Back Sweet Surrender
Chapters (73)
  1. TITLE PAGE
  2. TABLE OF CONTENTS
  3. PRAISE FOR K. BROMBERG
  4. ALSO WRITTEN BY K. BROMBERG
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. CHAPTER SEVEN
  12. CHAPTER EIGHT
  13. CHAPTER NINE
  14. CHAPTER TEN
  15. CHAPTER ELEVEN
  16. CHAPTER TWELVE
  17. CHAPTER THIRTEEN
  18. CHAPTER FOURTEEN
  19. CHAPTER FIFTEEN
  20. CHAPTER SIXTEEN
  21. CHAPTER SEVENTEEN
  22. CHAPTER EIGHTEEN
  23. CHAPTER NINETEEN
  24. CHAPTER TWENTY
  25. CHAPTER TWENTY-ONE
  26. CHAPTER TWENTY-TWO
  27. CHAPTER TWENTY-THREE
  28. CHAPTER TWENTY-FOUR
  29. CHAPTER TWENTY-FIVE
  30. CHAPTER TWENTY-SIX
  31. CHAPTER TWENTY-SEVEN
  32. CHAPTER TWENTY-EIGHT
  33. CHAPTER TWENTY-NINE
  34. CHAPTER THIRTY
  35. CHAPTER THIRTY-ONE
  36. CHAPTER THIRTY-TWO
  37. CHAPTER THIRTY-THREE
  38. CHAPTER THIRTY-FOUR
  39. CHAPTER THIRTY-FIVE
  40. CHAPTER THIRTY-SIX
  41. CHAPTER THIRTY-SEVEN
  42. CHAPTER THIRTY-EIGHT
  43. CHAPTER THIRTY-NINE
  44. CHAPTER FORTY
  45. CHAPTER FORTY-ONE
  46. CHAPTER FORTY-TWO
  47. CHAPTER FORTY-THREE
  48. CHAPTER FORTY-FOUR
  49. CHAPTER FORTY-FIVE
  50. CHAPTER FORTY-SIX
  51. CHAPTER FORTY-SEVEN
  52. CHAPTER FORTY-EIGHT
  53. CHAPTER FORTY-NINE
  54. CHAPTER FIFTY
  55. CHAPTER FIFTY-ONE
  56. CHAPTER FIFTY-TWO
  57. CHAPTER FIFTY-THREE
  58. CHAPTER FIFTY-FOUR
  59. CHAPTER FIFTY-FIVE
  60. CHAPTER FIFTY-SIX
  61. CHAPTER FIFTY-SEVEN
  62. CHAPTER FIFTY-EIGHT
  63. CHAPTER FIFTY-NINE
  64. CHAPTER SIXTY
  65. CHAPTER SIXTY-ONE
  66. CHAPTER SIXTY-TWO
  67. CHAPTER SIXTY-THREE
  68. CHAPTER SIXTY-FOUR
  69. CHAPTER SIXTY-FIVE
  70. CHAPTER SIXTY-SIX
  71. EPILOGUE
  72. EPILOGUE TWO
  73. ABOUT THE AUTHOR

“I already don’t like where this is going.”

“It’s called a PR stunt. It happens all the time. Non-disclosure agreements are signed. Public events are planned and staged. Everyone smiles pretty and plays the part for a set amount of time before irreconcilable differences make it too hard to continue.”

“I’m aware. I’ve seen it with my own eyes—it’s Hollywood, after all . . . but you don’t think the judge knows this?”

“Which is why I planted the seed I planted. Now it’s up to you to water it and make it grow.”

I level my brother with a dubious glare. “I’m not a fucking gardener. This is my damn life.”

“Then maybe you should treat it as such.” His words are a stark rebuke that I let roll off my back. “Abigail and I have compiled a list of suitable women we think would be willing to step into the role. Women we think Watkins would find suitable as well.”

I take a seat, prop my elbows on my knees, and hang my head. This is really fucking happening, isn’t it?

“We’d make the breach of confidentiality so damning that they wouldn’t risk telling anyone that they weren’t madly in love with you after a secretive, whirlwind romance.”

“Great. I’m so fucked up that you have to threaten a woman to marry me. And in the same breath, how is it a whirlwind if we’ve been together for months?” I look up and meet his eyes.

“We’d iron out the details obviously, get the story and timeline straight before we went public. I’m just talking hypothetical right now.”

“Fucking perfect.” I lean my head back and chuckle. It sounds like desperation.

But my brother gives me the moment to think. To hate the idea. Then to come to terms with it. And then to realize how much I loathe the fake bullshit in this town—the one that surrounds me on the daily and that I try to avoid.

“Go home. Sleep on it. Abigail will be here tomorrow at eleven. She’s going to bring the three potential business partners with her for you to meet—”

“Christ,” I mutter and put my sunglasses back on as if that’s going to help the matter. “Business partners? That’s the last thing I’d call my fake wife.”

“She’s going to email their profiles to you later for you to check out, but she’s pretty sure she has your type down.”

“Sounds so romantic.”

“Since when are you into romance, brother?”

“Let me guess, one’s a wannabe model, another’s trying to get her big break in the music industry, and the other is . . . let’s finish out the trifecta . . . is sick of sleeping on directors’ couches—to put it politely—and might benefit from changing things up.” I stand and shake my head. “No. No. And no.”