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Back The Californians Save as PDF
Chapters (241)
  1. Cover
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Whatever Tomorrow Brings
  6. Copyright Page
  7. Dedication
  8. The Taylor and Donovan Families1871
  9. one
  10. two
  11. three
  12. four
  13. five
  14. six
  15. seven
  16. eight
  17. nine
  18. ten
  19. eleven
  20. twelve
  21. thirteen
  22. fourteen
  23. fifteen
  24. sixteen
  25. seventeen
  26. eighteen
  27. nineteen
  28. twenty
  29. twenty-one
  30. twenty-two
  31. twenty-three
  32. twenty-four
  33. twenty-five
  34. twenty-six
  35. twenty-seven
  36. twenty-eight
  37. twenty-nine
  38. thirty
  39. thirty-one
  40. thirty-two
  41. thirty-three
  42. thirty-four
  43. thirty-five
  44. thirty-six
  45. thirty-seven
  46. thirty-eight
  47. thirty-nine
  48. forty
  49. forty-one
  50. forty-two
  51. forty-three
  52. forty-four
  53. forty-five
  54. forty-six
  55. forty-seven
  56. forty-eight
  57. forty-nine
  58. fifty
  59. fifty-one
  60. fifty-two
  61. fifty-three
  62. fifty-four
  63. fifty-five
  64. fifty-six
  65. fifty-seven
  66. fifty-eight
  67. fifty-nine
  68. sixty
  69. sixty-one
  70. epilogue
  71. Dedication
  72. The Taylor and Donovan Families—1871
  73. Prologue
  74. one
  75. two
  76. three
  77. four
  78. five
  79. six
  80. seven
  81. eight
  82. nine
  83. ten
  84. eleven
  85. twelve
  86. thirteen
  87. fourteen
  88. fifteen
  89. sixteen
  90. seventeen
  91. eighteen
  92. nineteen
  93. twenty
  94. twenty-one
  95. twenty-two
  96. twenty-three
  97. twenty-four
  98. twenty-five
  99. twenty-six
  100. twenty-seven
  101. twenty-eight
  102. twenty-nine
  103. thirty
  104. thirty-one
  105. thirty-two
  106. thirty-three
  107. thirty-four
  108. thirty-five
  109. thirty-six
  110. thirty-seven
  111. thirty-eight
  112. thirty-nine
  113. forty
  114. forty-one
  115. forty-two
  116. forty-three
  117. forty-four
  118. epilogue
  119. Sean Donovan
  120. Copyright Page
  121. Dedication
  122. Visalia and Santa Rosa Families—1876
  123. one
  124. two
  125. three
  126. four
  127. five
  128. six
  129. seven
  130. eight
  131. nine
  132. ten
  133. eleven
  134. twelve
  135. thirteen
  136. fourteen
  137. fifteen
  138. sixteen
  139. seventeen
  140. eighteen
  141. nineteen
  142. twenty
  143. twenty-one
  144. twenty-two
  145. twenty-three
  146. twenty-four
  147. twenty-five
  148. twenty-six
  149. twenty-seven
  150. twenty-eight
  151. twenty-nine
  152. thirty
  153. thirty-one
  154. thirty-two
  155. thirty-three
  156. thirty-four
  157. thirty-five
  158. thirty-six
  159. thirty-seven
  160. thirty-eight
  161. thirty-nine
  162. forty
  163. forty-one
  164. forty-two
  165. forty-three
  166. forty-four
  167. forty-five
  168. forty-six
  169. forty-seven
  170. forty-eight
  171. forty-nine
  172. fifty
  173. fifty-one
  174. Epilogue
  175. Dedication
  176. Willits and Santa Rosa Families—1881
  177. Dear Marcail
  178. prologue
  179. one
  180. two
  181. three
  182. four
  183. five
  184. six
  185. seven
  186. eight
  187. nine
  188. ten
  189. eleven
  190. twelve
  191. thirteen
  192. fourteen
  193. fifteen
  194. sixteen
  195. seventeen
  196. eighteen
  197. nineteen
  198. twenty
  199. twenty-one
  200. twenty-two
  201. twenty-three
  202. twenty-four
  203. twenty-five
  204. twenty-six
  205. twenty-seven
  206. twenty-eight
  207. twenty-nine
  208. thirty
  209. thirty-one
  210. thirty-two
  211. thirty-three
  212. thirty-four
  213. thirty-five
  214. thirty-six
  215. thirty-seven
  216. thirty-eight
  217. thirty-nine
  218. forty
  219. forty-one
  220. forty-two
  221. forty-three
  222. forty-four
  223. forty-five
  224. forty-six
  225. forty-seven
  226. forty-eight
  227. forty-nine
  228. fifty
  229. fifty-one
  230. fifty-two
  231. fifty-three
  232. fifty-four
  233. fifty-five
  234. fifty-six
  235. fifty-seven
  236. fifty-eight
  237. fifty-nine
  238. sixty
  239. epilogue
  240. Books by Lori Wick
  241. About the Author

A moment later the wagon was moving down the street. Sean sat still as they went into the next block. No more than 30 seconds had passed before the wagon pulled straight into the livery. The sign above the door read COOPERS LIVERY in large, faded letters.

The horse and wagon stopped inside the sturdy-looking building. Sean jumped out of the back as soon as the wagon halted and without forethought, moved to help his wife. Charlie stared at the hand extended to her and then at the owner. Seans hand dropped, and he stepped back and watched as she jumped to the ground.

Her manner was plainly suspicious, and Sean told himself he was going to have to watch his step. Feeling rather helpless, he stood back as Charlie stabled her horse and began to rub him down.

You dont need to unload that wagon until tomorrow, so just push it into the big stall on the end. It was a command and Sean was swift to do her bidding. He stood just outside the stall once the wagon was in place, waiting for his next orders. The livery in which he stood was clean, spacious, and well supplied. There were horses in five other stalls, and from where he stood, Sean thought he could see another wagon and two buggies.

When Charlie finished with the horse, she walked to the front of the livery and pulled the double doors shut. There were double doors at the back also, but they were already closed and Sean watched as she headed toward another small door. She hesitated on the threshold.

I dont suppose you know an anvil from a saddle, but my blacksmith just walked out on me. Im finished here for the night, and my supper will be coming. You can start work in the morning. Sean stood still as he listened to his wife, unsure if he should tell her he was an experienced blacksmith. While he was still debating whether or not to speak, Charlie left without another word.

She walked with swift purpose to the door of her house, not turning to look behind her until her hand was reaching for the handle.

Now where in the world is he? Charlie muttered to herself when she saw that Sean had not followed her. She stood still and gave a small sigh, wondering once again why she had married him. Charlie told herself quickly it was because of his size. A man that big would be worth hours of work in a livery, as soon as she taught him how to smith.

She waited a second longer, hoping he would appear in the livery doorway, but it was not to be. Suddenly she felt very suspicious. With a mixture of fear and anger, Charlie moved back toward the livery.