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Chapters (53)
  1. Cover
  2. Title Page
  3. An Explanation of What This Book Is About
  4. Part One: Anna’s Sergei and Anya’s City: St. Petersburg, Saturday, January 8, 1905
  5. 1. On the Heels of Clementine, the Anarchist
  6. 2. Claudia and Sergei
  7. 3. Clementine Defends Herself
  8. 4. To the Concert
  9. 5. The Tsar’s Letter
  10. 6. In the Theater
  11. 7. What Giorgi, the Karenins’ Coachman, Did
  12. 8. Intermission at the Concert
  13. 9. Near the Port
  14. 10. More Specifics about Sergei
  15. 11. Kapitonich, Hall Porter at the Karenin Palace
  16. 12. Claudia and Sergei at Table
  17. 13. Aleksandra and Volodin Go to the Haven
  18. 14. Our Moment of Greatness
  19. 15. With Father Gapon
  20. 16. Clementine, in Pursuit of the Night
  21. 17. In the Karenin Palace Kitchen
  22. 18. We’ll Give Our Lives!
  23. 19. The Karenins Take Dinner
  24. Part Two: Bloody Sunday: Sunday, January 9, 1905
  25. 20. Anya Karenina without Aleksandra
  26. 21. The Karenins’ Reply to the Tsar
  27. 22. Piotr
  28. 23. The Three Women
  29. 24. Claudia’s Impatience
  30. 25. Unexpected Guests at the Karenin Palace
  31. 26. What on Earth Was the Tsar Thinking?
  32. 27. Back in the Karenin Palace Kitchen
  33. 28. The Reverend’s Beard
  34. Part Three: Karenina’s Portrait: Three months later
  35. 29. Karenina’s Portrait
  36. 30. About Clementine
  37. 31. The Critics Examine the Portrait
  38. 32. Vladimir
  39. 33. The Reason for the Proposed Purchase
  40. 34. The Portrait Departs
  41. 35. Between the Dream and the Battleship Potemkin
  42. 36. Claudia’s Regrets
  43. 37. In Claudia’s Hands
  44. Part Four: The Book of Anna: No date or place
  45. 38. An Opium-Infused Fairy Tale: The Book of Anna by Anna Karenina
  46. Part Five: Finale: St. Petersburg, June 1905
  47. 39. After Reading
  48. 40. The Plot
  49. 41. The Boxes
  50. 42. Anya Karenina
  51. 43. The Wind
  52. Funder Acknowledgments
  53. The Publisher’s Circle of Coffee House Press

At the same time, in Sergei and Claudia’s house, in the room next to Sergei’s, Claudia lies in bed thinking, It’s my fault, mine. I’m the one who convinced Sergei to sell the portrait of his mother. I’m the one who’s giving the painting of Tolstoy’s character to the tsar. Sergei didn’t want to. I, I … Am I reprehensible? Everything appears different now from how it did when we accepted…. Our Russia is a different country….

She tries to calm down by telling herself, What Tolstoy said was just a dream, this wouldn’t matter a fig to him. But it doesn’t calm her; it doesn’t work. According to Lantur (the cook), dreams speak truth…. Enough! She’s the cook, what does she know? … But she’s right, she’s right.

She tries not to think, to go to sleep. In the anxiety of this unfamiliar insomnia, her remorse is eating away at her. Claudia gets out of bed, takes her lamp, and goes downstairs to Sergei’s study.

She enters his study and lights three bright lamps, which illuminate the portrait in all its splendor. The magnificent, lovely Anna Karenina, never more beautiful, is the sun at midnight. Claudia has her back to it because of the way the lamps are positioned. She’s still holding the base of the third lamp when she sees the box covered in blue cloth, which she found next to the portrait in the attic, on a stool next to the chair of Sergei’s desk.

“How could I have forgotten about this,” she says to herself. “I haven’t laid eyes on it since I brought it down from the attic.”

She picks up the box and puts it on the desk. She undoes the ribbon, tied in a bow that keeps it shut. Once white, it has yellowed over the years. When she unties it, its different shades are visible.

“This ribbon has seen better days, it’s been marking time….”

Inside the box is the manuscript that Anna Karenina wrote when she was at her very happiest. Beautifully bound in leather, it submits to Claudia’s touch. She takes it out, places it on the desk, and sets her lamp nearby to read. Then she sees there’s another manuscript at the bottom of the box, thinner and written in a smaller script on loose sheets. On the first page, she reads: