Back Spectrum

Spectrum

Ethan Cross

Contents

  1. Cover
  2. About the Book
  3. About the Author
  4. Title
  5. Copyright
  6. PART ONE
  7. Chapter 1
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Chapter 6
  13. Chapter 7
  14. Chapter 8
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Chapter 21
  28. Chapter 22
  29. Chapter 23
  30. Chapter 24
  31. Chapter 25
  32. Chapter 26
  33. Chapter 27
  34. Chapter 28
  35. Chapter 29
  36. Chapter 30
  37. Chapter 31
  38. Chapter 32
  39. Chapter 33
  40. Chapter 34
  41. PART TWO
  42. Chapter 35
  43. Chapter 36
  44. Chapter 37
  45. Chapter 38
  46. Chapter 39
  47. Chapter 40
  48. Chapter 41
  49. Chapter 42
  50. Chapter 43
  51. Chapter 44
  52. Chapter 45
  53. Chapter 46
  54. Chapter 47
  55. Chapter 48
  56. Chapter 49
  57. Chapter 50
  58. Chapter 51
  59. Chapter 52
  60. Chapter 53
  61. Chapter 54
  62. Chapter 55
  63. Chapter 56
  64. Chapter 57
  65. Chapter 58
  66. Chapter 59
  67. Chapter 60
  68. Chapter 61
  69. Chapter 62
  70. Chapter 63
  71. Chapter 64
  72. Chapter 65
  73. Chapter 66
  74. Chapter 67
  75. Chapter 68
  76. PART THREE
  77. Chapter 69
  78. Chapter 70
  79. Chapter 71
  80. Chapter 72
  81. Chapter 73
  82. Chapter 74
  83. Chapter 75
  84. Chapter 76
  85. Chapter 77
  86. Chapter 78
  87. Chapter 79
  88. Chapter 80
  89. Chapter 81
  90. Chapter 82
  91. Chapter 83
  92. Chapter 84
  93. Chapter 85
  94. Chapter 86
  95. Chapter 87
  96. Chapter 88
  97. Chapter 89
  98. Chapter 90
  99. Chapter 91
  100. Chapter 92
  101. Chapter 93
  102. Chapter 94
  103. Chapter 95
  104. Chapter 96
  105. Chapter 97
  106. Chapter 98
  107. Chapter 99
  108. Chapter 100
  109. Chapter 101
  110. Chapter 102
  111. Chapter 103

About the Book

A fast-paced thriller from the author of the international bestselling Shepherd series.

The gruesome killing of more than 300 white squatters in a South African village is still unsolved when the alleged assassin enters a storage facility in the US and takes several hostages.

No demands and an obvious play for time leave hostage negotiators on edge. When the FBI is called in, they bring Dr. August Burke, a young man with James Dean looks and a brilliant mind capable of seeing behavioral patterns where others can’t. Unfortunately, Burke hates being around people. Can he put his social anxieties aside and solve the mystery before it’s too late?

Together with FBI Special Agent Carter, Burke finds the door to a secret laboratory beneath the storage facility. Is this what the culprits are really after? Soon Burke realizes they are dealing with an enemy who is willing to kill thousands without batting an eye.

Across the globe, Constable Isabel Price picks up her gun and starts the hunt for the killer behind the village massacre, even if that means losing everything. She has no intention on bringing him back alive. Her thirst for revenge leads her to the US, and her path intertwines with the hostage takers.

Between Isabel Price’s quest for bloody vengeance and August Burke’s uneasy gift, Spectrum weaves a web of intrigue and complex characters into an action-packed crime novel.

About the Author

ETHAN CROSS is the international bestselling and award-winning author of THE SHEPHERD, THE CAGE, CALLSIGN: KNIGHT, and THE PROPHET—a novel described by bestselling author Jon Land as “The best book of its kind since Thomas Harris retired Hannibal Lecter” while #1 New York Times Bestselling Author Lisa Gardner said, “The surprises are fast and furious and will leave you breathless to read more”.

Readers can connect with Ethan on various social media platforms:

Image
www.ethancross.com

Image
www.facebook.com/EthanCrossBooks

Image
@EthanCrossBooks

Ethan Cross

SPECTRUM

A Thriller

BE-Logo

»be« by BASTEI ENTERTAINMENT

Digital original edition

»be« by Bastei Entertainment is an imprint of Bastei Lübbe AG

Published in agreement with the author, c/o BAROR INTERNATIONAL, INC., Armonk, New York, U.S.A.

This is a work of fiction. Names, characters, businesses, places, events, and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. This book is written in U.S. American English.

Copyright © 2017 Aaron Brown

Copyright © 2017 by Bastei Lübbe AG, Schanzenstraße 6-20, 51063 Köln, Germany

Written by Ethan Cross

Edited by Lou Aronica

Project editor, English: Lori Herber-Griffin

Cover design, English: Massimo Peter

Cover Illustrations: © shutterstock: ZRyzner | ostill | Lia Koltyrina | talseN | ilolab

eBook production: Urban SatzKonzept

ISBN 978-3-7325-4752-4

www.be-ebooks.com

PART ONE

Chapter 1

Isabel Price stumbled through the rusty door of the small corrugated metal shack and, ignoring the pain, ran as fast as her strong South African legs would carry her.

Words like nightmare and why kept floating through the maelstrom of thoughts inside her mind. She felt light-headed and nauseated. She stumbled over the barren terrain between each clapboard shack of the squatter camp. She had to know if they were all dead. She had to know if her boy was dead.

Dingani shouted her name from somewhere behind, but she ignored him. She had to know. And her desire to know was so strong that no other thought could possibly enter her mind until she knew Tyler’s fate. All she could think about was her boy.

Her father’s shouts joined with Dingani’s. Elliot Price had always possessed a booming and powerful voice. It had served him well as a budding politician back in the days when the white minority ran the government.

Isabel ignored her father’s calls. All she could think about was her boy.

She jumped a fence and landed inside Mrs. Eberle’s herb garden. Isabel didn’t give a second thought to the destruction of the kind old lady’s property. If her fears were justified, then Mrs. Eberle wouldn’t mind. Because Mrs. Eberle was already dead. Along with all the other residents of the squatter camp.

She kept moving, jumped the next fence, and came to a dirt trail beaten into a roadway by the feet of the camp’s poverty-stricken inhabitants. She ran north and east and across two rows of the thrown-together shacks, each one of them slightly different depending on what was available when they were constructed. Most had dirt floors with the residents sleeping on mattresses sprawled over the ground. No furniture. No running water.

Ahead, Isabel saw her destination. A shoddy blue and white shack made of corrugated metal and one-by-fours. She ran up to the tiny home’s front door and knocked with enough force that she feared she may have damaged the clapboard building’s structural integrity.

There was no answer. No sounds inside. No signs of movement.

Using her police training, Isabel kicked the door and burst inside with her flashlight and service pistol at the ready. This shack had been slightly upgraded compared to most of the others. She had seen to that, wanting her boy to have a better life than sleeping in the dirt. She saw Tyler’s birth mother’s body where she had been sleeping on a pull-out couch.

Isabel fought the urge to vomit.

They were all dead.

But she still had to see for herself. She ran toward the back of the shack where Tyler had his own “room,” the size of a small closet. Still, her boy loved having his own space. She saw the blood coming out from beneath Tyler’s door, and she knew.

There was nothing more she needed to see. Constable Isabel Price of the South African Police Service, or SAPS, had seen enough crime scenes and enough victims and enough pools of blood to know when someone was not walking away. And she knew that Tyler—like his birth mother, like everyone else inside this all-white South African squatter camp—was dead.

Isabel stumbled out into the crisp morning air, knocking over half the furniture in her wake. She felt the whole world spinning. This had to be a dream. A nightmare. Any second she would wake up in the hospital after having endured a car crash or a gunshot wound or a brain aneurysm, and she would realize that this whole scene had been nothing but a bad dream brought on by some slightly less horrible trauma.

But this felt real. Too real.

She didn’t know what to think or believe. She just fell to her knees in the middle of the dirt path, dropping her pistol and her flashlight and not caring about dirtying up her nice, new pantsuit. She crawled through the dirt, weeping, her tears flooding down her face and staining the ground.

She didn’t scream or say a word.

Constable Isabel Price merely fell over on her side and curled up into a ball. Then she closed her eyes and prayed to wake up from the nightmare.

But all she could think about was Tyler. Her boy. With his head, hands, and feet chopped off. Just like the nearly 300 other residents of the camp.

Chapter 2

One month later …

He heard the low growls before he saw the beasts. The sound of paws in dirt, bushes rustling. Then the roars and the screams. He ran, and one stepped in front of him and Zarina. It batted a paw, toying with them more than attacking. His mother shrieked and dove at the beast, yelling for him to run. He felt warm blood on his clothes, but didn’t know to whom it belonged. He ran and hid and listened as his mother was eaten alive.

But since the recent deaths he had witnessed in a South African squatter camp, the dream had changed.

Now, when his mother was being devoured, he was seeing through the lion’s eyes and feeling what it felt. He sunk in his teeth and tore her flesh, pinning her with his claws. He felt the blood in his mouth as he devoured her entrails while she still lived.

Then he felt something strike his shoulder, and he was instantly awake, reaching for both his knife and gun simultaneously.

“It’s time. Do your thing.” Dr. JoAnn Raskin said.

Idris Madeira, or Kruger as he was known professionally, scowled over at the arrogant little American. He knew what time it was, and his internal clock told him that he’d been awakened ten minutes too early. He checked his watch and confirmed the error. Sleep on a mission was often a luxury, and Kruger had learned long ago to take advantage of every moment of rest—because he never could tell when he might have to go days without closing his eyes.

The target would be sleeping by now. He had decided to wait until three in the morning to be sure. His pompous accomplice had complained and argued that 1:00 a.m. would be more than sufficient. But he overruled Raskin on all operational matters. He was the professional, after all, and had carried out similar assignments on numerous occasions.

The patient predator was always rewarded with the better kill.

From the passenger seat, Raskin handed him the syringe and the tube containing the Q-tip without saying a word, like he was some hunting dog being taken off the leash and told to run. If he hadn’t required the American’s knowledge and connections to complete this final job, he would have ended Raskin long ago. The haughty American certainly deserved it, probably more so than anyone else he had ever killed. But such an act of indulgent, emotional violence would have been rash and stupid, and Kruger had learned to play the long game from years of hard lessons and painful mistakes.

He stepped from the van and headed toward the small two-story home. It was blue-green with projecting eaves and a low-pitched gable roof covered in terra-cotta tiles. He had studied the layout of the house and the target’s routines and knew that Fred Little would be waiting in an upstairs bedroom or asleep in his La-Z-Boy in front of the television.

The Americans were so obsessed with their TVs. He and Zarina didn’t even own a television. If he wanted to catch a soccer game, they would travel down to the local sports bar or attend in person. He had better things to do with his time than watch others live their lives.

The preparations were all in place. Fred Little’s house key had been stolen from his pocket, imprinted, and returned. The security system code had been acquired by watching through a window using a telescopic lens as Fred entered it. Kruger simply walked into the house as if he were the owner returning from a hard day’s work.

As he ascended the stairs, he hugged the wall with his size 22 boots, stepping up one foot at a time, knowing that creaks and groans were seldom found on a stair’s innermost edge. His right hand held a black Beretta M9A1 pistol with a sound suppressor threaded over its barrel, although he had no intention of using the weapon. It was merely a precautionary measure.

When he reached the top of the stairs, he saw a dark face and the glow of eyes. He raised the gun as a reflex before he realized it was only a mirror. He stepped forward, and the image of himself grew larger. A large window over the home’s foyer allowed the moonlight to illuminate his form, but he had to lean his seven-foot frame down in order to look into his own eyes.

But were they his eyes or were they Kruger’s?

He couldn’t remember. He couldn’t differentiate the line between Idris, the husband and father, and Kruger, the professional killer and mercenary who was spoke of in certain circles as a phantom. He had only allowed Kruger to be a mere shadow, a predator, a weapon, a tool used to print money for Idris. But now he couldn’t decide if Kruger had taken over or lost all control.

And then he was back in the squatter camp, going from house to house. He saw his own hands bringing down the blade over and over, chopping off pieces of what had once been people so poor they slept in the dirt. But in his ears, he didn’t hear the ripping and breaking of sinew and bone. He heard his mother’s screams and the growls of the lions.

Suddenly aware of his surroundings, he stood back up to full height and checked his watch. Cursing himself, he double-checked his weapons out of pure habit. He had succumbed to another fugue and had apparently been staring into the mirror for a full five minutes.

On most of his missions such a lapse would have resulted in his death. He was lucky that this particular target was sleeping peacefully and had no one to watch over him. But Kruger knew that luck only held out so long. It only took one mistake, one second of lost focus. He needed to get out of the game. And he needed to do it quickly or he wouldn’t have to worry about whether he was truly Idris or Kruger, because they would both be dead.

He opened the bedroom door and crept inside. Fred Little slept on his back and was snoring like a bear. The thin sheet had been kicked away and only covered a portion of Fred’s torso. He wore nothing but a white T-shirt and checkered boxer shorts. This routine had been verified on three previous nights using a remote-controlled drone to peer into Fred’s bedroom window.

Kruger gently moved the sheet aside and pulled up on the leg of Fred’s boxer shorts. Then he retrieved the Q-tip from the tube and swabbed the injection site. The local anesthetic would keep Fred from feeling the penetration of the needle. He waited a moment to be sure the numbing effect had taken hold, and then he injected the succinylcholine into the middle third of Fred’s upper thigh, straight into vastus lateralis muscle.

He waited a few moments for the drug to spread through his target’s system. As he waited, he watched Fred sleep. Kruger knew from his research that Fred was the youngest of three boys born to a wealthy farming family in rural Kentucky. His inherited money allowed Fred to attend college at MIT and study robotics, but to Kruger’s eyes, Fred still looked like he belonged in the backwoods, hunting and fishing, with his auburn brush pile mustache and long sideburns cut into a point in the middle of his cheeks. But Kruger definitely wasn’t judging the man. He—or rather his alter ego, Idris Madeira—had been born in a small village in Mozambique and felt more at home on the savannah than in a jungle of concrete.

You've reached the end

Take a copy with you, or head back to the book page.