Back Take Me Home Tonight
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGMENTS
  5. PART ONE 1:30 p.m.–4:15 p.m.
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. PART TWO 4:15 p.m.–5:25 p.m.
  11. CHAPTER 5
  12. CHAPTER 6
  13. Meanwhile, back in Connecticut…
  14. CHAPTER 7
  15. CHAPTER 8
  16. PART THREE 5:25 p.m.–9:25 p.m.
  17. CHAPTER 9
  18. CHAPTER 10
  19. CHAPTER 11
  20. Meanwhile, back in Connecticut…
  21. CHAPTER 12
  22. CHAPTER 13
  23. Meanwhile, back in Connecticut…
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. Meanwhile, somewhere in upstate New York…
  29. CHAPTER 18
  30. CHAPTER 19
  31. Meanwhile, somewhere on Highway 81…
  32. CHAPTER 20
  33. PART FOUR 9:25 p.m.–11:11 p.m.
  34. Meanwhile, in Brockville (Ontario) (Canada)…
  35. CHAPTER 21
  36. CHAPTER 22
  37. CHAPTER 23
  38. CHAPTER 24
  39. CHAPTER 25
  40. Meanwhile, back in Canada…
  41. CHAPTER 26
  42. CHAPTER 27
  43. PART FIVE 11:11 p.m.–3:00 a.m.
  44. Meanwhile, in [Redacted X X X X]…
  45. CHAPTER 28
  46. Meanwhile, back in Connecticut…
  47. CHAPTER 29
  48. PART SIX Saturday
  49. CHAPTER 30
  50. PART SEVEN February
  51. CHAPTER 31
  52. CHAPTER 32
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY MORGAN MATSON

I looked around and saw the Echo Theater up ahead. There wasn’t a brightly lit marquee like Broadway. The sign out front was small, and the theater was down a set of steps, in a basement. I knew I should go in—knew that I was already cutting this much too close. But the thought of Stevie, sitting alone at her birthday dinner and hoping I’d be there, was too much for me to take. Could I actually sit through this play, knowing she might be there?

I suddenly remembered the original plan for tonight, and that there was a way to do both.

I could see the play—I was here, after all—but I’d leave at intermission. It would give me enough time to get to Josephine’s in case Stevie was waiting there. Because if there was a chance she was there, I couldn’t leave her there alone. I couldn’t do that to her. And I didn’t want to.

I’d leave a note for Mr. Campbell telling him how much I liked it—because of course I would—and then I’d go. And I might not get as much credit as I would have if I’d gotten to stay afterward and talk to him, but it was better than nothing, and it had to help somewhat.

Buoyed by this plan, I took the steps to the theater two at a time. Outside the door was a framed poster I’d seen on the website, and I thrilled a little as I saw the words A new play by Brett Campbell in orange type across the bottom.

I pulled open the door and stepped inside. I’d assumed there would be a box office, that it would look more like the Broadway theaters I was used to, but there was only a small lobby. A bathroom, a threadbare couch, a refreshment stand with paper cups selling wine and sodas. There was a guy behind a card table with a cash box in front of him.

I crossed my fingers that it wasn’t sold out as I approached. There were a few people milling around the lobby, but not many—the rest must be inside already.

“Hi,” I said, as the guy looked up from his phone. “Are there still tickets for tonight’s performance?”

“Um. Yeah,” he said. “Fifteen.”

“Okay,” I said, reaching into my coat, deciding to try one last time. “Can you… break a hundred?”

“No,” he said flatly, looking at me like I was crazy. “I can’t.”

“Okay,” I said, silently thanking Cary as I pulled out his twenty and handed it over. The guy handed me a five, then pushed a photocopied program—black and white—at me. “Do I… get a ticket?” I asked, feeling stupid that I didn’t know how this worked.