Apart from Matte, everyone retreated. The doctors shrank back. Matte wanted to grab me. There was a moment when, to be honest, he could have done it. But the others’ fear seemed to affect him. He didn’t know what to do; all he could do was play for time.
There was nothing behind me but the door, which was open. I picked up my shirt and trousers before turning and fleeing. I ran, and I guess they ran, but I ran faster and I knew my way out of there.
I climbed the fence, got dressed, and continued to run. It was dark, but I was fit and had some idea where I was going. They’d get in their cars and pursue me, but I was being canny now. I was away. They would never find me.
It didn’t occur to me for a long time to consider my destination. When I felt safe I rested in someone’s garden. I needed a drink, but sweat and petrol don’t smell good together. The last thing I needed was suspicious looks. I was carrying my credit cards, but I realized there was nowhere I could go now; not back to my wife, to my hotel, or to stay with friends. I wouldn’t be safe until Matte’s brother died, or Matte turned his attention elsewhere. Even then there could be other criminals pursuing me. It was as though I were wearing the Mona Lisa.
I was a stranger on the earth, a nobody with nothing, belonging nowhere, a body alone, condemned to begin again, in the nightmare of eternal life.
ABOUT THE AUTHOR
Hanif Kureishi was born and brought up in Kent. He read philosophy at King’s College, London. In 1981 he won the George Devine Award for his plays Outskirts and Borderline, and in 1982 he was appointed Writer-in-Residence at the Royal Court Theatre. In 1984 he wrote My Beautiful Laundrette, which received an Oscar nomination for Best Screenplay. His second screenplay, Sammy and Rosie Get Laid (1987), was followed by London Kills Me (1991), which he also directed. The Buddha of Suburbia won the Whitbread Prize for Best First Novel in 1990 and was made into a four-part drama series by the BBC in 1993. His version of Brecht’s Mother Courage has been produced by the Royal Shakespeare Company and the Royal National Theatre. His second novel, The Black Album, was published in 1995. With Jon Savage he edited The Faber Book of Pop (1995). His first collection of short stories, Love in a Blue Time, was published in 1997. His story “My Son the Fanatic,” from that collection, was adapted for film and released in 1998. Intimacy, his third novel, was published in 1998, and a film of the same title, based on the novel and other stories by the author, was released in 2001 and won the Golden Bear award at the Berlin Film Festival. His play Sleep With Me premièred at the Royal National Theatre in 1999. His second collection of stories, Midnight All Day, was published in 2000. Gabriel’s Gift, his fourth novel, was published in 2001. A film of his most recent script, The Mother, directed by Roger Michell, will be released in 2004. He has been awarded the Chevalier de l’Ordre des Arts et des Lettres.