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Contents ( 73)
  1. Contents
  2. ONE
  3. VERNON MOORE
  4. TWO
  5. CALEB MOORE
  6. THREE
  7. SIDNEY CAHILL
  8. FOUR
  9. SHARON WORNKIN
  10. FIVE
  11. SIDNEY CAHILL
  12. SIX
  13. VERNON MOORE
  14. SEVEN
  15. SIDNEY CAHILL
  16. EIGHT
  17. VERNON MOORE
  18. NINE
  19. SHARON WORNKIN
  20. TEN
  21. SIDNEY CAHILL
  22. ELEVEN
  23. VERNON MOORE
  24. TWELVE
  25. SHARON WORNKIN
  26. THIRTEEN
  27. SIDNEY CAHILL
  28. FOURTEEN
  29. VERNON MOORE
  30. FIFTEEN
  31. SHARON WORNKIN
  32. SIXTEEN
  33. VERNON MOORE
  34. SEVENTEEN
  35. SHARON WORNKIN
  36. EIGHTEEN
  37. PENELOPE MOORE
  38. NINETEEN
  39. SIDNEY CAHILL
  40. TWENTY
  41. VERNON MOORE
  42. TWENTY-ONE
  43. BRENDAN CAHILL
  44. TWENTY-TWO
  45. PENELOPE MOORE
  46. TWENTY-THREE
  47. VERNON MOORE
  48. TWENTY-FOUR
  49. SIDNEY CAHILL
  50. TWENTY-FIVE
  51. VERNON MOORE
  52. TWENTY-SIX
  53. CALEB MOORE
  54. TWENTY-SEVEN
  55. SHARON WORNKIN
  56. TWENTY-EIGHT
  57. CALEB MOORE
  58. TWENTY-NINE
  59. BRENDAN CAHILL
  60. THIRTY
  61. VERNON MOORE
  62. THIRTY-ONE
  63. SHARON WORNKIN
  64. THIRTY-TWO
  65. SIDNEY CAHILL
  66. THIRTY-THREE
  67. CALEB MOORE
  68. THIRTY-FOUR
  69. VERNON MOORE
  70. THIRTY-FIVE
  71. SHARON WORNKIN
  72. THIRTY-SIX
  73. VERNON MOORE

‘Well, even if it was them they don’t know it was me took the car.’

‘Of course they know it was you. They will have talked to Ernie. Where’s their car now?’

‘You don’t know they talked to Ernie.’

‘Where’s the car?’

He ate his toast. She could be right about Ernie. The truth of it sat like mustard on his tongue. He said, ‘I stashed it down at the river.’

‘Where you put the boat in sometimes?’

He nodded.

‘How’d you get back here, then?’

‘I walked.’

She sighed, and said, ‘You’re an idiot sometimes.’

This hurt him worse than his pained calves.

Then he said, ‘The drugs are in that car.’

‘Well, that means they’re going to want it!’

He nodded. ‘I know.’

‘So? We should go and get it and give it back.’

‘I’m not sure we should. Let’s just see how they react first. Make sure they’re leaving Caleb alone.’

‘These Melbourne guys came and thought nothing of beating up a policeman. They’d think nothing of . . . and me in the process? Don’t you care?’

‘Of course I bloody care.’

‘Then get the car.’

He sat there impassive. She glared at him, all the resentment in the world on her face. Him just taking it.

Soon, without another word, she stomped from the kitchen and slammed the front door. He put more bread in the toaster. Heard her car start and peel down the driveway. Once, she would have gone to her folks, but they were dead now, been gone two decades. She was probably going to Margie’s, the old bag, the gossip. Where she normally ran off to after a fight. He went to Snake Island, she went to her friend’s. They’d be talking about him the moment her foot left the car and met Margie’s pavement.

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He was sitting on his chair out the back with a cup of tea, staring at the pelican’s grave, when he heard a car pull into the driveway. He creaked up, knees and calves and back aching, and walked through the house to the front door. As his hand went to the doorknob there came a pounding that rattled the wood.

‘Vernon Moore? You in there?’ a female voice shouted.

He took a moment.

‘Yeah?’

‘It’s Sharon Wornkin. The police.’

‘I know who you bloody are,’ he said as he opened the door. She stood ready at the bottom of his doorstep. Hands on her hips, eyeing him carefully.

‘What do you want?’

‘I need to have a word,’ she said.

Vernon hated the way she was looking at him. Hated her ill-fitting uniform. It bulged at every button.

‘Have it then,’ Vernon said.

‘We need to take a drive.’

‘Why?’

‘We need to have a word.’

‘You arresting me?’

‘I suppose I am.’

Absurd, the way she was looking up at him with her hands on her hips. He breathed slowly out, looked at the clouds on the horizon.