Back Take Me Home Tonight
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGMENTS
  5. PART ONE 1:30 p.m.–4:15 p.m.
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. PART TWO 4:15 p.m.–5:25 p.m.
  11. CHAPTER 5
  12. CHAPTER 6
  13. Meanwhile, back in Connecticut…
  14. CHAPTER 7
  15. CHAPTER 8
  16. PART THREE 5:25 p.m.–9:25 p.m.
  17. CHAPTER 9
  18. CHAPTER 10
  19. CHAPTER 11
  20. Meanwhile, back in Connecticut…
  21. CHAPTER 12
  22. CHAPTER 13
  23. Meanwhile, back in Connecticut…
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. Meanwhile, somewhere in upstate New York…
  29. CHAPTER 18
  30. CHAPTER 19
  31. Meanwhile, somewhere on Highway 81…
  32. CHAPTER 20
  33. PART FOUR 9:25 p.m.–11:11 p.m.
  34. Meanwhile, in Brockville (Ontario) (Canada)…
  35. CHAPTER 21
  36. CHAPTER 22
  37. CHAPTER 23
  38. CHAPTER 24
  39. CHAPTER 25
  40. Meanwhile, back in Canada…
  41. CHAPTER 26
  42. CHAPTER 27
  43. PART FIVE 11:11 p.m.–3:00 a.m.
  44. Meanwhile, in [Redacted X X X X]…
  45. CHAPTER 28
  46. Meanwhile, back in Connecticut…
  47. CHAPTER 29
  48. PART SIX Saturday
  49. CHAPTER 30
  50. PART SEVEN February
  51. CHAPTER 31
  52. CHAPTER 32
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY MORGAN MATSON

“Great,” he said, giving me a nod and striding away, leaving me standing in the lobby, holding my coat. The rest of the audience—such as it was—was streaming out around me, walking through the exit door and up the stairs to the street, and in that moment I desperately wished I was one of them.

This was all I had wanted—to have a moment to talk to Mr. Campbell, to show him my commitment, to do everything I could to make sure I would get cast as Cordelia. Only a few hours ago, the idea that Mr. Campbell wanted my thoughts would have been the best thing ever. But now…

I looked at the door one last time, but I knew I wasn’t going to walk through it. Just like I knew I had to watch the rest of the play after he’d seen me, I now had to stay. I couldn’t leave once he was expecting me to be waiting for him.

I walked back toward the entrance to the theater, trying to tell myself that Stevie might have gone home hours ago. That maybe she wasn’t there alone, and I wasn’t letting her down a second time.…

The door to the theater was propped open and I peered inside. The cast was sitting on the stage, slumped over their phones.

When we got notes after our performances, we were always laughing and talking, giddy with postshow adrenaline, inside jokes flying fast and free. It was the time when we felt the most like a unit, a team. We’d done a thing together and now the jitters and nerves were behind us—we could just relax and have fun.

But nobody on the stage was even talking to each other.

I saw two actors coming up the aisle and hurried away from the door, pretending to be interested in a framed playbill for Burn This.

“He’s gonna be pissed,” the guy who’d played the first murdered man said to the girl who’d played the main character’s ex-wife as they walked through the lobby, both pulling on their jackets.

“I really don’t care,” she said, lifting her hair up out of her collar. “If he wants us to stay and get his crappy notes on his even crappier play, he needs to actually pay us.”

“You have a point,” the guy said, holding the exit door for her, letting a gust of cold air blow into the theater before it slammed shut again.

It was shocking to hear anyone talk about Mr. Campbell that way—but I also couldn’t blame them. The show had been so bad and none of this made sense, and I just wanted to leave… which was, unfortunately, the one thing I couldn’t do. I took a seat on one of the folding chairs in the lobby, knowing there was nothing to do but wait.