Back Summer in the City
Chapters (54)
  1. Cover
  2. About the Author
  3. Also by Fiona Collins
  4. Dedication
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. Three Months Later
  53. Acknowledgements
  54. THIS IS JUST THE BEGINNING

I leave the shop and Maya looking both bemused and concerned and walk the two doors to the travel agent’s. There’s a woman at the desk. She is not my mum. There’s a laugh and a door opens at the back of the shop and a different woman walks out.

‘Hello,’ I say.

She is short, like me, and is wearing an A-line black skirt and a pair of silver flat sandals and a dark grey sleeveless T-shirt and she has the same hairstyle as me, including the fringe, except her hair is a stripy palette of blonde and grey highlights. She’s not a hippy or a punk or an eighties Wham! fan. She looks a little like she did when we were young.

‘Hello,’ she says. Actually, she looks like she’s seen a ghost, which is what is happening here, after all. I am a ghost, and she is a ghost to me.

‘Hello,’ I say again. I know she knows it’s me. I mean, there’s no mistaking me, is there? I could be immediately pulled from any line-up. I’m amazed she looks so familiar, though. I thought she’d be all drug-addled, starey-eyed and Starflowered; wizened and ruined by substance abuse. But her eyes are clear and her face is relatively unlined. It doesn’t tally with Angela’s description of her from 1990. Of Starflower. Age and recreational drug use have clearly been kind to her, after all.

‘Would you like to go and get a coffee with me?’ I ask. ‘Can you take half an hour off?’

A half-hour audience with my mother. Half an hour after thirty-four years. It’s not much to ask, is it? And I think it will be enough.

‘Can you hold the fort here?’ my mother asks the woman at the desk and the woman nods. ‘I’ll just get my bag,’ she adds, and she turns and goes back through the end door. I wonder if there’s a window at the back, an escape hatch, so she can run away again. Is she now squeezing her body through a narrow gap and preparing to leg it down the road? Does she have a hippy friend waiting for her in a 1970s getaway van?

She reappears. I walk to the exit and she follows. We slip out the door and we are walking down the street.

‘How did you know I was here?’

It’s so weird hearing her voice, the same one that used to tell us to eat up all our fishfingers or do up our shoes. It’s perhaps a little huskier, but I would know it anywhere.

‘You look nice grey,’ I say. ‘Grey-y blonde. It suits you.’ I deliberately don’t answer her question. I don’t have any explaining to do; she does.

‘Thanks, it’s been like this for ages.’