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Chapters (53)
  1. Cover
  2. Title Page
  3. An Explanation of What This Book Is About
  4. Part One: Anna’s Sergei and Anya’s City: St. Petersburg, Saturday, January 8, 1905
  5. 1. On the Heels of Clementine, the Anarchist
  6. 2. Claudia and Sergei
  7. 3. Clementine Defends Herself
  8. 4. To the Concert
  9. 5. The Tsar’s Letter
  10. 6. In the Theater
  11. 7. What Giorgi, the Karenins’ Coachman, Did
  12. 8. Intermission at the Concert
  13. 9. Near the Port
  14. 10. More Specifics about Sergei
  15. 11. Kapitonich, Hall Porter at the Karenin Palace
  16. 12. Claudia and Sergei at Table
  17. 13. Aleksandra and Volodin Go to the Haven
  18. 14. Our Moment of Greatness
  19. 15. With Father Gapon
  20. 16. Clementine, in Pursuit of the Night
  21. 17. In the Karenin Palace Kitchen
  22. 18. We’ll Give Our Lives!
  23. 19. The Karenins Take Dinner
  24. Part Two: Bloody Sunday: Sunday, January 9, 1905
  25. 20. Anya Karenina without Aleksandra
  26. 21. The Karenins’ Reply to the Tsar
  27. 22. Piotr
  28. 23. The Three Women
  29. 24. Claudia’s Impatience
  30. 25. Unexpected Guests at the Karenin Palace
  31. 26. What on Earth Was the Tsar Thinking?
  32. 27. Back in the Karenin Palace Kitchen
  33. 28. The Reverend’s Beard
  34. Part Three: Karenina’s Portrait: Three months later
  35. 29. Karenina’s Portrait
  36. 30. About Clementine
  37. 31. The Critics Examine the Portrait
  38. 32. Vladimir
  39. 33. The Reason for the Proposed Purchase
  40. 34. The Portrait Departs
  41. 35. Between the Dream and the Battleship Potemkin
  42. 36. Claudia’s Regrets
  43. 37. In Claudia’s Hands
  44. Part Four: The Book of Anna: No date or place
  45. 38. An Opium-Infused Fairy Tale: The Book of Anna by Anna Karenina
  46. Part Five: Finale: St. Petersburg, June 1905
  47. 39. After Reading
  48. 40. The Plot
  49. 41. The Boxes
  50. 42. Anya Karenina
  51. 43. The Wind
  52. Funder Acknowledgments
  53. The Publisher’s Circle of Coffee House Press

Because it’s the automobile the tsar frequently uses, Clementine and Vladimir want to believe the tsar will be traveling inside. It’s well worth their while to concoct a plan, the perfect opportunity for them to plant a bomb. Vladimir is inspired first: Clementine will cross Nevsky Prospekt precisely at the moment the automobile carrying the tsar is passing, forcing it to halt.

“If it doesn’t slow down, run for your life, the plan won’t work.”

“I don’t understand how those creatures work, the ones that consume kerosene and fascinate the enemies of the people.”

“They’re just like a horse and carriage, just faster and quite a bit noisier.”

“I know how a horse moves, not these things.”

“Watch them. Starting today, pay attention to their speed and how they run. That’s the first thing, then …”

The two of them get more and more excited as they formulate their plan: “When you see the automobile coming, cross Nevsky with your back to the car. They’ll slow down, and I’ll cross the street behind them and put our bomb on the rear bumper.”

“At least the wonderful invention of the bumper is good for something!”

“But how will we fasten it there?”

“It’ll fall off!”

“Let’s put it inside a cushion!”

“A cushion?”

“Yes, a nice plump cushion, that way it will fit wherever we put it, and we’ll stuff it with explosives.” The idea of putting a bomb inside a cushion would occur only to a seamstress. “A well-made, pretty pillow that looks like a gift for the tsar.”

“Embroidered with the words ‘Our Father.’”

“We’ll light the fuse, which we’ll run through a buttonhole, before we plant it.”

“How will you keep the fuse from blowing out when it reaches the cushion?”

“It won’t blow out, the cushion will catch fire, it will feed the flames.”

“The automobile will start moving again, the bomb will explode a few seconds later, and farewell tyrant!”

“We’ll set Russia free!”

Anyone with a little common sense would realize it’s an absurd idea, but with the cushion hiding a bomb in their minds, and their plan to attach it to the automobile the tsar will be traveling in, Clementine and Vladimir set to work.

41. The Boxes

41. The Boxes

The wind blows constantly in St. Petersburg; it rests only six days each year. Today is one of those days: there is no wind when the portrait of Anna Karenina wends its way to the museum.