Chapters (53)
- Cover
- Title Page
- An Explanation of What This Book Is About
- Part One: Anna’s Sergei and Anya’s City: St. Petersburg, Saturday, January 8, 1905
- 1. On the Heels of Clementine, the Anarchist
- 2. Claudia and Sergei
- 3. Clementine Defends Herself
- 4. To the Concert
- 5. The Tsar’s Letter
- 6. In the Theater
- 7. What Giorgi, the Karenins’ Coachman, Did
- 8. Intermission at the Concert
- 9. Near the Port
- 10. More Specifics about Sergei
- 11. Kapitonich, Hall Porter at the Karenin Palace
- 12. Claudia and Sergei at Table
- 13. Aleksandra and Volodin Go to the Haven
- 14. Our Moment of Greatness
- 15. With Father Gapon
- 16. Clementine, in Pursuit of the Night
- 17. In the Karenin Palace Kitchen
- 18. We’ll Give Our Lives!
- 19. The Karenins Take Dinner
- Part Two: Bloody Sunday: Sunday, January 9, 1905
- 20. Anya Karenina without Aleksandra
- 21. The Karenins’ Reply to the Tsar
- 22. Piotr
- 23. The Three Women
- 24. Claudia’s Impatience
- 25. Unexpected Guests at the Karenin Palace
- 26. What on Earth Was the Tsar Thinking?
- 27. Back in the Karenin Palace Kitchen
- 28. The Reverend’s Beard
- Part Three: Karenina’s Portrait: Three months later
- 29. Karenina’s Portrait
- 30. About Clementine
- 31. The Critics Examine the Portrait
- 32. Vladimir
- 33. The Reason for the Proposed Purchase
- 34. The Portrait Departs
- 35. Between the Dream and the Battleship Potemkin
- 36. Claudia’s Regrets
- 37. In Claudia’s Hands
- Part Four: The Book of Anna: No date or place
- 38. An Opium-Infused Fairy Tale: The Book of Anna by Anna Karenina
- Part Five: Finale: St. Petersburg, June 1905
- 39. After Reading
- 40. The Plot
- 41. The Boxes
- 42. Anya Karenina
- 43. The Wind
- Funder Acknowledgments
- The Publisher’s Circle of Coffee House Press
“You … ? You? Yes, of course; I didn’t recognize you, what was I thinking … ? You weren’t a child forever…. I always think of you as a boy, Sergei, occasionally as a young man who has just begun to sprout a beard. Let me get straight to the point: the gravity of the situation obliges me to make this visit. You can’t let Anna Karenina’s portrait end up in the tsar’s hands, he’s a foolish man who’s his own worst enemy, and he’s an enemy of the common good, to boot. You just can’t give it to him. That fellow Mikhailov painted her at my behest. I’m the author. I don’t like saying so—I have no interest whatsoever in staking my claim, I abhor all forms of private property—but you have no right to hand over something that I—”
Claudia has been listening serenely. Wisely, she interrupts him when she knows that doing so will ease his anxiety:
“We understand, we have no doubts that the marvelous canvas is your creation and that Sergei is your character….”
“That’s quite enough, Claudia,” Tolstoy says. “You have less right than anyone to speak…. Only a woman or a doctor could utter such drivel! What an insult, his own wife … !”
Sergei intervenes, mastering his nature, in a calm, clear voice:
“It’s absolutely true. Hard to swallow and even harder to for me, even for us, to comprehend, but it’s the truth.”
His words make the author explode: