Back The Darker Face of the Earth Save as PDF
Chapters (27)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Acknowledgments
  6. Dedication
  7. Cast
  8. Prologue
  9. Act One
  10. Scene 2
  11. Scene 3
  12. Scene 4
  13. Scene 5
  14. Scene 6
  15. Scene 7
  16. Scene 8
  17. Act Two
  18. Scene 2
  19. Scene 3
  20. Scene 4
  21. Scene 5
  22. Scene 6
  23. Scene 7
  24. Scene 8
  25. An Interview with Rita Dove
  26. Biographical Note
  27. Back Cover
PHEBE Any news?
AUGUSTUS

I expect another signal

any day now. Then I’ll know more.

PHEBE

What are they waiting for?

You reckon something’s gone wrong—

AUGUSTUS (Calming her.)

Shh. They have their reasons.

Patience.

PHEBE catches him looking at the sky.

PHEBE (With a mixture of jealousy and trepidation.)

You better get on up there—

sun’s almost touching.

PHEBE scoots inside the cotton house. AUGUSTUS studies the horizon, his expression inexplicable, then exits as JONES enters from the fields, urging along the next group bearing cotton. The SLAVES are sweaty and tired. JONES looks after AUGUSTUS; it’s clear he’s been told not to interfere.

JONES

Keep it moving!

Don’t be looking at the sun;

you got a whole long while

before your day is over!

JONES exits. The scene opens to the inside of the cotton house; SCIPIO dumps the sacks of cotton onto the floor while the other SLAVES tramp it down. The dull thud of stomping feet punctuates the dialogue; changes in pace and rhythm signal changes in mood and tension. On his way for the next sack of cotton, SCIPIO looks out the one small window.

SCIPIO There he goes.
ALEXANDER Every evening, same time.
SCYLLA It’s the devil’s work afoot, for sure.
SCIPIO It is peculiar! I wonder—
PHEBE It ain’t your task to wonder.
SCIPIO

What’s the matter with you, gal?

Most times you’re the one speculating

about other folks’ doings.

Maybe you’re sweet on him.

General laughter.

PHEBE

If you ain’t finding fault with someone,

you all laughing at them! We all been

called up to the house one time or another.

Ain’t nothing special in that.

SCYLLA

For weeks on end? As soon as

the sun eases into the sycamores,

there ain’t a hair of his to be seen

till daylight.

Significant pause.