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Chapters (53)
  1. Cover
  2. Title Page
  3. An Explanation of What This Book Is About
  4. Part One: Anna’s Sergei and Anya’s City: St. Petersburg, Saturday, January 8, 1905
  5. 1. On the Heels of Clementine, the Anarchist
  6. 2. Claudia and Sergei
  7. 3. Clementine Defends Herself
  8. 4. To the Concert
  9. 5. The Tsar’s Letter
  10. 6. In the Theater
  11. 7. What Giorgi, the Karenins’ Coachman, Did
  12. 8. Intermission at the Concert
  13. 9. Near the Port
  14. 10. More Specifics about Sergei
  15. 11. Kapitonich, Hall Porter at the Karenin Palace
  16. 12. Claudia and Sergei at Table
  17. 13. Aleksandra and Volodin Go to the Haven
  18. 14. Our Moment of Greatness
  19. 15. With Father Gapon
  20. 16. Clementine, in Pursuit of the Night
  21. 17. In the Karenin Palace Kitchen
  22. 18. We’ll Give Our Lives!
  23. 19. The Karenins Take Dinner
  24. Part Two: Bloody Sunday: Sunday, January 9, 1905
  25. 20. Anya Karenina without Aleksandra
  26. 21. The Karenins’ Reply to the Tsar
  27. 22. Piotr
  28. 23. The Three Women
  29. 24. Claudia’s Impatience
  30. 25. Unexpected Guests at the Karenin Palace
  31. 26. What on Earth Was the Tsar Thinking?
  32. 27. Back in the Karenin Palace Kitchen
  33. 28. The Reverend’s Beard
  34. Part Three: Karenina’s Portrait: Three months later
  35. 29. Karenina’s Portrait
  36. 30. About Clementine
  37. 31. The Critics Examine the Portrait
  38. 32. Vladimir
  39. 33. The Reason for the Proposed Purchase
  40. 34. The Portrait Departs
  41. 35. Between the Dream and the Battleship Potemkin
  42. 36. Claudia’s Regrets
  43. 37. In Claudia’s Hands
  44. Part Four: The Book of Anna: No date or place
  45. 38. An Opium-Infused Fairy Tale: The Book of Anna by Anna Karenina
  46. Part Five: Finale: St. Petersburg, June 1905
  47. 39. After Reading
  48. 40. The Plot
  49. 41. The Boxes
  50. 42. Anya Karenina
  51. 43. The Wind
  52. Funder Acknowledgments
  53. The Publisher’s Circle of Coffee House Press

The animal laughs the same laugh as the woodsman’s daughter. Although the creature’s words paralyze the woodsman and its laugh terrifies him, he lets his axe fall on his prey. Hunger trumps fear. The animal’s warm blood spatters the woodsman’s face. He trusses its legs with his rope without noting what kind of animal it is and begins to return home with his quarry.

His wife and Anna both receive him, clapping with joy (and with cold). The girl laughs, the same laugh that was the animal’s final utterance. The woodsman shuts his eyes and the girl, like her mother, thinks it’s because he’s tired and his belly is empty. The mother begins to prepare the creature for stewing. Anna wipes her father’s face, wetting the edge of her skirt with his water jug and rinsing it afterward, singing, “Finally we have some food on the fire….”

The girl sings and, as if it’s part of her song, she laughs. And each time she laughs, the woodsman’s blood grows colder.

The threesome sits at the table. When the hunter is served his stew, he doesn’t take a single bite. He can’t eat the creature whose eyes he looked into, who foretold a future of grief. He recalls the animal’s words: “You’ll all die of hunger.” Anna laughs. The man cries.

The woman and the girl eat; they’re so happy to have food that they don’t even realize the woodsman is crying. He thinks, My wife is going to eat me, because grief will kill me before hunger does. Before they finish their servings, he wipes his eyes, closes them, and doesn’t open them again until the table has been cleared.

When Anna falls asleep, the woodsman tells his wife everything about his two encounters. She makes up her mind.

“We must not eat any more of this meat you’ve brought home. Not you, not I, not Anna. We have no way of knowing it’s not the meat of Evil. And you should take the girl to the woman of light. I have no doubt she’s the Virgin—she’s the only one who has an internal light—and that Our Lady will look after her, and once this horrible winter has ended, we’ll see her again. She’ll bring her back to us, happy and healthy.”

“That woman can’t possibly be divine. If you could only see the light when she speaks, you feel …”