Back The Frenchman
Chapters (76)
  1. COVER PAGE
  2. ABOUT THE AUTHOR
  3. DEDICATION
  4. AMIN
  5. PARIS
  6. … TWO YEARS LATER
  7. CHAPTER ONE
  8. CHAPTER TWO
  9. CHAPTER THREE
  10. CHAPTER FOUR
  11. CHAPTER FIVE
  12. CHAPTER SIX
  13. CHAPTER SEVEN
  14. CHAPTER EIGHT
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. CHAPTER TWELVE
  19. CHAPTER THIRTEEN
  20. CHAPTER FOURTEEN
  21. CHAPTER FIFTEEN
  22. CHAPTER SIXTEEN
  23. CHAPTER SEVENTEEN
  24. CHAPTER EIGHTEEN
  25. CHAPTER NINETEEN
  26. CHAPTER TWENTY
  27. CHAPTER TWENTY-ONE
  28. CHAPTER TWENTY-TWO
  29. CHAPTER TWENTY-THREE
  30. CHAPTER TWENTY-FOUR
  31. CHAPTER TWENTY-FIVE
  32. CHAPTER TWENTY-SIX
  33. CHAPTER TWENTY-SEVEN
  34. CHAPTER TWENTY-EIGHT
  35. CHAPTER TWENTY-NINE
  36. CHAPTER THIRTY
  37. CHAPTER THIRTY-ONE
  38. CHAPTER THIRTY-TWO
  39. CHAPTER THIRTY-THREE
  40. CHAPTER THIRTY-FOUR
  41. CHAPTER THIRTY-FIVE
  42. CHAPTER THIRTY-SIX
  43. CHAPTER THIRTY-SEVEN
  44. CHAPTER THIRTY-EIGHT
  45. CHAPTER THIRTY-NINE
  46. CHAPTER FORTY
  47. CHAPTER FORTY-ONE
  48. CHAPTER FORTY-TWO
  49. CHAPTER FORTY-THREE
  50. CHAPTER FORTY-FOUR
  51. CHAPTER FORTY-FIVE
  52. CHAPTER FORTY-SIX
  53. CHAPTER FORTY-SEVEN
  54. CHAPTER FORTY-EIGHT
  55. CHAPTER FORTY-NINE
  56. CHAPTER FIFTY
  57. CHAPTER FIFTY-ONE
  58. CHAPTER FIFTY-TWO
  59. CHAPTER FIFTY-THREE
  60. CHAPTER FIFTY-FOUR
  61. CHAPTER FIFTY-FIVE
  62. CHAPTER FIFTY-SIX
  63. CHAPTER FIFTY-SEVEN
  64. CHAPTER FIFTY-EIGHT
  65. CHAPTER FIFTY-NINE
  66. CHAPTER SIXTY
  67. CHAPTER SIXTY-ONE
  68. CHAPTER SIXTY-TWO
  69. CHAPTER SIXTY-THREE
  70. CHAPTER SIXTY-FOUR
  71. CHAPTER SIXTY-FIVE
  72. CHAPTER SIXTY-SIX
  73. CHAPTER SIXTY-SEVEN
  74. CHAPTER SIXTY-EIGHT
  75. CHAPTER SIXTY-NINE
  76. EPILOGUE

De Payns had constructed the classic filature for train travel. They would follow her to the station, where one of his team was waiting on the opposite platform. When the woman descended to her own platform, the team member watching from the other platform radioed another team member waiting at the previous railway station, telling him the woman’s position on the platform. That follower would take the next train and sit where the target was most likely to enter, so that when she entered the train she suspected nothing. The job was to identify which station she travelled to two days in a row.

De Payns’ team followed the target one station north, into an area of low-rise corporate suites and medical centres with good stands of trees and parks between them. The shops were fairly upmarket without being high-end. They followed her to a modern white building with management consultants, engineers and bioscience firms on the tenant board. One of the filature team reported that she got off the elevator on the second level, where the only tenant was a Belgian bioscience company called GrowTEK.

While the filature team tracked the target’s daily movements, the DT set up the gear to make a trombinoscope of the building she lived in. The trombinoscope was basically a gallery of images, names, associates and habits of the main players and locations in an operation, collected in an operations room, and eventually converted to a book.

Having established which door was hers—2206, which translated to the second block, second level, number six—the tech team placed cameras in the green exit sign in the hallway in front of her door, so that de Payns and his team could see who was living with her or visiting. The persons of interest were followed and photographed until they could be identified.

Back at the Bunker in Noisy, de Payns used the incoming pictures and intelligence to build the body of knowledge—the dispositif—on a corkboard in one of the operations rooms.

De Payns worked on identifying the woman’s name and her work, not hidden as evidenced by a name on the letterbox and on the apartment doorbell, and confirmed by the field team’s checking of her mail. An identity not covered up could mean a deception, so the team cross-checked the declared name with utility bills and the Belgian driver’s licence.

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