Back The Darker Face of the Earth Save as PDF
Chapters (27)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Acknowledgments
  6. Dedication
  7. Cast
  8. Prologue
  9. Act One
  10. Scene 2
  11. Scene 3
  12. Scene 4
  13. Scene 5
  14. Scene 6
  15. Scene 7
  16. Scene 8
  17. Act Two
  18. Scene 2
  19. Scene 3
  20. Scene 4
  21. Scene 5
  22. Scene 6
  23. Scene 7
  24. Scene 8
  25. An Interview with Rita Dove
  26. Biographical Note
  27. Back Cover
SCYLLA

Hector, son of Africa—

stolen from his father’s hut,

sold on the auction block!

SLAVES Black man.
SCYLLA

Hector was a slave in the fields

until Miss Amalia took him up

to the house. He followed her

like her own right shoe.

When she felt faint,

he brought her iced lemon water;

when she started to show,

he helped her up the stairs;

when the baby kicked,

he soothed her.

But when her time came

he had to stand out by the porch

like the rest of us.

And when Ticey brought the news

Hector fell to his knees

and ate dirt like a worm.

Now he lives alone

and catches snakes in the swamp.

SLAVES

Black woman, black man—

both were twisted

when the curse came over the hill.

SCYLLA

While the slave turned to grief,

the master turned to business.

Miss Amalia hiked up her skirts

and pulled on man’s boots.

SLAVES White woman.
SCYLLA

And Massa Louis . . . Massa Louis

took off his riding breeches—

SLAVES White man.
SCYLLA

—and shut himself upstairs.

Some nights you can see him out

on the balcony, staring at the sky:

he has machines to measure the stars.

SLAVES

Black woman, black man;

white woman, white man!

SCYLLA

Four people touched by the curse:

but the curse is not complete.

DIANA I’m scared.
PHEBE (In spite of herself.)

Did you have to tell her so much,

Scylla? She’s just a child.

SCYLLA

She’s old enough to know,

and you’re old enough to know better.

PHEBE

I was there, too. I didn’t see

no horses comin’ over the hill.

You just crumpled up like a leaf.

AMALIA enters unseen in riding clothes, whip in hand.

SCYLLA

I can strike you down like lightning,

Phebe. I can send demons mightier—

AMALIA What’s this?
PHEBE

How—how de do, Miss Amalia!

We was just trying to figure out

what to do with Diana here.

AMALIA

She seems healthy enough to me—

good stock, young and fresh.

PHEBE (Motioning for DIANA to look sicker.)

She fell out something awful.

It don’t look like she feel too good—

AMALIA

You aren’t here to play doctor, Phebe.

Where is that Jones? Jones!

JONES is nowhere to be seen. Impatient, AMALIA prods DIANA with the whip stock.

Lazy pack! I swear I’ve seen cows

smarter than you! Jones!

JONES (Rushes in, wiping his mouth with his sleeve.)
Yes, Miss Jennings?
AMALIA

Get these niggers in line!

Drink on your own time.

JONES Yes’m.
AMALIA

I’ll see you this evening

up at the house.

JONES Yes, Ma’am. I’ll be there, Ma’am!

She strides off; JONES mops his brow with a huge handkerchief.

JONES

Goddamn niggers, gotta watch you

every second! Get that gal back on her feet!

Cracking his whip.

Keep your mouths shut and your hands picking or you’ll feel my lash, sick or not!

Watches them resume work; then exits.