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Chapters (27)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Acknowledgments
  6. Dedication
  7. Cast
  8. Prologue
  9. Act One
  10. Scene 2
  11. Scene 3
  12. Scene 4
  13. Scene 5
  14. Scene 6
  15. Scene 7
  16. Scene 8
  17. Act Two
  18. Scene 2
  19. Scene 3
  20. Scene 4
  21. Scene 5
  22. Scene 6
  23. Scene 7
  24. Scene 8
  25. An Interview with Rita Dove
  26. Biographical Note
  27. Back Cover
SCIPIO Come on, Augustus, what else?
AUGUSTUS

Did you know there are slaves

who have set themselves free?

SCIPIO

(Almost afraid to ask.)

How’d they do that?

AUGUSTUS

Santo Domingo, San Domingue, Hispaniola—

three names for an island

rising like a fortress

from the waters of the Caribbean.

An island of sun and forest,

wild fruit and mosquitoes—

and slaves, many slaves—half a million.

Slaves to chop sugar, slaves

to pick coffee beans, slaves to do

their French masters’ every bidding.

Then one summer, news came

from the old country: Revolution!

Plantation owners broke into a sweat;

their slaves served cool drinks

while the masters rocked on their verandas,

discussing each outrage:

people marching against the king,

crowds pouring into the streets,

shouting three words:

Liberté!

SLAVES We shall be free!
AUGUSTUS Égalité!
SLAVES Master and slave.
AUGUSTUS Fraternité!
SLAVES Brothers and sisters!
AUGUSTUS

Liberté, Égalité, Fraternité—three words

were all the island masters talked about

that summer, while their slaves

served carefully and listened.

SLAVES Liberté, Égalité, Fraternité!

During the following speech, a smoldering growl among the SLAVES grows louder and louder, until it explodes in a shout.

AUGUSTUS

Black men meeting in the forest:

Eight days, they whispered,

and we’ll be free. For eight days

bonfires flashed in the hills:

Equality. For eight days

tom-toms spoke in the mountains:

Liberty. For eight days

the tom-toms sang: Brothers and sisters.

And on the eighth day, swift as lightning,

the slaves attacked.

SLAVES Yah!

AMALIA enters, unseen, and stands listening.

AUGUSTUS

They came down the mountains

to the sound of tambourines and conch shells.

With torches they swept onto the plantations,

with the long harvest knives

they chopped white men down

like sugar cane. For three weeks

the flames raged; then the sun

broke through the smoke and shone

upon a new nation, a black nation—

Haiti!

SLAVES Haiti!
AUGUSTUS (Looking intently at the faces around him.)

Now do you see

why they’ve kept this from us,

brothers and sisters?

AMALIA A lovely speech.

The SLAVES are horrified. AUGUSTUS stands impassive.

I see you’re a poet

as well as a rebel.

JONES rushes in.

JONES Anything wrong, Miss Jennings?
AMALIA

Not a thing, Jones. Just passing

the time of day with my happy flock—

which is more than I see you doing.

JONES

But it’s noon, Miss Jennings!

They need nourishment

if we’re going to get this crop in.

AMALIA

It appears they’ve been getting

a different sort of sustenance.

JONES (Uncomprehending.)
Beg pardon, Ma’am?
AMALIA (Impatient with JONES.)

See that they work an extra hour tonight.

I don’t care if they have to pick by moonlight!

To AUGUSTUS.

As for you: I’ll see you

up at the house. Come at sunset—

the view over the fields

is most enchanting then.

She strides off. Blackout.

Scene 8

SCENE 8

The big house, LOUIS’s study and the parlor.

Twilight filters through the curtains; the frogs have started up in the swamp.