Back Take Me Home Tonight
Chapters (54)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGMENTS
  5. PART ONE 1:30 p.m.–4:15 p.m.
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. PART TWO 4:15 p.m.–5:25 p.m.
  11. CHAPTER 5
  12. CHAPTER 6
  13. Meanwhile, back in Connecticut…
  14. CHAPTER 7
  15. CHAPTER 8
  16. PART THREE 5:25 p.m.–9:25 p.m.
  17. CHAPTER 9
  18. CHAPTER 10
  19. CHAPTER 11
  20. Meanwhile, back in Connecticut…
  21. CHAPTER 12
  22. CHAPTER 13
  23. Meanwhile, back in Connecticut…
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. Meanwhile, somewhere in upstate New York…
  29. CHAPTER 18
  30. CHAPTER 19
  31. Meanwhile, somewhere on Highway 81…
  32. CHAPTER 20
  33. PART FOUR 9:25 p.m.–11:11 p.m.
  34. Meanwhile, in Brockville (Ontario) (Canada)…
  35. CHAPTER 21
  36. CHAPTER 22
  37. CHAPTER 23
  38. CHAPTER 24
  39. CHAPTER 25
  40. Meanwhile, back in Canada…
  41. CHAPTER 26
  42. CHAPTER 27
  43. PART FIVE 11:11 p.m.–3:00 a.m.
  44. Meanwhile, in [Redacted X X X X]…
  45. CHAPTER 28
  46. Meanwhile, back in Connecticut…
  47. CHAPTER 29
  48. PART SIX Saturday
  49. CHAPTER 30
  50. PART SEVEN February
  51. CHAPTER 31
  52. CHAPTER 32
  53. ABOUT THE AUTHOR
  54. ALSO BY MORGAN MATSON

“What’s the concept?” Matty asked.

“It’s my spin on From the Mixed-Up Files,” Margaux said, and something clicked into place, like a puzzle piece.

“Yes!” I said, without realizing I was going to. “Sorry—I’ve been wondering why this all seemed so familiar.”

“What’s Mixed-Up Files?” Matty asked, looking from me to Margaux.

She rolled her eyes at him. “I’ll get you a copy. It’s a classic. This brother and sister run away to the Met.”

“They come in on the train from Connecticut,” I said slowly, remembering. I’d always loved that because so few books took place in my state, let alone in suburban commuter towns like ours. “They take the train in together and then have adventures in New York.”

“Yes!” Margaux grinned at me. “See, Stevie gets it.”

“Margaux?” Zephyr was suddenly back, his tone now a lot more polite. He gestured at the guards in blazers by the doors. “They say the dog is a problem.”

“Brad?” she asked, scooping him up from me in one movement, smoothing his fluff down, and kissing him on the head. “He’s part of the shoot. Didn’t I say? Tell them to take it up with Anna if there’s still an issue.” Zephyr nodded, then hurried away.

“He’s part of the shoot?” Matty raised a skeptical eyebrow.

“Well, maybe he is now,” Margaux said, scratching under his chin. “I’m Bradley LePom,” she said in an old-timey accent, waving Brad’s arm around. “Stick with me, kid. I’m gonna make you a star!” I bit my lip, trying not to laugh, and Margaux shrugged. “It works better if you picture him with a tiny cigar.” She smiled at both of us, then tipped her head to the side. “Not that I’m not happy to see you both, but remind me why you’re here?”

“You said you had Mallory’s keys,” Matty prompted. “Stevie got locked out, with Brad.…”

Margaux snapped her fingers. “Right! Come with me.” She led us out of the gallery and into the area that normally was just the space with a gift shop and bathrooms, water fountains and benches, but had been taken over as a kind of staging area. There were racks and racks of clothes, a curtained-off changing area, hair and makeup stations, a table with drinks and food. It was very impressive, and I was a little bit stunned that Margaux had been the one to make all this happen—that this all stemmed from her idea.

She tucked Brad in the crook of one arm, then picked up a big, soft-looking leather bag with the other. She dug around in it, then emerged triumphantly with a set of keys, an M key chain attached to them. She handed them to Matty with a flourish.

“Oh, wow,” I said, letting out a long breath. Was this long, strange night finally coming to an end? She could give me the key, I could head back to Mallory’s, return the dog, finally get my stuff, and go home. Which was, after all, what I wanted to do.