Back The Collected Novels
Chapters (53)
  1. Cover
  2. Khushwant Singh
  3. COLLECTED NOVELS
  4. Books by the Same Author
  5. Introduction
  6. Train to Pakistan
  7. Dedication
  8. Dacoity
  9. Kalyug
  10. Mano Majra
  11. Karma
  12. I Shall Not Hear The Nightingale
  13. Dedication
  14. Please Read This Note Before Reading the Novel
  15. Characters in the Story
  16. Chapter I
  17. Chapter II
  18. Chapter III
  19. Chapter IV
  20. Chapter V
  21. Chapter VI
  22. Chapter VII
  23. Chapter VIII
  24. Chapter IX
  25. Chapter X
  26. Chapter XI
  27. Chapter XII
  28. Chapter XIII
  29. Delhi
  30. Dedication
  31. Delhi
  32. Lady J.H.T.
  33. Bhagmati
  34. Musaddi Lal
  35. Bhagmati
  36. The Timurid
  37. Bhagmati
  38. The Untouchables
  39. Bhagmati
  40. Aurangzeb Alamgir: Emperor of Hindustan
  41. Bhagmati
  42. Nadir Shah
  43. Bhagmati
  44. Meer Taqi Meer
  45. Bhagmati
  46. 1857
  47. Bhagmati
  48. The Builders
  49. Bhagmati
  50. The Dispossessed
  51. Bhagmati
  52. A Note from the Author
  53. Footnotes

People, when they are left alone, find that they cannot help behaving in an odd way. This is strange because one would expect those who do everything under public gaze to be less inhibited, and therefore have less to get out of their systems than those who enjoy privacy. However, the one desire which those who live in crowds have to suppress is that of self-discovery. This is suddenly aroused in momentary solitude and is expressed in acts which appear quite mad. Thus a man, normally sober and steady, who finds himself alone in a railway compartment, may get the urge to sing loudly, expose himself, or even indulge in adolescent pastimes. He will continue to behave oddly till he gets used to the idea of being alone.

Buta Singh’s home had made some concessions to Western notions in the matter of privacy. There were separate bedrooms for everyone with the married couple having a bathroom of their own. Champak spent as much time as she could in her own room with her radio. She was also given to taking a long time at her bath. On religious holidays, because everyone went out, she stayed at home. She could then stroll about the courtyard in her dressing gown with her hair loose about her shoulders, and she could also sing loudly to herself.

On Baisakhi day Sabhrai had ordered Mundoo to stay at home to scrub kitchen utensils and heat the water for Champak’s bath. Champak protested there was no need for hot water, but her mother-in-law had her way. ‘Hair washes better with hot water,’ she had insisted.

Champak sulked in her room. She switched on the radio and lay on her bed reading her favourite film magazine. After some time, she flung the magazine on the floor and looked out into the courtyard. Mundoo sat on his haunches scrubbing a big brass pitcher with ash. Beside him, on a smoking hearth, was a large tin canister.

‘Oi Mundoo, is the water hot or not?’

The boy patted the canister with his dirty hands. ‘No, Bibiji, not yet. It will be ready in a few minutes.’

He went down on his hands and knees and blew into the hearth. Smoke and ash whirled round the hearth and into his eyes. He stood up and wiped his tears with the hem of his greasy shirt. All he wore besides the shirt was a red loin cloth which only covered his front. His buttocks were bare except for the string which ran between them.

‘Bring it into the bathroom when it is ready.’

Champak got up, opened her wardrobe, fished out a shaving set hidden in the folds of her saris and went into the bathroom. She did not close either the door behind her or the other one which opened into the courtyard. Mundoo was not going to restrict her movements. He was just a servant and a grubby little boy at that. She decided to ignore his presence.