Contents ( 108)
- SUNDAY
- JOEL
- FRIDAY
- JOEL
- CLARK
- JAMAL
- JOEL
- BETHANY
- SATURDAY
- JOEL
- CLARK
- SUNDAY
- JOEL
- MONDAY
- CLARK
- KIMBRA
- CLARK
- JOEL
- TUESDAY
- CLARK
- BETHANY
- CLARK
- KIMBRA
- CLARK
- WEDNESDAY
- JOEL
- CLARK
- JOEL
- CLARK
- JOEL
- CLARK
- JOEL
- LUKE
- JOEL
- CLARK
- THURSDAY
- JAMAL
- CLARK
- JOEL
- CLARK
- KIMBRA
- JOEL
- CLARK
- JOEL
- LUKE
- JOEL
- LUKE
- JOEL
- FRIDAY
- JAMAL
- CLARK
- JOEL
- CLARK
- JOEL
- CLARK
- JOEL
- KIMBRA
- JOEL
- KIMBRA
- JOEL
- LUKE
- JAMAL
- CLARK
- KIMBRA
- LUKE
- BETHANY
- LUKE
- CLARK
- BETHANY
- JAMAL
- LUKE
- JOEL
- LUKE
- BETHANY
- JOEL
- JAMAL
- CLARK
- LUKE
- BETHANY
- JOEL
- BETHANY
- JOEL
- LUKE
- CLARK
- KIMBRA
- LUKE
- CLARK
- JAMAL
- KIMBRA
- CLARK
- BETHANY
- JAMAL
- CLARK
- KIMBRA
- CLARK
- JAMAL
- BETHANY
- JOEL
- JAMAL
- JOEL
- BETHANY
- JAMAL
- BETHANY
- CLARK
- AFTER
- CLARK
- JOEL
- ACKNOWLEDGMENTS
“Mr. Whitley, it’s good to finally meet you. I apologize for the circumstances.”
Joel said nothing.
“You must be awful curious about all this.” Boone gave the implements along the wall the broad gesture of a TV hostess revealing a prize. He said with more than a touch of pride, “It’s like the sort of thing you might find in the city, no? Look, here, this way.”
Boone stepped to the wall to swing open a black shutter and reveal a barred window. Joel saw other trailers outside, strings of lights, young men. Naked young men.
Joel caught one of those young men—was that Luke Evers?—glance at him, an eyebrow raised, a moment before Boone pushed the shutter closed.
“I want you to imagine something, Mr. Whitley,” Boone said, and immediately Joel realized why Clark had spoken of this man so dismissively: he was a born jackass. “I want you to imagine three young men in Nowhere, Texas, who were given the chance to carve out a little piece of country where they could be themselves. Maybe invite a few folks they knew was like them, some other boys who was just a little bit peculiar. Different. Harmless.”
Browder and Parter grimaced, shifted on their feet in the kitchen and looked impatient. Kimbra lay motionless between them. Mr. Boone adjusted the leather harness strapped over his chest and gave Joel a politician’s nod, all gravitas.
“Things ain’t changed much around here since Korea, Mr. Whitley. The crazy seventies, that was all going on someplace else. We was still living in a town where the old ways was the best ways. And we didn’t feel no need to change that. We valued it. Everyone knows your name in Bentley, holds the door at the grocery, brings over food in the hard times. It was our home.” Boone wiped his eyes. The man, to Joel’s astonishment, was suddenly buckling under real emotion.
“Bentley was beautiful. There just wasn’t room there in it for all of us.”
Joel’s eye fell on a row of wooden instruments on the wall.
“Mr. Whitley, when that opportunity to make something beautiful fell into our laps, you can bet we took it, yes, sir. The chance to make a place where we could go release a few urges and then head back to our brothers on the team, head back to our girls, our wives and children. Could go back to the right sort of life. We made a safe space for us and the boys who came after. Can you imagine the pain we’ve relieved here over the years? Can you imagine the good we’ve done?”
Joel was too injured to be clever. He said only, “If it’s so safe then why is my brother dead?”
The three men all looked away. A faint tremor in the earth set a pair of long metal rods—God, not even Joel could imagine what those were used for—clacking together on the wall.
“Dylan’s death was unfortunate,” Boone said, acting as if he hadn’t noticed the trailer shake. The man nodded to Parter. “By the time us Old Boys heard what the young ones had done to your brother—well—things was too far along to smooth over. We would have saved you a lot of heartbreak if we could have, Mr. Whitley. We’re truly sorry.”