Back Summer in the City Save as PDF
Chapters (54)
  1. Cover
  2. About the Author
  3. Also by Fiona Collins
  4. Dedication
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. Three Months Later
  53. Acknowledgements
  54. THIS IS JUST THE BEGINNING

Ah, I get it. The transport woman. The card. Was that what I was supposed to have seen? A jumper? Someone throwing themselves under a London tube on a Wednesday afternoon? Oh God, how horrible. I’m glad I didn’t see what that tube worker thought I had. I’m sorry I was a case of mistaken identity and wasted time and – self-centredly – that I looked so terrible she thought I needed help. I feel sad. I let a long sigh escape me at the thought of wasted life. And I put the card in my canvas shopper and I stand still on the right-hand lane of the escalator as it slowly carries me to the noise and light of the city above.

CHAPTER 2

‘Good afternoon.’

People always look at me oddly when I walk up to the brown double doors halfway along the Haverstock Hill flank of Chalk Farm tube station, place a key in the rusting lock and step inside. Well, a little more oddly than usual, anyway, and if Dad’s with me then it’s quite the party.

‘Afternoon.’

The man who has wished me ‘Good afternoon’ is wearing a panama hat and a headache-inducing paisley shirt. He’s stopped on the pavement beside me, a little too close. He hasn’t seen me put my key in the lock yet: I can’t find the sodding thing in my bag – its contents are one huge, shifting mass; a haystack for many needles. He has seen me knock on one of the doors, but Dad never comes down if somebody knocks, going conveniently deaf as well as blind on such occasions.

‘What’s in there, then?’ the man asks.

I have my back turned so the late-afternoon sunlight can bucket into my enormous bag and aid the search for my key. ‘My purse, a box of Tampax and Estée Lauder’s Double Wear foundation,’ I retort. ‘Amongst a million other things.’

‘No, behind the doors,’ he adds. He looks cross with me and I have no idea why.

‘I live here,’ I say.

He looks up at the windows. ‘Unusual.’

‘Yes.’

It is unusual, I’ll give him that: Dad and I live in a flat above Chalk Farm tube station. The Palladian, as it’s known, is one of a kind – the only residence to actually form part of an underground station in the whole of London.

The man looks from me to one of the arched, small-paned windows above us, then back to me again. I’m still rummaging in my useless bag.

‘Seen enough?’ I ask. The man just shrugs.