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Contents ( 73)
  1. Contents
  2. ONE
  3. VERNON MOORE
  4. TWO
  5. CALEB MOORE
  6. THREE
  7. SIDNEY CAHILL
  8. FOUR
  9. SHARON WORNKIN
  10. FIVE
  11. SIDNEY CAHILL
  12. SIX
  13. VERNON MOORE
  14. SEVEN
  15. SIDNEY CAHILL
  16. EIGHT
  17. VERNON MOORE
  18. NINE
  19. SHARON WORNKIN
  20. TEN
  21. SIDNEY CAHILL
  22. ELEVEN
  23. VERNON MOORE
  24. TWELVE
  25. SHARON WORNKIN
  26. THIRTEEN
  27. SIDNEY CAHILL
  28. FOURTEEN
  29. VERNON MOORE
  30. FIFTEEN
  31. SHARON WORNKIN
  32. SIXTEEN
  33. VERNON MOORE
  34. SEVENTEEN
  35. SHARON WORNKIN
  36. EIGHTEEN
  37. PENELOPE MOORE
  38. NINETEEN
  39. SIDNEY CAHILL
  40. TWENTY
  41. VERNON MOORE
  42. TWENTY-ONE
  43. BRENDAN CAHILL
  44. TWENTY-TWO
  45. PENELOPE MOORE
  46. TWENTY-THREE
  47. VERNON MOORE
  48. TWENTY-FOUR
  49. SIDNEY CAHILL
  50. TWENTY-FIVE
  51. VERNON MOORE
  52. TWENTY-SIX
  53. CALEB MOORE
  54. TWENTY-SEVEN
  55. SHARON WORNKIN
  56. TWENTY-EIGHT
  57. CALEB MOORE
  58. TWENTY-NINE
  59. BRENDAN CAHILL
  60. THIRTY
  61. VERNON MOORE
  62. THIRTY-ONE
  63. SHARON WORNKIN
  64. THIRTY-TWO
  65. SIDNEY CAHILL
  66. THIRTY-THREE
  67. CALEB MOORE
  68. THIRTY-FOUR
  69. VERNON MOORE
  70. THIRTY-FIVE
  71. SHARON WORNKIN
  72. THIRTY-SIX
  73. VERNON MOORE

‘He thinks you’re a joke. You know that, right?’

Sharon said nothing.

‘He said so to Cass. Well, if not to her then in front of her. He thinks you’re a cow. That he said verbatim. He said you were like a cow running to the back of a ute giving out hay.’

What to say to that? Peter’s words sat in the air like claggy glue. She wondered where he had learned to be so venomous. Guessed it was on her again. He hadn’t been taught any different.

She sighed. No wonder her son thought the way he did; what he thought was true.

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Her father had scooped up the chicken bodies in a wheelbarrow, their matted red feathers clumping together, mottling like fallen leaves. Like you could step on them, play with them, throw them in the air. He had showered, and then wheeled the barrow down the street to the butcher, Mr Oxley. He’d asked her to accompany him and she’d refused.

So now here they were, Sharon and her mother, seated in the lounge room watching television. Her mother had a hot water bottle on the small of her back. She sat forward, clasping her hands together, wincing.

‘You want something to eat? I could make you something.’

Sharon shook her head. Then, softly, ‘I don’t know why you just let him hit you.’

Her mother kept looking at the television. The screen, without the lights on in the room, coating her face in muted colours.

She said, ‘It’s easier.’

‘What do you mean?’

‘Sharon . . .’

‘What do you mean, it’s easier?’

Her mother sighed, held her hand to her back, repositioned the hot water bottle.

‘You’ll understand when you’re older.’

‘Mum,’ Sharon said. She looked at her mother, willing her to turn her eyes. ‘He shouldn’t hit you.’

‘I know, sweetheart.’

‘You should say something then.’

‘That’d just make him madder.’

‘The cops’d help?’

‘No,’ her mother said. ‘They wouldn’t.’

‘They would. Why wouldn’t they?’

‘They’d come over here and at best they’d talk to him about it. And he’d act all sorry for a little while. But then he’d drink; he’d get mad. He’d look at the other blokes around him and how their wives are so far up their arses and he’d come home wild again. No.’

Her mother was crying now.

‘Sorry,’ she said.

‘For what?’

‘I shouldn’t say arse.’

‘Mum––’

‘I’m sorry this is how it is, sweetheart. But this is how it is.’

She did turn then. The look she gave; Sharon never forgot it. In later years, when she thought of her mother she saw that look, that face only. Fraught with pain, world-weary. But more than that. It was broken.

Her mother said, attempting a smile, ‘It’s best you learn now, sweetheart. You stand up for yourself, you’ll only get shoved back down. Best never to stand up in the first place. Now. Let me get you something to eat.’