Contents ( 110)
- Contents
- About the Book
- About the Author
- PART ONE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- PART TWO
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- PART THREE
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- What did you think?
Readers can connect with Ethan on various social media platforms:

www.ethancross.com

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@EthanCrossBooks
Ethan Cross
SPECTRUM
A Thriller

»be« by BASTEI ENTERTAINMENT
Digital original edition
»be« by Bastei Entertainment is an imprint of Bastei Lübbe AG
Published in agreement with the author, c/o BAROR INTERNATIONAL, INC., Armonk, New York, U.S.A.
This is a work of fiction. Names, characters, businesses, places, events, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. This book is written in U.S. American English.
Copyright © 2017 Aaron Brown
Copyright © 2017 by Bastei Lübbe AG, Schanzenstraße 6-20, 51063 Köln, Germany
Written by Ethan Cross
Edited by Lou Aronica
Project editor, English: Lori Herber-Griffin
Cover design, English: Massimo Peter
Cover Illustrations: © shutterstock: ZRyzner | ostill | Lia Koltyrina | talseN | ilolab
eBook production: Urban SatzKonzept
ISBN 978-3-7325-4752-4
www.be-ebooks.com
PART ONE
Chapter 1
Isabel Price stumbled through the rusty door of the small corrugated metal shack and, ignoring the pain, ran as fast as her strong South African legs would carry her.
Words like nightmare and why kept floating through the maelstrom of thoughts inside her mind. She felt light-headed and nauseated. She stumbled over the barren terrain between each clapboard shack of the squatter camp. She had to know if they were all dead. She had to know if her boy was dead.
Dingani shouted her name from somewhere behind, but she ignored him. She had to know. And her desire to know was so strong that no other thought could possibly enter her mind until she knew Tyler’s fate. All she could think about was her boy.
Her father’s shouts joined with Dingani’s. Elliot Price had always possessed a booming and powerful voice. It had served him well as a budding politician back in the days when the white minority ran the government.
Isabel ignored her father’s calls. All she could think about was her boy.
She jumped a fence and landed inside Mrs. Eberle’s herb garden. Isabel didn’t give a second thought to the destruction of the kind old lady’s property. If her fears were justified, then Mrs. Eberle wouldn’t mind. Because Mrs. Eberle was already dead. Along with all the other residents of the squatter camp.
She kept moving, jumped the next fence, and came to a dirt trail beaten into a roadway by the feet of the camp’s poverty-stricken inhabitants. She ran north and east and across two rows of the thrown-together shacks, each one of them slightly different depending on what was available when they were constructed. Most had dirt floors with the residents sleeping on mattresses sprawled over the ground. No furniture. No running water.
Ahead, Isabel saw her destination. A shoddy blue and white shack made of corrugated metal and one-by-fours. She ran up to the tiny home’s front door and knocked with enough force that she feared she may have damaged the clapboard building’s structural integrity.