Chapters (31)
- Publisher's Note
- Acknowledgments
- Epigraph
- Photo
- Epigraph
- Would You Buy a Used Galaxy From This Man?
- Introductory Essay
- Author's Note
- Perils of the "City"
- Endnotes
- Treatments
- March 21, 1966
- May 13, 1966
- Prologue
- Act One
- Act Two
- Act Three
- Act Four
- Epilogue
- Appendix
- Act One
- Afterwords
- WHO ARE THESE PEOPLE AND WHY ARE THEY IN THIS BOOK...
- Peter David
- D.C. Fontana
- David Gerrold
- DeForest Kelley
- Walter Koenig
- Leonard Nimoy
- Melinda M. Snodgrass
- George Takei
He can’t stand to see people suffering unnecessary pain. I am tempted to insert an artful tangent here, discussing Harlan’s perception of necessary pain—the art of revenge—but most of that is performance and perception. In practice, Harlan limits most of his revenge to simply telling his side of the story and letting you make up your own mind. This book, for example. The point is that the real Harlan Ellison is a very human being, a combination of both the best and the worst that a human can be; but his best is beyond simple description—and even his worst is still terrific.
When you have a couple of spare centuries, read through Harlan’s body of work in the order in which it was written. You will be able to watch a man grow, expand, transcend, challenge, renew, rededicate, and recommit himself over and over and over again. Reading his work is hard, painful work sometimes. Disturbing, annoying, frustrating—the nightmares and fantasies that he puts in your head are inescapable. He shoves timebombs down your throat; 15-kiloton time bombs that go off days, weeks, months later. I don’t know how history is going to judge Harlan; it may be that he is a special phenomenon unique to the twentieth century, but I hope not. Some of these screams of rage deserve to echo for a long, long time.
Gene Roddenberry, on the other hand, was a TV producer. (A TV producer is an ordinary human being who has made the mistake of falling asleep next to a big green pod filled with money. When he awakes again, he has been transformed into an alien thing that feeds on power, talent, and the blood of the innocent. Now, some people I know have argued with me about this, saying that a TV producer is nowhere near as bad as a lawyer, but TV producers are one of the leading causes of lawyers in Los Angeles. You don’t need to be a rocket scientist to figure that one out.)
At his best, Gene Roddenberry was an inspiring speaker. He knew how to say all of the right things. He knew how to speak to a crowd or an individual with equal grace. He knew what you wanted to hear and that was what he told you. He made you want to believe again.