Contents (34)
- Also by Robert Seethaler
- The Voices
- Hanna Heim
- Gerd Ingerland
- Sonja Mayers
- Father Hoberg
- Nabil al-Bakri
- Herm Leydicke
- Lennie Martin
- Louise Trattner
- Gerda Baehr
- K. P. Lindow
- Stephanie Stanek
- Heiner Joseph Landmann
- Martha Avenieu
- Robert Avenieu
- Sophie Breyer
- Heribert Kraus
- Heide Friedland
- Franz Straubein
- Karl Jonas
- Susan Tessler
- Peter Lichtlein
- Annelie Lorbeer
- Hannes Dixon
- Martin Reynart
- Linda Aberius
- I
- II
- III
- Bernard Silbermann
- Kurt Kobielski
- Connie Busse
- Harry Stevens
The heat pressed through the open window into the car. I moved to sit behind the wheel, started the engine and drove slowly out of the car park. When I got to the main road I put my foot down. It was nice to feel the wind. It blew in among some loose papers I’d forgotten in a folder on the back seat; the pages whirled about behind me. I turned on the radio. I didn’t know what the music was, but it was good. In the rear-view mirror I saw the glass roof vanish beneath the undulating horizon. I wasn’t thinking about her any more. Perhaps I was thinking about the road that was simply there, laid out across the landscape in front of me, or the steering wheel, which was vibrating and felt a little sticky. Really, though, I wasn’t thinking about anything any more.
Sophie Breyer
Idiots.
Heribert Kraus
Early morning. The road is wet. Drops are falling from the trees; underneath them it already smells of autumn. The light, as if someone had poured it over the roofs. Now it’s running down them, down chimneys, gutters, walls, like viscous gold. The pigeons’ cooing and fluttering sounds unfamiliar. It’s too early to think clearly. Don’t think, keep pedalling, it’s a long round! And your legs are still stiff. It’s cold. The bike is heavy. Steel – has to withstand a lot. Full bags. And cobbles everywhere. An old town. Old houses. Old streets. Good for the townscape, bad for postmen. Keep pedalling, it’ll get easier soon. It’s just the beginning that’s hard. The beginning and the end.
Turning off Leinestrasse into Thomasstrasse, on into the day. Windows flash. The sky so bright it hurts your eyes. Across Kernerplatz, past the oldest tree. The hollow trunk, just wide enough for three children to hide in. The dahlias. The grass. The hole in the ground. A fox, perhaps. Probably nothing left to eat out there in the fields. The nursery school. Wonky animal drawings on the wall. Giraffe. Elephant. Tiger. The hippopotamus is squinting; dew glitters on the bars of the swing. A cap on the grass like a yellow flower.
Karolinenstrasse. Kornweg. Brückenstrasse. The delivery starts at number three. There’s no numbers one and two. No one knows why.
And how’s the little girl? asks Frau Haller, at the fence. Wizened face, but always friendly. Plucks at her dressing gown. Always the same dressing gown, never a different one. Over the years I’ve watched it fade, its rich, bright red dwindling to pallid, salmony pink. And what do the doctors say? No one ever wishes for such a thing, of course. But what can you do? Mine left long ago. Womb, home, everything, that’s just the way it is. But yours is still small. It must be hard. Oh – heading off already? By all means. Have a nice day. See you tomorrow. See you tomorrow!
Brückenstrasse is one of the best. All old people, not much post. The air is already warm. The road stretches ahead in the sun; tarred only recently, and it split again immediately afterwards. Dark cracks. Holes. Troughs. The town has no money. No one has money; but at least it smells of coffee. Of bread and sausage and honey and chocolate. Of bacon and fat-fried eggs. Of toilet odours and soap suds. Through the open windows, past the laundry, houses exhale the remnants of the night. Shaken-out dreams lie in the grass below. Who said that? You? Well, who’d have thought. In the distance, Frau Heller is still standing at the garden fence, a salmon-pink blob, waving.