. The first was Christophe Sturt, the director of the Direction du Renseignement. The DR was home to highly educated and ambitious analysts and managers whose requests for information were the initial triggers for missions such as Operation Falcon. Sturt would feel ownership of Falcon, and so would de Payns’ other master, the director of the Direction des Opérations, Anthony Frasier. Frasier would make an appearance because someone had died, in a foreign country, on an operation he was legally responsible for. He would have the right to chair the debrief, but his 2IC—the head of Y Division, Dominic Briffaut—would run the blow-by-blow questioning. Briffaut was a former army special forces operator who had switched to the DGSE twenty years ago. He could be hard on his operators, but was also very protective.

But if his masters had a plethora of questions for him, de Payns had one big question for them: Was there a traitor inside the Company?

CHAPTER FIVE

CHAPTER

FIVE

De Payns wandered the concourses of the Milano Centrale, an hour to kill waiting for his train to Marseille. The Italians had created a new railway terminal in the middle of a nineteenth-century building, somehow retaining the original architecture around a labyrinth of shops and escalators as modern as Frankfurt’s. It felt light and clean, but within a domed cathedral of polished marble and massive curved skylights.