Chapters (31)
- Publisher's Note
- Acknowledgments
- Epigraph
- Photo
- Epigraph
- Would You Buy a Used Galaxy From This Man?
- Introductory Essay
- Author's Note
- Perils of the "City"
- Endnotes
- Treatments
- March 21, 1966
- May 13, 1966
- Prologue
- Act One
- Act Two
- Act Three
- Act Four
- Epilogue
- Appendix
- Act One
- Afterwords
- WHO ARE THESE PEOPLE AND WHY ARE THEY IN THIS BOOK...
- Peter David
- D.C. Fontana
- David Gerrold
- DeForest Kelley
- Walter Koenig
- Leonard Nimoy
- Melinda M. Snodgrass
- George Takei
Language pours from his typewriter in a torrent of words. Visions explode like anger-filled hand grenades. Liquid images flow onto the pages, neon-streaked, high-voltage, screaming charges of emotion, vibrating with pain and horror and rage. Harlan writes with words as clean as surgical-grade stainless steel, as hard as lunar diamonds, as bright as a roaring solar flare, as precise as a neurosurgical laser, and as deadly as a monofilament wire tightening around your neck. At his very best—when his most exquisitely crafted work shatters through the bland oatmeal of your everyday existence into the pulsating wet heart of your conscious self—Harlan writes of emotions so rare and precious and altogether human that in the act of reading, the reader transcends his own limitations, and is expanded to a new level of receptivity to the universe around him.
Do you see what I mean about the difference between writers and storytellers?
Harlan Ellison is a passionate human being. He cares. He feels. He reacts. He acts. He writes. He demands the truth—from himself and from everybody who dares to enter his space. He’s not idealistic. He simply demands that the world live up to its own standards—or stop professing them. And he puts all of that passion into his work. Where better?
But even that is not sufficient for Harlan.
There is one area in Harlan’s life, in which he is so demanding that his behavior is punishingly brutal. It has destroyed four marriages and an uncountable number of friendships. There are people who cannot keep up with Harlan and who cannot tolerate his near-fanatical dedication for perfection in this single arena. In my entire life, I have never met any human being who has demanded so much of himself, who has challenged himself so consistently and with such persistence as Harlan Ellison. Whatever else Harlan Ellison may be—and the stories are legion—the one brutal drive that motivates this man is the need to do better.
He is self-educated on a scale that is nothing less than astonishing. His knowledge of music, literature, art, comics, science fiction, contemporary culture, history, and trivia is second to none. You may be surprised to read this, but his growth as a compassionate man is no less.
Look, I know that Harlan Ellison has a thermonuclear reputation, and yes, it’s fairly earned; but that’s merely the public perception of Harlan. The real Harlan is a little old Jewish man with the cutest little pot belly, who shlumps around the house in his bathrobe and slippers, muttering about finding a bottle of seltzer water. The real Harlan Ellison is a man who takes every death as a personal insult.