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Contents ( 73)
  1. Contents
  2. ONE
  3. VERNON MOORE
  4. TWO
  5. CALEB MOORE
  6. THREE
  7. SIDNEY CAHILL
  8. FOUR
  9. SHARON WORNKIN
  10. FIVE
  11. SIDNEY CAHILL
  12. SIX
  13. VERNON MOORE
  14. SEVEN
  15. SIDNEY CAHILL
  16. EIGHT
  17. VERNON MOORE
  18. NINE
  19. SHARON WORNKIN
  20. TEN
  21. SIDNEY CAHILL
  22. ELEVEN
  23. VERNON MOORE
  24. TWELVE
  25. SHARON WORNKIN
  26. THIRTEEN
  27. SIDNEY CAHILL
  28. FOURTEEN
  29. VERNON MOORE
  30. FIFTEEN
  31. SHARON WORNKIN
  32. SIXTEEN
  33. VERNON MOORE
  34. SEVENTEEN
  35. SHARON WORNKIN
  36. EIGHTEEN
  37. PENELOPE MOORE
  38. NINETEEN
  39. SIDNEY CAHILL
  40. TWENTY
  41. VERNON MOORE
  42. TWENTY-ONE
  43. BRENDAN CAHILL
  44. TWENTY-TWO
  45. PENELOPE MOORE
  46. TWENTY-THREE
  47. VERNON MOORE
  48. TWENTY-FOUR
  49. SIDNEY CAHILL
  50. TWENTY-FIVE
  51. VERNON MOORE
  52. TWENTY-SIX
  53. CALEB MOORE
  54. TWENTY-SEVEN
  55. SHARON WORNKIN
  56. TWENTY-EIGHT
  57. CALEB MOORE
  58. TWENTY-NINE
  59. BRENDAN CAHILL
  60. THIRTY
  61. VERNON MOORE
  62. THIRTY-ONE
  63. SHARON WORNKIN
  64. THIRTY-TWO
  65. SIDNEY CAHILL
  66. THIRTY-THREE
  67. CALEB MOORE
  68. THIRTY-FOUR
  69. VERNON MOORE
  70. THIRTY-FIVE
  71. SHARON WORNKIN
  72. THIRTY-SIX
  73. VERNON MOORE

There was a lull. Kelly gone, somewhere within. Besides Martin’s moaning, no other sound. ‘Is he still there?’ Brendan asked Judah.

‘Just help Martin,’ Judah said.

There was something in Judah’s eyes that made Brendan do as the man said. He sat Martin up and saw the blood. Already a pool of it. It was gushing out of a wound in his neck. Martin was kicking his feet and groaning and his eyes were wide.

‘He needs a hospital,’ Brendan said. He put a hand on Martin’s neck and applied pressure. Martin’s eyes widened further and his boots kicked against the brick of the church.

‘You’re strangling him,’ Judah said. Brendan moved his hand away from the trachea and over the wound. The neck was slippery, the pulse there somewhere, thrumming like guitar strings––between his fingers, life pulsing. Martin was crying. He kept trying to speak but all that came out was the sound of a bathtub emptying.

‘He needs a hospital,’ Brendan said again.

‘Can you get him to the car?’

Just as Brendan stood up another shot came from inside the church. Something careened off the brick nearby and flew past his face. He gasped and held it and felt blood already seeping from his ear. Judah returned fire and from inside came a loud groan. Craning his neck Brendan could see that the minister was down, crawling away from the door, towards a table with a purple cloth, a golden tassel hanging from it. Brendan thought he could see flyers of a service. Kelly’s rifle lay on the carpet and a trail of blood was spreading like oil in water. Judah walked forwards, training his pistol on the minister’s back. Brendan followed, leaving Martin in his mess. Kelly grabbed at the tassel and the cloth fell over him and he looked already dead. The flyers fell.

Judah said, ‘You tell us where this bloody Moore is or I’ll make this worse for you.’

Beneath the cloth the minister scrambled. He seemed unable to stop moving, despite what further harm might be done to him. On the steps the drowning of Martin.

Then, somehow, Kelly was on his feet, holding his weeping leg. He regarded his abusers hopping, with venom in his eyes.

‘I’m not telling you anything,’ he said. ‘You can go to hell.’

‘Some way for a minister to talk.’

‘If I’m going, I’m going and that’s all there is to it. I’ll be with Christ.’ Kelly leaned his head back and laughed, then started coughing. ‘Weymouth,’ he said. ‘Last bloody bloke I wanted in my head at this moment. Still think he was wrong.’

Nonsense words. Judah brought his pistol up again and aimed it at the minister’s stomach and the old man’s eyes flew open in terror.

‘You aren’t going yet, old man. You tell us where Moore is.’

‘Shooting a minister in a church is a guaranteed way to get into hell.’

‘Wouldn’t be talking about who shot who, preacher.’ Judah’s eyes flicked to his dying friend. ‘You tell me what I want to know or I’ll shoot you in the gut. I’ve been shot in the gut. It’s not pretty, let me tell you.’