Back The Dog Who Danced Save as PDF
Chapters (68)
  1. Cover
  2. Title Page
  3. Dedication
  4. Part 1
  5. Prologue
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Part 2
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. Chapter 29
  36. Chapter 30
  37. Chapter 31
  38. Chapter 32
  39. Chapter 33
  40. Part 3
  41. Chapter 34
  42. Chapter 35
  43. Chapter 36
  44. Chapter 37
  45. Chapter 38
  46. Chapter 39
  47. Chapter 40
  48. Chapter 41
  49. Chapter 42
  50. Chapter 43
  51. Chapter 44
  52. Chapter 45
  53. Chapter 46
  54. Chapter 47
  55. Chapter 48
  56. Chapter 49
  57. Chapter 50
  58. Chapter 51
  59. Chapter 52
  60. Chapter 53
  61. Chapter 54
  62. Chapter 55
  63. Chapter 56
  64. Chapter 57
  65. Epilogue
  66. Acknowledgments
  67. Also by Susan Wilson
  68. About the Author

Mitch is beside me, his fingers dancing on the steering wheel as a violin concerto blasts out of the speakers. He isn’t drumming; he’s fingering an imaginary violin. Then his right hand leaves the wheel and strokes Mack, coming to rest against my cheek. I lean into it. He smells of soap, his fingertips hardened by years of violin playing.

I’m going to be making changes again. Once more, I’ll uproot myself and begin again. My voyage isn’t over, but at least I know what I’ve been pursuing all these years; my particular white whale is forgiveness. I have forgiven my father, or maybe it’s more accurate to say that knowing he did love me has allowed me to let go of the past. I have been forgiven, and that’s a sweeter thing.

We are almost to Route 84 on our way to Brooklyn, where Anthony, Mary, and Tony are waiting for us with a Marcone’s Grill dinner and a place to sleep. After that, I may say good-bye to Mitch, or I may not. We haven’t talked about next steps. My duffel is in his trunk. My dog is in my arms, and wherever I end my voyage, with Mitch or not, my Mack, my dancing dog, will be always be with me.

*   *   *

Ed spots the dog first. It’s a little forlorn, its shaggy coat a little unkempt. This one has eyes that match, a deep brown, and he’s black, with rusty brown on his muzzle and a full white ruff. Sitting alone in the chain-link run, he greets them with a soft whine and a full body shake. He pokes one paw at the wire and then sits quietly.

It feels like the dog’s eyes are on him, waiting for him.

“Go ahead.” Alice is beside him, encouraging him.

“You’re sure?” Ed doesn’t mean about this particular shelter dog, but about doing this at all, taking him on.

“Never more so.” Alice takes Ed’s hand. “Let’s take him home.”

Ed nods; he cannot speak for the feeling that he has been graced by an angel, blessing him with a second chance.

Acknowledgments

Acknowledgments

From conception to delivery—thank you Andrea Cirillo, Annelise Robey, Jane Rotrosen, and, as always, my superlative editor, Jennifer Enderlin. I could never have done this without your guidance, patience, persistence, and razor-sharp insights. This excellent collaboration is what makes a good book potentially a great one.

Thanks, too, for the wonderful support of the entire St. Martin’s team: Monica Katz, Joan Higgins, and Paul Hochman, who keep me comfortable with the twenty-first-century way of book promotion; Stephen Lee, John Murphy, Matthew Shear, Kerry Nordling, Anne Marie Tallberg, Carol Edwards, and Ervin Serrano.

For insights into the world of cross-country trucking, I am grateful to Charlie Tucy.

Finally, I couldn’t do this without the love and support of my husband, David. Nor would I want to.