Chapters (27)
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White-fearing niggers. Death-fearing slaves. |
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| PHEBE | Ain’t you ever scared? |
| AUGUSTUS |
Of what? White folks? They’re more afraid of me. Pain? Every whipping’s got to come to an end. |
| PHEBE |
I heard you’ve been whipped so many times, they lost count. |
| AUGUSTUS |
They think they can beat me to my senses. Then they look into my eyes and see I’m not afraid. |
| PHEBE | It’d be something, not to be afraid. |
| AUGUSTUS |
You have to have a purpose. Something bigger than anything they can do to you. |
| PHEBE | (Suppressing a shudder.) |
| And ain’t nobody ever tried to kill you? | |
| AUGUSTUS |
Oh, yes. First time, I was hardly alive. They ripped me from my mother the night I was born and threw me out like trash. I didn’t walk until I was three. |
| PHEBE | Lord have mercy. |
| AUGUSTUS |
Mercy had nothing to do with it! Missy couldn’t stand the sight of me. Just look at me! It’s an old story. |
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You’ve stopped trembling. Now why don’t you tell me what made you quake that way in the first place? |
PHEBE shakes her head.
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Conjuration, I imagine? Mumble-jumble from that hateful woman. |
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| PHEBE | Her name’s Scylla. |
| AUGUSTUS |
Women like her, hah! They get a chill one morning, hear an owl or two, and snap!— they’ve received their “powers”! Then they collect a few old bones, dry some herbs, and they’re in business. |
| PHEBE | She told me to watch my footsteps— |
| AUGUSTUS | —or you’d fall lame. |
| PHEBE |
And to keep my mouth shut when the wind blowed— |
| AUGUSTUS |
—or else the wind spirit would steal your soul. |
| PHEBE | How’d you know? |
| AUGUSTUS |
You think she’s the only conjure-woman in the world? Why, your Scylla’s a baby compared to the voodoo chiefs in the islands. They can kill you with a puff of smoke from their pipes—if you believe in them. Take me: I’ve been cursed enough times to bring down a whole fleet of ships around me—but here I sit, high and dry. So I guess they must be saving me for something special. |
PHEBE looks at AUGUSTUS in wonder; the lights dim as the other SLAVES slowly come on stage, singing as they take their places in the fields. The song sung during the “shout” has modulated into a percussive piece with no words—clapping, sighs, whispered exclamations and grunts punctuate what becomes a work song.
| SLAVES |
No way out, gotta keep on— No way but to see it through. |
| NARRATOR |
Don’t sass, don’t fight! Lay low, grin bright! |
| NARRATOR/SLAVES | No way but to see it through. |
Scene 5
SCENE 5
The cotton fields. The light brightens: high noon. JONES enters, looks at the sun and cracks his whip as he calls out.
| JONES | Noon! |