Back The Collected Novels
Chapters (53)
  1. Cover
  2. Khushwant Singh
  3. COLLECTED NOVELS
  4. Books by the Same Author
  5. Introduction
  6. Train to Pakistan
  7. Dedication
  8. Dacoity
  9. Kalyug
  10. Mano Majra
  11. Karma
  12. I Shall Not Hear The Nightingale
  13. Dedication
  14. Please Read This Note Before Reading the Novel
  15. Characters in the Story
  16. Chapter I
  17. Chapter II
  18. Chapter III
  19. Chapter IV
  20. Chapter V
  21. Chapter VI
  22. Chapter VII
  23. Chapter VIII
  24. Chapter IX
  25. Chapter X
  26. Chapter XI
  27. Chapter XII
  28. Chapter XIII
  29. Delhi
  30. Dedication
  31. Delhi
  32. Lady J.H.T.
  33. Bhagmati
  34. Musaddi Lal
  35. Bhagmati
  36. The Timurid
  37. Bhagmati
  38. The Untouchables
  39. Bhagmati
  40. Aurangzeb Alamgir: Emperor of Hindustan
  41. Bhagmati
  42. Nadir Shah
  43. Bhagmati
  44. Meer Taqi Meer
  45. Bhagmati
  46. 1857
  47. Bhagmati
  48. The Builders
  49. Bhagmati
  50. The Dispossessed
  51. Bhagmati
  52. A Note from the Author
  53. Footnotes
Document

I gave the girl a gold ashrafi. ‘This is for you. Don’t tell your old woman or the pimp.’ She took it, put her head in my lap and began to sob. I stroked her long hair, then bare back. I slipped my hand in her garara and stroked her rounded buttocks. My sex was roused. She undid the cord of my pyjamas. I laid her on the bed and entered her. Was I being unfaithful to Qamar? No. In this little girl I recreated her and relived the times we had lain together. Drink and the paan loaded with aphrodisiac made me stay in for an hour. She climaxed over and over again and was drenched in sweat by the time I spent myself in her.

She washed herself and then with a wet rag wiped my middle. Then she sat down beside me: ‘That Chappan fellow says you are a famous poet,’ she said. ‘Give this maidservant a couplet as a gift.’ I was not in a mood to compose poetry but did not want to hurt the girl’s feelings. ‘Give me a piece of paper, pen and ink and I’ll scribble something for you.’ She tore out a page from a notebook and gave me a reed pen and held an earthen inkpot in her hand. After thinking for a while I wrote:

The season of clouds, a flask of wine too.
Roses in the rose garden, as well as you.

When I got to my home in Fatehpuri, the dawn was about to break. My head throbbed with pain, my mouth was parched. It was when I was changing my clothes that I noticed that all the gold and silver coins I had received were gone. Who could it have been except the sixteen-year-old girl passing for a Mughal princess! Meer, better look after your terrain, this is no ordinary habitation! This is Delhi!

I was in ill-humour when I presented myself before Nawab Samsamuddaulah. So it seemed was the Nawab Sahib. His nephew Mohammed Wasit pleaded with him to fix an allowance for me. The Nawab Sahib regarded me with his bloodshot eyes and said: ‘Yes, we heard him last night. He is a deserving case. Besides we are beholden to his late father. Let him be paid one rupee a day. Next!’

Before the next supplicant could open his mouth, I presented a parchment before him and said: ‘Nawab Sahib may be pleased to put his order in writing.’ Though young in years, I knew the ways of civil servants who never did anything without demanding proof in writing.

My simple request put the Nawab Sahib out of composure. He snapped in Farsee, ‘Waqt-e-Qalaam Daan ne’st—this is not the time of the pen-and-inkholder.’ I stood my ground. ‘Sir, I do not understand the way you have framed your sentence,’ I said. ‘If your honour had said, “This is not the time for signing,” or that “the pen-and-ink-bearer is not on duty,” I would have understood. But to say that “pen-and-inkholder have no time” sounds extremely odd. It is not an animate object and therefore does not have proper or improper times; it can be brought at your honour’s command.’