that throw no six.
How it takes the breath
away, the piss, your kiss a dropped pound coin,
your promises latin, feedback, static, gibberish,
your hair a wig, your gait a plankwalk. How it says
politics – to your education, fairness, health; shouts
Politics! – to your industry, investment, wealth; roars, to your
conscience, moral compass, truth, POLITICS POLITICS.
The Falling Soldier
after the photograph by Robert Capa
A flop back for a kip in the sun,
dropping the gun,
or a trip on a stone to send you
arse over tip
with a yelp and a curse?
No; worse. The shadow you cast
as you fall
is the start of a shallow grave.
They give medals, though,
to the grieving partners, mothers, daughters,
sons of the brave.
A breakdance to amuse your mates,
give them a laugh,
a rock’n’roll mime, Elvis time,
pretending the rifle’s
just a guitar?
Worse by far. The shadow you shed
as you fall
is, brother, your soul.
They wrap you up in the flag, though,
blow a tune on a bugle before they lower you
into the hole.
A slide down a hill, your head thrown back,
daft as a boy,
and the rifle chucked away to the side
in a moment of joy,
an outburst?
Much worse. The shadow you throw
as you fall
is the shadow of death.
The camera, though,
has caught you forever and captured forever
your final breath.
Mrs Schofield’s GCSE
You must prepare your bosom for his knife,
said Portia to Antonio in which
of Shakespeare’s Comedies? Who killed his wife,
insane with jealousy? And which Scots witch
knew Something wicked this way comes? Who said
Is this a dagger which I see? Which Tragedy?
Whose blade was drawn which led to Tybalt’s death?
To whom did dying Caesar say Et tu? And why?
Something is rotten in the state of Denmark – do you
know what this means? Explain how poetry
pursues the human like the smitten moon
above the weeping, laughing earth; how we
make prayers of it. Nothing will come of nothing:
speak again. Said by which King? You may begin.
Poetry
I couldn’t see Guinness
and not envisage a nun;
a gun, a finger and thumb;
midges, blether, scribble, scrum.
A crescent moon, boomerang, smirk,
bone; or full, a shield, a stalker,
a stone. I couldn’t see woods
for the names of trees – sycamore,
yew, birch, beech –
or bees
without imagining music scored
on the air – nor pass a nun
without calling to mind a pint of one, stout,
untouched, on a bar at the Angelus.
Achilles
Myth’s river – where his mother dipped him,
fished him, a slippery golden boy –
flowed on, his name on its lips.
Without him, it was prophesied,
they would not take Troy.
Women hid him, concealed him in girls’ sarongs;
days of sweetmeats, spices, silver song …
but when Odysseus came,
with an athlete’s build, a sword and a shield,
he followed him to the battlefield,