Back The Collected Novels
Chapters (53)
  1. Cover
  2. Khushwant Singh
  3. COLLECTED NOVELS
  4. Books by the Same Author
  5. Introduction
  6. Train to Pakistan
  7. Dedication
  8. Dacoity
  9. Kalyug
  10. Mano Majra
  11. Karma
  12. I Shall Not Hear The Nightingale
  13. Dedication
  14. Please Read This Note Before Reading the Novel
  15. Characters in the Story
  16. Chapter I
  17. Chapter II
  18. Chapter III
  19. Chapter IV
  20. Chapter V
  21. Chapter VI
  22. Chapter VII
  23. Chapter VIII
  24. Chapter IX
  25. Chapter X
  26. Chapter XI
  27. Chapter XII
  28. Chapter XIII
  29. Delhi
  30. Dedication
  31. Delhi
  32. Lady J.H.T.
  33. Bhagmati
  34. Musaddi Lal
  35. Bhagmati
  36. The Timurid
  37. Bhagmati
  38. The Untouchables
  39. Bhagmati
  40. Aurangzeb Alamgir: Emperor of Hindustan
  41. Bhagmati
  42. Nadir Shah
  43. Bhagmati
  44. Meer Taqi Meer
  45. Bhagmati
  46. 1857
  47. Bhagmati
  48. The Builders
  49. Bhagmati
  50. The Dispossessed
  51. Bhagmati
  52. A Note from the Author
  53. Footnotes
Document

I scrounge a chair from the kitchen, put my feet up against a column and make myself comfortable. I watch the picnickers dozing under the trees. My head is heavy with sleep. I close my eyes. I am roused by the snake charmers’ pipes. The picnickers are packing up while the snakewallas make a last attempt to extract something from them. I doze. I hear charabancs, cars, scooters leave. The snake charmers’ pipes fade away in the distance. Only pye-dogs snap and snarl over garbage left by the picnickers. I daydream. Hoity-Toity is trying to seduce me. I am not very difficult to seduce. I have no conscience about Bhagmati. Bhagmati is a whore; why should I feel guilty about her? I am taking Hoity-Toity when Bhagmati turns up and asks, ‘Couldn’t you find anyone better than this old memsahib?’ It would be nicer if Hoity-Toity was younger and her mouth did not smell of gin-tonics, roasted tobacco and old age!

It is 4.30 p.m. I press open the door of Hoity-Toity’s room and shut it behind me. She sleeps with the bedsheet drawn over her head like a corpse in a shroud. I shake her by what appears to be her shoulder. She flings the sheet off her face. ‘What time is it?

I tell her.

She yawns and stretches her arms. Yellow, fungoid growth in her armpits. She props herself against her pillow and holds the bedsheet under her chin. ‘Be a darling and hand me a cigarette.’ I give her a cigarette and light it for her. She sends jets of smoke through her nostrils, ahs and oohs with pleasure. ‘Hand me my dressing-gown,’ she says pointing to the garment hanging on the latch of the bathroom door.

I get her the dressing-gown. She leaps out of bed. Stark naked: small, wrinkled breasts; nipples looking downwards and dejected; wrinkled belly with a slight paunch beneath the navel; scraggy-brown pubic hair. I put the gown round her shoulders and close my hands over her breasts. She turns to stone. ‘What do you think you are trying to do?’ she demands.

‘Well I . . .’

‘Well, you what? Don’t get silly notions in your head.’ She picks up her shirt and denims lying at the foot of the bed and walks into the bathroom. She does not bother to shut the door. I do not bother to look.

She comes back, puts her hands on my shoulder. ‘Don’t be cross. I’m a bit of a cock-teaser.’ She gives me a smelly kiss on the nose to seal her forgiveness. My feelings are hurt, I want to hurt her. Her halitosis encourages me to be rude to her. I snigger. ‘What’s the joke?’ she asks.

‘You! You remind me of my city Delhi. We have a saying: “Ruins proclaim the past splendour of an ancient monument.”’

She shrivels. ‘That’s not a nice thing to say.’